Winnipeg

You don’t enter these diners—you return to them. Even if it’s your first time. Fluorescent light softens. Coffee refills itself. The staff doesn’t change, only shifts. These places are stitched together with decades. Outside, everything’s different. Inside, nothing ever really left.

Old School Diner

In a Winnipeg diner, down on Henderson Highway, where time forgets to hurry, stories steep like old coffee.

Read More »
Tony Eetak March 28, 2025
A figure halts the stream of image—momentarily. Not to block it, but to hold it, to be shaped by it. Projection meets person, and neither stays the same. Shadows don’t erase light; they reveal where it lands.

Held in Light

A silhouette meets a projection at Urban Shaman, where story and shadow converge Bathed in projected light, the silhouette becomes a moving part of the

Read More »
Jamie Bell March 28, 2025
They gather beneath giants—paint, steel, and silence pressing down like weather. Here, they are not exhibits but echoes, resisting the stillness with their own weight of being. This is not interruption. This is grounding. A reminder that presence is also a kind of art.

Under the Gaze of Giants

In a quiet alcove beneath towering canvases, a small group of youth sit cross-legged, whispering between museum murmurs. Their presence, casual and at ease, contrasts the grandiosity of the gallery.

Read More »
Tony Eetak March 28, 2025
Inside a corridor built for function, time folds. Artists unfurl memory onto tables, turning concrete into ceremony. The space hums—not with commerce, but with return. Every glance, a stitch. Every exchange, a quiet reclamation. What was paused begins again, not as before, but more deeply rooted.

Art on Campus

Inside a corridor built for function, time folds. Artists unfurl memory onto tables, turning concrete into ceremony.

Read More »
Tony Eetak March 28, 2025
A scoop becomes a witness. The swirl is not dessert—it is doctrine, layered with pixel-static and the soft surrender of vanilla in fluorescence. Forty-six thousand five hundred fourteen eyes have seen it, but none tasted the same myth twice. The cone, pinned to the wall like a saint. Cold sugar, eternal return. A bite taken in Elmwood ripples into the archive of glances, archived now in memory, now in metadata. Art lives here—not in frames, but in freezers, in marker-signed mandates, in the quiet sermon of soft-serve melting into ritual.

Soft Serve Frequencies

The cold hum spills sideways across time, tasting like the absence of plans. A cone dissolves before it’s named. Somewhere between ketchup packet and ceiling tile, the sacred forgets itself. A chair is a chair is a chair is a shrine. The fries pray quietly. Kindness echoes in fluorescent.

Read More »
Tony Eetak March 26, 2025
This project reflects Tony's dedication and hard work. From the initial meetings to the careful curation and exhibition, every step was a personal journey of learning. Through black and white photography, Tony has shared a story that honors the process, capturing moments of growth and reflection from start to finish.

The Story Behind It

Winnipeg in Black and White is more than a photo essay—it’s a quiet act of reclamation through attention, patience, and trust.

Read More »
Jamie Bell March 23, 2025
Through Winnipeg in Black and White, I’ve explored the hidden stories of the city, capturing moments where light, shadow, and silence reveal deeper connections to place. This series, shaped by both photography and digital editing, invites viewers to reflect on the urban landscape from an Indigenous youth perspective.

City Seen, City Felt

Through this project, I sought to explore the spaces that make up Winnipeg—not as fixed landmarks but as living, breathing parts of a shared experience.

Read More »
Tony Eetak March 23, 2025
Load More