Manitoba

The caribou’s dark eyes scanned the white expanse, finally settling on the familiar green fringe clinging to the shadowed branch. Each snow-laden strand of lichen was a tiny beacon, a frozen delicacy in the vast stillness. It nudged its muzzle through the icy crystals, a fleeting taste of earth and survival in the heart of winter’s hold.

Snow Cones for Caribou

Hidden Ecosystems The northern landscape, often perceived as a monolithic expanse of white in winter, pulses with a subtle, tenacious vitality. Mosses and lichens, those

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The Silence Between Seasons

The Silence Between Seasons

The last snowstorm arrived quietly, as if it knew it was out of place. Spring had already begun to whisper its presence—through swollen buds, longer days, the scent of thaw in the air—but winter, stubborn and ceremonial, made one final appearance.

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It falls without urgency, this last snow—drifting more from memory than sky. It does not bite or blind; it merely lands, as if out of habit. A gesture. A goodbye. It traces the old logs like a lover running fingers over a sleeping face, not ready to leave, not ready to stay. There is no storm in it—only the quiet insistence of something finishing itself. Beneath it, life waits—wet, thawing, uncoiling in shadows. The snow does not know it is the last, but the earth does. And in that silence, the air holds something tender: not an ending, but the echo of one.

The Last Snow Knows

The logs lie quiet beneath a final whisper of snow, like forgotten verses in a poem winter never finished. Each ring in the wood tells a story of storms survived, of sap once rising, of roots deep in frozen soil.

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Against the backdrop of Executive Order 14168, the fractured paintbrush on a dark canvas symbolizes the National Endowment for the Arts' drastic shift away from supporting diversity, equity, and inclusion initiatives. The stark contrast between the vibrant potential of artistic expression and the encroaching darkness reflects the chilling impact of funding cuts under conservative mandates. As marginalized artists face unprecedented challenges, the arts community must rally to protect the transformative power of creative freedom.

Nothing About This Is Neutral

This project emerged from a refusal to treat data as neutral or storytelling as decorative. Through a year of critical experimentation supported by the OpenAI Researcher Access Program, this work interrogates the architectures of artificial intelligence and participatory art as overlapping systems of meaning-making.

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Among bare branches and snow-laced silence, the book-buffalo waits—pages frozen in time, wisdom stacked into muscle and memory. It is not sculpture, but spellwork. It holds what we forgot we carried: story, survival, and the soft hoofbeats of future paths.

The Bison

Tucked into the natural paths at The Forks, Education is the New Bison emerges like a quiet monument.

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Empty seats in a lecture hall echo with memory—fragments of thought, laughter, doubt, discovery. Education isn’t confined to presence; it resonates in absence. These still rows are archives of energy, holding the quiet hum of voices that changed everything. Most of us never make it here.

The Quiet Rows

At the University of Winnipeg, that idea lives in the space itself. It’s not just a school; it’s a meeting ground.

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In Winnipeg’s playgrounds, metal tipis rise like echoes of old songs, catching sky in their spines. These are not structures but spells—frames for imagined fires and stories unspoken. Here, laughter roots in the dust, spiraling upward. Memory plays barefoot, circling the sacred geometry where past and future quietly braid. Photo: Jamie Bell

Playground

The playgrounds and gathering spaces at The Forks are layered with meaning—designed not just for function, but for story.

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