
Light for the Sleeping
Weathered crosses rise from snowdrifts like prayers etched into wind, quietly watching the horizon. This is not just a place of rest — it is a place of return.
Weathered crosses rise from snowdrifts like prayers etched into wind, quietly watching the horizon. This is not just a place of rest — it is a place of return.
My photography is a reflection of the world I see, the world I’m growing up in, as an Inuit youth who grew up in Nunavut.
In the fragile lattice of morning light, the spider’s work stands as a monument to patience and design.
This spiderweb, soaked in dew and backlit by daybreak, could be mistaken for code—strings of logic floating midair.
The forest holds its breath. Morning fog clings to the undergrowth like a held memory, softening the sharpness of the branches.
In a quiet alcove beneath towering canvases, a small group of youth sit cross-legged, whispering between museum murmurs. Their presence, casual and at ease, contrasts the grandiosity of the gallery.
A compass mosaic of shattered pieces, reassembled with intention and grace. Laid into the stone floor like a secret map, the mosaic catches the light
The sidewalk becomes a threshold—between class and conversation, between performance and pause. Smokers linger in the hush before reentry, clustered in quiet familiarity.
Inside a corridor built for function, time folds. Artists unfurl memory onto tables, turning concrete into ceremony.