Stained Glass, Stained Hands
By Jamie F. Bell
The air in the Concordia Gallery, once thick with the hushed reverence for art and the scent of expensive canapés, now reeked of something metallic and stale. Dust motes, disturbed by frantic movement, danced in the weak afternoon light filtering through the massive skylights. What was meant to be a quiet viewing had devolved into a desperate scramble, the polished marble floors slick with an ominous, dark sheen. Alarms, long since blaring, were now just another layer of the suffocating chaos, an insistent, maddening shriek that resonated through the grand hall, reflecting off the muted, staring faces of forgotten portraits.