
Light for the Sleeping
Weathered crosses rise from snowdrifts like prayers etched into wind, quietly watching the horizon. This is not just a place of rest — it is a place of return.
Weathered crosses rise from snowdrifts like prayers etched into wind, quietly watching the horizon. This is not just a place of rest — it is a place of return.
Ice rises like fingers sculpted in a moment of thaw—sharp, delicate, reaching toward the low sun. In this blur of focus, what is foreground and what is memory? A crystallized tension sits between presence and erosion, the dirt and grains trapped inside as witness. Nothing here is still, though everything looks like it might be.
My photography is a reflection of the world I see, the world I’m growing up in, as an Inuit youth who grew up in Nunavut.
The stark silhouette of the Archdiocese of St. Boniface church dome rises defiantly against a brooding prairie sky, its neoclassical lines softened by decades of memory.
In the fragile lattice of morning light, the spider’s work stands as a monument to patience and design.
This spiderweb, soaked in dew and backlit by daybreak, could be mistaken for code—strings of logic floating midair.
The forest holds its breath. Morning fog clings to the undergrowth like a held memory, softening the sharpness of the branches.
We get asked a lot: “Why aren’t you on TikTok?” or “Why don’t you post more content for social media?” It’s a fair question in
The goose under the coloured bridge Beneath the bridge, in a pocket of stillness layered with shadows and spray paint, a single Canada goose stands
We never grew up with bridges like this—suspended, sweeping, confident in the air.