
The Found Treasure
There’s a unique thrill in uncovering something that wasn’t meant for your eyes. It’s a feeling that pulls you in, a whisper of a secret waiting to be unraveled. Unlike a story laid out neatly from beginning to end, or one woven through a tapestry of shifting timelines and viewpoints, some narratives resonate most profoundly when they feel like an accidental discovery. This is the magic of storytelling through ‘found’ items – think weathered journal entries, crumpled letters, forgotten voicemails, or crackling old recordings. It’s not just a technique; it’s an invitation to your audience to become an active participant, an archaeological explorer digging for truth.
Imagine for a moment: you’re clearing out an old attic, dusty and forgotten, and tucked away in a trunk, you find a collection of postcards. They’re undated, unsigned, but their messages hint at a grand adventure, a clandestine love, or a quiet despair. Immediately, your mind begins to piece together the fragments. Who sent them? To whom? What happened? The story isn’t told to you; you are compelled to construct it yourself from these tantalizing clues. This isn’t passive consumption; it’s an immersive act of discovery, making the audience feel like they’ve stumbled upon a genuinely hidden narrative, forging an immediate, deeply personal connection.
Discovering Hidden Storytelling Threads
The power of this approach lies in its inherent realism and intimacy. When a story is presented as a collection of artifacts – be it a series of emails between estranged siblings, transcribed interviews, medical reports, or even a police evidence file – it bypasses the traditional narrator. There’s no omniscient voice guiding you, no character carefully recounting events. Instead, you’re interacting directly with the raw evidence of a life, or a moment, or a mystery. This unfiltered access makes the narrative feel incredibly authentic, almost as if you’re a detective piecing together a cold case, or a confidant reading over someone’s shoulder. The very act of reading a character’s private thoughts in a diary entry, or overhearing a desperate plea on an old tape, creates an unparalleled sense of closeness, blurring the line between reader and subject.
The Power of Unfiltered Voices
One of the most compelling aspects of using found artifacts is the way it allows for an unmediated character voice. A character writing a letter or making a recording isn’t performing for an audience; they are often speaking their raw, unfiltered truth, or at least, their truth as they perceive it in that private moment. This direct conduit to a character’s inner world, without the filter of an external narrator, builds tremendous empathy and understanding. You don’t just hear about their struggles or triumphs; you experience them through their own words, their own handwriting, their own inflections. This can reveal motivations, fears, and desires in a way that traditional narration often struggles to match, creating a profound sense of authenticity. It’s the difference between being told about a storm and standing in its wind.
Crafting Authenticity Through Fragments
To truly harness this technique, consider the specific artifact you choose. A series of newspaper clippings might tell a very different story than a collection of forgotten photographs. The medium itself carries meaning. Think about what your chosen ‘found treasure’ implies about the character, the time period, or the events. What details would naturally be included, and perhaps more importantly, what would be left out? The gaps, the silences, the things unsaid – these are often as powerful as the explicit revelations. The audience is invited to fill these spaces with their own imagination, to speculate and infer, deepening their engagement and ownership of the narrative. It’s in these empty spaces that the story truly comes alive, becoming a collaborative effort between the creator and the audience.
So, as you craft your next story, step back from the traditional narrative path. Instead of telling your audience, invite them to discover. Give them a hidden diary, a cryptic note, a forgotten map. Let them unearth the secrets, piece together the fragments, and in doing so, forge a connection to your narrative that is as intimate and real as a whisper in the dark.
Thanks to generous funding from the Ontario Arts Council Inter and Multi Arts program, we are able to offer this year’s oral history and storytelling programming. This support is crucial in helping us create and share unique projects that weave together multiple art forms.