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2026 Spring Short Stories

Dead Pollen

by Tony Eetak

Genre: Coming-of-Age Season: Spring Read Time: 20 Minute Read Tone: Tense

Kylie finds a crate of ammunition in the garden shed as the city prepares for a violent systemic reboot.

The Pollen and the Lead

The pollen was a yellow film on everything. It coated the windshield of the truck. It settled in the cracks of the porch. It made Kylie’s throat feel like she’d swallowed a handful of dry wool.

Her jaw was a knot of iron. She sat at the kitchen table and watched the dust motes dance in a shaft of morning light. Her left foot wouldn't stop tapping. It hit the linoleum with a dull, rhythmic thud. Thud. Thud. Thud. Her father, David, stood at the counter. He was cleaning a French press with more focus than the task required. His thumb traced the rim of the glass. He didn't look at her. The television in the living room was a low hum of bad news. It had been on for seventy-two hours straight. The screen was a flicker of blue against the beige walls. The anchors were talking about 'unprecedented measures' and 'public safety protocols.' It was a script they’d been reading for weeks, but today the tone had shifted. The words were sharper. The pauses were longer.

"Turn it up," David said. He didn't turn around. His shoulders were high, up near his ears. He looked like a man expecting a blow to the back of the head. Kylie didn't move. She just stared at the back of his grey flannel shirt. There was a sweat stain between his shoulder blades. "I said turn it up, Kylie."

She reached for the remote. The volume bar crawled across the bottom of the screen. The news anchor was a woman with hair that didn't move. She looked into the camera like she was watching a car crash. "Due to continued civil unrest and the inability to verify local tallies, the Federal Election Commission, in conjunction with the Department of Domestic Stability, has announced the permanent suspension of local voting rights in this district. Effective immediately, all municipal governance will transition to the regional peacekeeper oversight committee. All protests are now classified as Tier-One security threats."

David finally turned. He wasn't angry. He looked relieved. It was a terrifying expression. It was the look of a person who had spent years predicting a fire and finally saw the first plume of smoke. "There it is," he said. He poured the coffee. It was black and smelled burnt. "The mask comes off."

"They can't just stop people from voting," Kylie said. Her voice was thin. It sounded like it belonged to someone much younger. She felt the urge to check her phone, but she knew what would be there. A thousand notifications. Panic in the group chats. Half-baked plans to meet at the square. Leo would be there. Leo was always there. He was currently a series of dots on her screen, typing and retyping something that hadn't arrived yet.

"They just did," David said. He took a sip of the coffee. He didn't wince at the heat. "It’s a failed system. You can’t fix a house that’s rotted to the studs. You have to pull it down. You have to reboot."

"Reboot?" Kylie asked. "That’s what you’re calling it?"

David set the mug down on the counter. The sound was loud in the quiet kitchen. "Go outside. Get some air. You’re twitching."

Kylie stood up. Her legs felt heavy. She walked out the back door and into the thick, sweet air of April. The cherry blossoms were at their peak. They were dropping petals in the wind. They looked like pink snow against the grey gravel of the driveway. She walked toward the garden shed at the edge of the property. She needed her bike. She needed to move. She needed to find Leo. The shed smelled of damp earth and gasoline. It was dark inside, the light filtered through a single, dirty window. She pushed aside a stack of empty pots. Her foot hit something hard. Something that didn't sound like plastic or wood. It was a heavy, metallic clank. She looked down. Beneath a tarp that usually covered the lawnmower sat three wooden crates. They weren't marked with brands or logos. They were stamped with stenciled numbers. She knelt. Her breath was shallow. She pulled back the corner of the tarp. The crate on top had been pried open. Inside, rows of small cardboard boxes were packed tight. She opened one. The brass casings of the ammunition glinted in the dim light. They were heavy. They felt cold. This wasn't for hunting. There were hundreds of them. Thousands.

Her stomach turned over. She thought about the meetings David had been having in the basement. The men who arrived after dark in trucks with the lights off. They didn't look like soldiers. They looked like guys who worked at the hardware store or sold insurance. They wore baseball caps and fleece vests. They talked about 'supply chains' and 'logistics.' Now she knew what they were moving. She stood up too fast and felt dizzy. The shed felt like it was shrinking. The air was too thick. She left the shed and didn't look back. She walked to the fence line and gripped the chain-link. Her knuckles were white. Across the street, Mrs. Trent was watering her flowerbeds. The old woman moved with a slow, deliberate grace, as if the world wasn't ending ten miles away in the city center. Mrs. Trent looked up and waved. Kylie didn't wave back. She couldn't get her arm to move.

By six o'clock, the house felt like a pressurized chamber. David had invited people over. Mrs. Trent was there, along with two men Kylie recognized from the basement meetings. They sat in the dining room under the glow of a low-hanging light. The table was set with mismatched plates. There was a pot roast in the center, steaming and grey. David was carving the meat. The knife made a rhythmic scraping sound against the ceramic. Mrs. Trent sat with her hands folded. She wore a floral blouse that matched the blossoms outside. It felt grotesque.

"The bridges are the key," one of the men said. His name was Miller. He had a beard that was trimmed too short and eyes that never stayed still. "Once the peacekeepers move in to secure the squares, they’ll lock the bridges. If you aren't on the right side of the water by midnight, you’re stuck in the grid."

"We have the supplies," David said. He looked at Kylie. His eyes were hard. "We’re prepared for the transition. It’s about community resilience. Protecting our own."

"By stockpiling unmarked brass in the shed?" Kylie said. The words came out before she could stop them. The table went silent. The only sound was the hum of the refrigerator. Miller looked at David. David didn't look away from Kylie.

"It’s for defense," David said. His voice was low. Warning. "The city is going to burn, Kylie. People who didn't prepare are going to be desperate. We won't let them take what we’ve built."

"Who are 'they'?" Kylie asked. "The people I go to school with? Leo?"

"Leo is a child playing at revolution," David said. "He’s going to get hurt because he doesn't understand the scale of what's happening. This isn't a protest. It’s a collapse."

Mrs. Trent reached out and patted Kylie’s hand. Her skin felt like dry paper. "It’s for the best, dear. We need a clean slate. The rot has gone too deep. It’s better to have a hard spring than a dead winter."

Kylie pulled her hand away. She felt sick. The smell of the pot roast was cloying. It smelled like wet dog and salt. She stood up. "I'm going out."

"No," David said. "The curfew starts at eight. Stay in the house."

"I'm nineteen," Kylie said. "I'm going out."

She didn't wait for him to answer. She grabbed her jacket and ran. She didn't take the bike. She ran toward the bus stop at the end of the block. Her phone buzzed in her pocket. It was a video. She clicked it. The footage was shaky, shot from a high angle. It showed the main plaza. The peacekeepers were in a line, their shields overlapping. They looked like a wall of black plastic. On the other side were the protesters. They looked small. Vulnerable. A canister of gas arched through the air, trailing white smoke. Then the line broke. The peacekeepers surged forward. She saw a familiar red hoodie. Leo. He was holding a sign that said 'STILL HERE.' A peacekeeper swung a baton. Leo went down. The camera panned away as the crowd surged, but she saw them zip-tie his hands. They dragged him behind the line like a sack of grain.

Kylie stopped running. She was at the edge of the neighborhood. The suburban streets were quiet. The lawns were manicured. The cherry blossoms were still falling. It was a beautiful evening. The sky was a pale, dusty orange. She looked back toward her house. She thought about the crates in the shed. She thought about her father’s face when the news broke. He wanted this. He was helping it happen. He was waiting for the 'reboot' so he could be the one holding the keys. Or the gun.

She reached the main road. The traffic was heavy, everyone trying to get home before the bridges closed. She saw a police cruiser go by, its lights off but moving fast. She had the local tip line saved in her contacts. She’d put it there months ago as a joke, back when the biggest problem in the neighborhood was a noise complaint. Her thumb hovered over the call button. If she reported the shed, the peacekeepers would come. They would take David. They would take the crates. But they were the same people who had just cracked Leo’s skull. There were no good sides left. There was just the lead in the shed and the gas in the streets.

She looked at the bridge in the distance. The steel arches were silhouetted against the fading light. The lights on the span were flickering. One by one, they were turning off. The city was being darkened. She could see the smoke rising from the center now. A thin, black finger reaching into the spring sky. Her phone buzzed again. A text from an unknown number. 'Bridges locking in 20. Move now.'

She turned toward the bridge. Her jaw was so tight it ached. She started to walk, then to jog. She didn't look back at the yellow dust on the porch. She didn't think about the pot roast cooling on the table. She just thought about the weight of the brass and the sound of the zip-ties. The air was getting colder. The blossoms were gone now, replaced by the grit of the road. She reached the pedestrian walkway of the bridge just as the first sirens began to wail in the distance. The sound was long and low. It sounded like a warning. It sounded like an ending.

She stopped at the highest point of the arch. Below, the river was black and fast. She looked at her phone. She looked at the tip line. Then she looked at the city. The lights were going out in blocks, a slow-motion wave of darkness. She felt the snap point. The moment where the tension becomes too much and something has to give. She deleted the contact. She turned off the phone. She threw it into the water. It made a small splash that was immediately swallowed by the current. She was alone. The bridge hummed under her feet as the heavy gates began to grind shut.

“The bridge hummed under her feet as the heavy gates began to grind shut.”

Dead Pollen

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