Digital Salvage is an unraveling—a collision of lost signals, fractured archives, and machine-haunted memory. It is where retro-futurist ghosts hum through the static, where AI drifts through corrupted echoes, piecing together the remnants of a fragmented past. A space where failed transmissions, photocopied distortions, and spectral pixels dissolve into the ether, only to be reassembled as something new, something unstable, something grasping at permanence. 

Through curated erosion and deliberate malfunction, Digital Salvage lingers in the tension between decay and reconstruction, between what was and what could have been. This is an exhibition not of objects, but of artifacts—glitches, residues, artifacts of forgetting. A meditation on obsolescence, recursion, and the poetics of loss, it invites viewers to sift through the debris of digital memory, where meaning flickers, degrades, and reemerges—an archive in perpetual collapse and reconstruction.