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2026 Summer Short Stories

Cardboard and Freon

by Jamie Bell

Genre: Adventure Season: Summer Tone: Melancholy

She carried the unbruised tomatoes into the sterile kitchen, the silence of the house pressing against her ribs.

The Packing Boxes

The F-150 rolled through the empty streets of River Heights. The transition from the decaying grid of Transcona to her neighborhood was physical. The roads smoothed out. The streetlights changed from a flickering, sick orange to a crisp, uninterrupted white. Massive elm trees arched over the pavement, creating a dark, leafy tunnel that blocked out the stars. Edith kept both hands on the steering wheel. Her knuckles ached. The dashboard clock read eleven-forty. The green digital numbers glared in the dark cab.

On the passenger seat, the two perfect tomatoes sat motionless. They looked completely out of place against the gray cloth upholstery. They looked like organs. She kept glancing at them at every stop sign.

She turned onto her street. The houses here were set far back from the curb, guarded by manicured hedges and wide, aggressively green lawns. The sprinkler systems were running. The rhythmic, hissing ticking sound drifted through her closed windows. She pulled into her driveway. The concrete was flawless. No cracks. No weeds. The motion-sensor floodlights bolted above the three-car garage snapped on instantly, flooding the driveway with a harsh, blinding glare.

Edith put the truck in park. She turned the key backward. The heavy engine shuddered and died. The silence rushed in, filling the cab. She sat there for a long time. Her hands stayed on the wheel. She stared at the closed white garage door. She felt the grime on her skin. The sweat from the greenhouse had dried, leaving a tight, itchy film across her forehead and neck. There was dirt packed under her fingernails. Her jeans were stained brown at the knees.

She looked at the passenger seat. She reached out and picked up the tomatoes. They were heavy. They felt dense, holding the residual heat of the summer day inside their tight red skins. She cradled them against her stomach, grabbed her keys, and pushed the heavy truck door open.

She stepped onto the concrete. Her boots felt loud. She walked to the front door. It was solid oak, painted a high-gloss black, with a brushed steel keypad above the handle. She punched in the four-digit code. The numbers beeped sharply. The internal deadbolt retracted with a heavy, mechanical thud. She pushed the door open.

The cold hit her immediately. The central air conditioning was set to sixty-six degrees. It was aggressive. It felt less like cooling and more like refrigeration. The sudden drop in temperature raised goosebumps on her bare arms. The sweat on her neck turned to ice. She stepped into the foyer and pushed the heavy door shut behind her. It clicked closed, sealing out the humid night air, the crickets, the distant hum of traffic. The house was entirely dead.

Edith stood on the white marble tiles. The foyer stretched up two stories, ending in a massive frosted glass chandelier. The light was off. The only illumination came from the kitchen down the hall. A bluish, flickering glow. The television.

She slipped her boots off. She left them on the rubber mat by the door. She walked down the hallway in her socks. The floorboards were wide-plank oak, perfectly polished, completely silent under her feet. She held the tomatoes tightly against her chest.

She entered the kitchen. It was massive. White quartz countertops, stainless steel appliances that looked like they belonged in a commercial prep line, a massive island with three leather stools tucked neatly underneath. The refrigerator hummed softly. It was a low, expensive frequency.

Her father was sitting in the living room area adjacent to the kitchen. He was slouched in a massive gray sectional sofa, illuminated by the eighty-inch flat screen mounted on the wall. A hockey game from three seasons ago was playing on a classic sports channel. The volume was muted. He was scrolling on his phone, the blue light reflecting off his glasses. He wore sweatpants and a golf shirt.

"You are late," he said. He did not look up from his phone.

Edith stopped at the edge of the kitchen island. She set the two tomatoes down on the cold quartz. They made a soft, wet sound. "I know. Sorry."

"Where did you take the truck?" he asked. His thumb swiped upward on the screen.

"Just driving around."

"I checked the app, Edith. You went past the Perimeter. I told you not to take it on the gravel. The suspension is sensitive."

"I hit a pothole on Portage," Edith lied. Her voice was flat. "I didn't go past the Perimeter."

Her father finally looked up. He locked his phone and set it on the glass coffee table. He looked at her. He took in her messy hair, the dirt on her face, the torn and dirty tank top. He frowned.

"Look at you," he said. "You look like you fell in a trench. What were you doing?"

"Nothing. Hanging out with Toby."

Her father sighed. It was a heavy, exasperated sound. He rubbed the bridge of his nose. "Toby. Right. I thought you two were done."

"We aren't done. He is my friend."

"He is a distraction, Edie. You leave in three weeks. You have a mountain of packing to do. You haven't even sorted your closet yet. You don't have time to be dragging around town with a kid who has zero future."

Edith’s stomach turned over. The cold air from the AC vent above her head blasted down on her neck. She looked at the tomatoes on the counter. The bright red skin. The perfect curves.

"He is having a hard time," Edith said. Her voice was quiet.

"Everyone has a hard time," her father said. He stood up from the couch. He walked into the kitchen and opened the refrigerator. The interior LED lights flooded the room. The shelves were packed. Rows of sparkling water, Tupperware containers of pre-chopped fruit, three different kinds of milk, a massive block of imported cheese. He grabbed a bottle of water and twisted the cap off.

"His parents are moving," Edith said. She watched her father drink. "They are getting evicted on the first. They are moving to a one-room basement in Selkirk. They told Toby he can't come."

Her father lowered the bottle. He leaned against the open refrigerator door. He looked at her, his expression entirely unreadable. "Okay. And?"

"And he has nowhere to go. He has no money. He doesn't have a job."

"Then he needs to get a job," her father said simply. He took another sip of water. "There are help-wanted signs in every window on Academy Road. He is eighteen. It is time to join the real world."

"He doesn't have a permanent address, Dad. He can't get hired."

"That is an excuse, Edith. If you want to work, you find a way to work. You sweep floors. You wash dishes under the table. You hustle. That family has always been looking for a handout. The dad is a drunk and the mom hasn't worked a day since the nineties. The apple doesn't fall far from the tree."

Edith gripped the edge of the quartz counter. The stone was freezing. Her fingers ached. "He is not like them. He just needs a break."

"Life doesn't give breaks," her father said. He shut the refrigerator door. The kitchen went dim again, lit only by the muted hockey game. "You make your own breaks. I worked two jobs to pay for my degree. I didn't sit around whining that it was unfair."

"He isn't whining!" Edith snapped. Her voice echoed in the cavernous room.

Her father narrowed his eyes. He set the water bottle down next to the tomatoes. He looked at the red vegetables. He poked one with his index finger. "What is this?"

"Tomatoes."

"I can see that. Where did you get them? They are covered in dirt."

"Toby gave them to me."

Her father let out a short, cynical laugh. "Right. From his sprawling estate garden? Throw them out. God knows where he dug those up. Probably sprayed with something cheap. We have organic ones in the crisper."

Edith stared at him. She looked at his clean hands, his expensive watch, the sharp crease of his sweatpants. She felt a sudden, violent surge of hatred. It spiked in her chest, hot and suffocating, making her throat tight. She snatched the tomatoes off the counter, holding them defensively against her chest.

"I am keeping them," she said.

"Suit yourself," her father said, turning back to the living room. "Go take a shower. You are tracking dust everywhere. And start packing those boxes tomorrow. I am not driving you to Toronto with your things in garbage bags."

Edith didn't answer. She turned and walked out of the kitchen. She took the stairs two at a time. The carpet was thick and plush, swallowing the sound of her footsteps. She reached the second floor and walked down the long hallway to her bedroom. She pushed the door open.

Her room was a disaster zone of impending departure. Stacked against the far wall were ten identical cardboard U-Haul boxes. Five of them were taped shut, stacked in a neat tower. The other five were open, their brown flaps folded out, waiting to be filled. Her closet doors were open. Clothes were piled on the bed. The room smelled like clean laundry and the harsh chemical adhesive of packing tape.

She walked to her desk. It was a white minimalist table with a laptop sitting perfectly in the center. She set the two tomatoes down next to the keyboard. They rolled slightly before settling.

She stood there in the middle of the room. The AC vent hissed above her. She looked at the cardboard boxes. They looked like monuments. They looked like headstones. They were physical proof that she was leaving, that she was escaping, that she was stepping into a future that was paid for, guaranteed, and perfectly temperature-controlled.

She looked down at her hands. The red welts from the wheat stalks were raised and angry across her palms. They stung. She curled her fingers into fists, pressing the cuts against her own skin, trying to make the pain sharper, trying to feel something other than the crushing weight of her own guilt.

The Tape Gun

Edith walked over to the tower of sealed boxes. Resting on the top box was a heavy-duty tape gun. The handle was red plastic, molded to fit a hand perfectly. The metal cutting teeth were sharp, catching the ambient light from the hallway. She picked it up. It was heavy. It felt like a weapon.

She turned to the open boxes. She grabbed a stack of sweaters from her bed. Cashmere, thick wool, expensive cotton blends. She dumped them into the bottom of an empty box. She didn't fold them. She just shoved them down, pressing the air out of the fabric. She grabbed a stack of jeans and threw them on top.

She grabbed the tape gun. She pulled the flaps of the box together. She pressed the sticky end of the clear tape against the cardboard and pulled the gun backward.

The sound was deafening. The tape unspooling from the tight roll let out a violent, high-pitched screech. It sounded like something tearing. She dragged the gun across the seam, twisting her wrist to let the metal teeth bite into the tape. It snapped with a sharp crack.

She did it again. Another screech. Another crack. She taped the edges. She taped the middle. She wrapped the tape around the sides, sealing the box like she was trying to make it watertight. The noise filled the room, harsh and abrasive, drowning out the hum of the AC.

Her bedroom door pushed open. Her father stood in the doorway. He had his hands in his pockets.

"Do you have to do that right now?" he asked. "It is past midnight. I am trying to watch the highlights."

Edith froze. She held the tape gun suspended in the air. Her chest was heaving. She looked at him. She looked at the annoyance on his face, the slight furrow of his brow. He wasn't angry; he was just inconvenienced. The noise was bothering him. That was the extent of his problem.

"I am packing," Edith said. Her voice was shaking.

"You can pack tomorrow. You are being entirely too loud."

Edith slowly lowered the tape gun. She set it on top of the newly sealed box. She turned to face him fully. "Why do you hate him?"

Her father sighed. He leaned against the doorframe. "Edie. Not this again."

"No, answer me. Why do you hate him? He has never done anything to you. He mowed our lawn for three summers. He helped you clean the gutters. Why do you talk about him like he is garbage?"

"I don't hate him," her father said calmly. "I don't think about him enough to hate him. I am just being realistic. You are going to a top-tier university. You are going to be surrounded by driven, successful people. Toby is a dead end. He is an anchor. If you drag him along, he will pull you down."

"He is starving!" Edith yelled. The words ripped out of her throat.

Her father blinked. He stood up straight. "Keep your voice down."

"He is stealing vegetables from an abandoned greenhouse because he has no food! He is cutting his hands open pulling weeds in the dark because he thinks he can eat them! He has no power. He has no money. And you sit down there drinking bottled water talking about the real world!"

Her father’s face hardened. The casual annoyance vanished, replaced by a cold, rigid authority. He stepped into the room and closed the door behind him. The click of the latch was loud.

"Listen to me very carefully," he said. His voice was low. "I am sorry the boy is in a bad spot. Truly, I am. But that is the consequence of his parents' choices. And it will be the consequence of his choices if he doesn't figure it out. It is not your responsibility to save him."

"He is my best friend."

"He was your friend when you were children. You are adults now. The world is divided into people who pull their weight and people who expect to be carried. You are a puller. I made sure of that. I paid for the tutors. I paid for the extracurriculars. I paid the deposit on that dorm. I built a life for you so you wouldn't end up like him."

Edith felt the tears hot and sharp in her eyes. She refused to blink. She stared at him, her vision blurring. "You think you are so much better than everyone."

"I think I work harder than everyone," he corrected. "And I expect my daughter to recognize the value of that work. You are crying over a boy who won't even walk down the street to fill out a job application."

"He doesn't have a clean shirt!" Edith screamed.

"Then he washes one in the sink!" her father roared back. The sudden volume shocked the room. He pointed a thick finger at her. "Do not yell at me in my own house. Do not stand there and defend a loser while standing in a bedroom I pay for, surrounded by clothes I bought you, preparing for a future I secured. You want to save him? Fine. Give him your tuition money. Give him your dorm room. Let's see how long he lasts."

Edith opened her mouth, but nothing came out. The air in her lungs evaporated. She looked at her father’s red face, the absolute certainty in his eyes. He believed every word he said. He believed the world was a machine, and if you just turned the crank hard enough, it worked for you. He didn't understand that for some people, the crank was broken. He didn't understand that Toby didn't even have a machine.

She looked down at the tape gun. She looked at the boxes.

"Get out," Edith whispered.

"Excuse me?"

"Get out of my room." She pointed at the door. Her arm was trembling violently. "Get out."

Her father stared at her for a long moment. He shook his head slowly, a gesture of profound disappointment. "You need to grow up, Edith. Fast. Because Toronto is going to eat you alive if you keep bleeding over every stray dog you find."

He turned and opened the door. He walked out, pulling it shut behind him.

Edith stood alone in the center of the room. The silence rushed back in, heavier than before. She heard the faint sound of the television downstairs turning back up. The canned cheering of a hockey crowd.

She walked over to the desk. She looked at the two tomatoes. The bright red skin. The perfect, unblemished surface. She picked one up. It felt cold now, the air conditioning having stripped the summer heat from it. She squeezed it. Her fingers pressed into the flesh, denting the skin. She squeezed harder. The skin broke. A stream of watery red juice burst out, running down her wrist, dripping onto the pristine white surface of the desk.

She dropped the ruined tomato into the trash can. She didn't wipe her hand. She just stood there, letting the sticky juice dry on her skin, staring at the empty cardboard boxes waiting to be filled.

Pitch Black

Ten miles away, Toby sat in the dark.

The house was an oven. Without the ceiling fans or the window AC units, the trapped heat of the day had nowhere to go. It sat in the rooms like a physical weight. The air was thick, stagnant, and smelled of old dust and dry rot.

Toby was sitting on the floor of the kitchen. The linoleum was peeling at the corners, curling up like dead leaves. The only light came from the moon outside, filtering through the dirty window above the sink. It cast a weak, gray rectangle across the floor.

The two heavy burlap sacks sat in front of him. They smelled like dirt, raw vegetation, and the faint, acrid tang of the chemical fire extinguisher.

Toby’s t-shirt was soaked with sweat. It clung to his ribs. He pulled the collar, feeling the tear he had made on the fence rip a little further down his chest. He didn't care. He reached out in the dark, his hands finding the rough opening of the first sack. He untied the knot.

He reached inside. His fingers brushed against the massive zucchini. The skin was ridged and firm. He pulled it out and set it on the floor. It rolled slightly before stopping against the baseboards. He reached in again. A tomato. Soft, heavy, slightly bruised from the ride in the truck bed.

He pulled them out one by one, sorting them by touch. The hard gourds went to the left. The soft tomatoes went to the right. He worked methodically, his hands moving through the pitch black with practiced efficiency. He didn't need to see. He knew the shape of hunger.

His thumb throbbed. The cut from the wheat thistle was deep. The blood had dried, forming a tight, crusty seal over the wound, but every time he gripped a vegetable, the skin pulled, sending a sharp spike of pain up his forearm. He ignored it. Pain was just data. It meant he was still moving.

When the first bag was empty, he leaned back against the lower cabinets. The wood was warm. He closed his eyes. The silence in the house was absolute. There was no hum of a refrigerator. There was no ticking of a clock. The power company had pulled the meter entirely. The house was a dead circuit.

He reached out and picked up one of the bruised tomatoes. It was the size of a baseball. The skin was split near the top, a thick, pulpy tear exposing the seeds inside.

He brought it to his mouth. He didn't have a knife. He didn't have a plate. He just bit into it like an apple.

The skin snapped under his teeth. The juice flooded his mouth. It was warm, acidic, and aggressively sweet. The flavor was explosive, shocking his tastebuds after two days of eating nothing but stale bread and tap water. He chewed rapidly, the seeds crushing between his molars.

The juice ran down his chin. It dripped onto his chest, mixing with the sweat. He took another massive bite, tearing half the tomato away. The acid hit the cut on his thumb, burning like battery acid. He hissed sharply through his nose, drawing breath, but he didn't stop eating. He swallowed the pulp in heavy, desperate gulps.

He finished the first tomato in four bites. He tossed the green stem into the dark. He immediately reached for another one.

He ate three tomatoes in total darkness. His stomach cramped violently, shocked by the sudden influx of raw acidity and volume. He doubled over slightly, pressing his forearm against his abdomen, waiting for the spasm to pass. He breathed through his mouth. The air tasted like copper and dirt.

The cramp subsided into a dull, heavy ache. He wiped his face with the back of his hand, smearing the sticky juice across his cheek.

He opened his eyes and stared at the gray rectangle of moonlight on the floor.

He needed a plan. The panic that had broken him in the wheat field was gone, burned out by exhaustion. Now, there was only cold, mechanical calculation. His parents were leaving in five days. The locks would be changed. He would be locked out of this rotting oven, and he would be on the street.

It was August. The nights were still warm. He could sleep outside for a few weeks without freezing. But October would come. Then November. The Winnipeg winter was not a season; it was an apex predator. It routinely hit minus thirty degrees. It froze the river solid. It killed people who fell asleep at bus stops.

He mentally mapped the city. The downtown shelters were full. They were also dangerous. People got stabbed for their boots. He needed somewhere isolated. Somewhere with walls.

He thought about the old rail yards behind the industrial park. There was a rusted-out boxcar sitting on the dead tracks near the river. He had explored it when he was fourteen. The doors were jammed half-open, but the roof was intact. It was a metal box. It would be an icebox in January.

But he could insulate it.

He started listing materials in his head. Cardboard. He needed massive amounts of cardboard. He could hit the recycling dumpsters behind the strip malls on Regent Avenue. Appliance boxes were the best. Refrigerators and washing machines came in thick, double-corrugated cardboard. If he lined the walls of the boxcar with cardboard, it would trap his body heat.

He needed blankets. The thrift store on Nairn threw out the unsellable donations on Tuesdays. Things with stains or rips. He could dive the bins before the garbage trucks came.

He needed a heat source. Fire was too dangerous. It drew attention, and the smoke would choke him inside the boxcar. He needed chemical heat. Hand warmers. He could steal those from the hardware store. Small packages. Easy to slip into a pocket.

And he needed calories. The tomatoes and zucchini would rot in two weeks. The wheat was dry. He could store the wheat. He could grind it with a rock. He could mix it with water from the river and bake it on hot stones. It was primitive. It was insane. But it was math. Calories in versus calories out.

He reached out and traced the edge of the burlap sack.

He had to become a ghost. He had to drop out of the grid entirely. No phone. No address. No digital footprint. Just a body moving through the shadows, collecting trash, hoarding calories, preparing for the ice.

He pushed himself up off the floor. His knees popped in the quiet room. He walked blindly out of the kitchen, his hand trailing along the wall to guide him. He walked down the short hallway to his bedroom.

The door was open. The room was empty. His parents had taken the dresser, the desk, the lamp. All that remained was a bare mattress on the floor and a pile of clothes in the corner.

He dropped onto the mattress. The springs groaned. He stared up at the invisible ceiling.

He thought about Edith. He thought about her driving away in the massive, air-conditioned truck. He pictured her perfectly clean house. The white walls. The refrigerator full of food. The U-Haul boxes waiting to be packed for Toronto.

He didn't hate her. He didn't even resent her. The gap between them was so vast it didn't even register as unfair anymore. It was just gravity. She was on a planet with a different mass.

He closed his eyes. The exhaustion finally caught up to him, pulling him down like dark water. He fell asleep in his dirty clothes, his hands stained with tomato juice and blood, dreaming of thick, double-corrugated cardboard.

The Ledger of Survival

Toby woke up. The room was still black, but the air felt different. Thinner. The oppressive heat had broken slightly, signaling that dawn was approaching.

He sat up. His back ached from the thin mattress. His stomach was a tight, painful knot of raw acid and hunger. He rubbed his eyes, feeling the grit of the greenhouse dust still clinging to his lashes.

He needed to write it down. The plan. If he kept it in his head, it would turn into static. He needed to see it. He needed a physical ledger.

He stood up and walked to the pile of clothes in the corner of his room. He dropped to his knees and began sifting through the pockets of his discarded jeans. His fingers brushed against a crumpled receipt, a loose quarter, and finally, a plastic pen. He pulled it out.

He needed paper. He stood up and walked back into the dark hallway. He navigated the layout perfectly, turning into the living room. There was a small pile of mail sitting on the floor near the front door, dropped through the slot by the postman and ignored by his parents. He scooped up the envelopes. Most were final notices. Red ink. Bold letters.

He carried the envelopes and the pen back to his room. He sat on the edge of the mattress. He placed a large, unopened hydro bill flat against his thigh. He clicked the pen.

He had to write by feel. The darkness was absolute. He pressed the tip of the pen against the paper and began to write.

His handwriting was large and jagged, compensating for the lack of vision.

'CARDBOARD - REGENT AVE BINS.'

He pressed hard, indenting the paper.

'BLANKETS - NAIRN THRIFT STORE - TUESDAYS.'

'WATER - RIVER - NEED PLASTIC JUGS.'

'WHEAT - GRIND - KEEP DRY.'

He stopped. He stared at the invisible words. It looked like a grocery list for the apocalypse. It was the absolute bare minimum required to keep his heart beating and his lungs expanding. There was no joy on the list. There was no future. There was only the deferral of death.

He pressed the pen to the paper again.

'DO NOT GET SICK.'

That was the most important rule. A fever meant he couldn't walk. If he couldn't walk, he couldn't find food. If he couldn't find food, he would freeze. Infection was a death sentence. He touched his thumb. It was throbbing rhythmically, syncing with his heartbeat. He squeezed the cut hard, forcing a fresh drop of blood out, trying to push out any dirt trapped inside. He wiped it on his jeans.

He set the pen down. He folded the hydro bill carefully into a small square and shoved it deep into his front pocket. It was his map. It was his entire life.

Across the city, in River Heights, Edith was still awake.

She was sitting cross-legged in the center of her bedroom floor. The U-Haul boxes formed a cardboard wall around her. The air conditioning continued its relentless, icy hiss. She was shivering. She had put on a thick gray sweater, pulling the sleeves down over her hands, covering the red welts on her palms.

Her phone was lying on the floor in front of her. The screen was illuminated, casting a harsh white light on her face.

She was staring at her banking app.

The numbers were large and bold. $3,450.00.

It was textbook money. It was emergency money. It was money her father had deposited directly into her account last week.

She stared at the 'Transfer Funds' button. It was a bright blue rectangle.

She could send it to him. She knew his email address. She could e-transfer the entire amount right now. It would hit his account in ten minutes. Three thousand dollars. It was enough for a deposit on a cheap apartment. It was enough for groceries for months. It was enough to buy him time.

She reached out with a trembling finger. She hovered over the blue button.

Her father’s voice echoed in her head. The world is divided into people who pull their weight and people who expect to be carried.

She closed her eyes. She imagined Toby opening the email. She imagined him seeing the money. Would he feel relieved? Or would he feel humiliated? You look at me like I'm a charity project. That’s what he had said in the greenhouse.

If she sent the money, her father would find out. He monitored the account. There would be a war. He would cancel her meal plan. He would pull her tuition.

But Toby was going to freeze.

She opened her eyes. She pressed the blue button.

The screen shifted to a new page. 'Recipient Email.'

She typed his name. T-O-B-Y.

Her thumb hovered over the send button. Her heart was hammering against her ribs, a frantic, trapped bird. She felt physically sick. The responsibility was crushing. If she pressed send, she destroyed her relationship with her father. If she didn't, she abandoned her best friend to the street.

She looked at the perfectly packed boxes around her. She looked at the sterile, clean room. She was leaving. She was escaping.

She locked the phone. The screen went black.

She didn't send it.

She dropped the phone onto the carpet. She pulled her knees to her chest and wrapped her arms around her legs, burying her face in the thick wool of her sweater. She didn't cry. Crying felt cheap. Crying felt like a luxury she hadn't earned. She just sat there in the freezing room, paralyzed by her own cowardice, listening to the mechanical hum of the house.

Back in Transcona, Toby walked out of his bedroom. The sky outside the dirty window was shifting from black to a deep, bruised purple. Dawn was breaking.

He walked into the kitchen. He stepped over the pile of gourds and tomatoes on the floor. He walked to the back door. He turned the deadbolt and pulled the door open.

The morning air hit him. It was cool, carrying the faint scent of wet asphalt and distant car exhaust. The city was waking up.

He stepped out onto the rotting wooden back porch. He looked at the overgrown grass, the rusted chain-link fence, the alleyway beyond.

He reached into his pocket and touched the folded piece of paper. His ledger. His survival plan.

He took a deep breath, filling his lungs with the cold air, preparing to step off the edge of the world.

“He stepped off the rotting wood of the porch and onto the dead grass, walking toward the alleyway before the sun could fully expose him.”

Cardboard and Freon

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