Bridges

This black and white photo exhibition by Tony Eetak explores the quiet poetry of Winnipeg’s bridges—their bones, their shadows, their forgotten corners. Bridges of Winnipeg: Seen and Unseen is not just a documentation—it’s a meditation. A monochrome walk through the connective tissue of the city, where every bridge is both a structure and a story.

It stands where steel forgets it’s steel—among colour bleeding from walls, among echoes not meant for birds. A pause with feathers. A poem without lines. Graffitied stillness, urban myth. Something sacred hums low under the bridge, and the goose listens.

Canada Goose

The goose under the coloured bridge Beneath the bridge, in a pocket of stillness layered with shadows and spray paint, a single Canada goose stands

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Provencher Bridge floats between breath and concrete, a tethered gesture over water’s slow murmur. Light fractures across its spine like memory refracted—half civic promise, half spectral hush. It does not span space, but thought—an architecture of pause, where crossings blur into echoes and the river forgets which way is forward.

Provencher

We never grew up with bridges like this—suspended, sweeping, confident in the air.

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Among bare branches and snow-laced silence, the book-buffalo waits—pages frozen in time, wisdom stacked into muscle and memory. It is not sculpture, but spellwork. It holds what we forgot we carried: story, survival, and the soft hoofbeats of future paths.

The Bison

Tucked into the natural paths at The Forks, Education is the New Bison emerges like a quiet monument.

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Empty seats in a lecture hall echo with memory—fragments of thought, laughter, doubt, discovery. Education isn’t confined to presence; it resonates in absence. These still rows are archives of energy, holding the quiet hum of voices that changed everything. Most of us never make it here.

The Quiet Rows

At the University of Winnipeg, that idea lives in the space itself. It’s not just a school; it’s a meeting ground.

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In Winnipeg’s playgrounds, metal tipis rise like echoes of old songs, catching sky in their spines. These are not structures but spells—frames for imagined fires and stories unspoken. Here, laughter roots in the dust, spiraling upward. Memory plays barefoot, circling the sacred geometry where past and future quietly braid. Photo: Jamie Bell

Playground

The playgrounds and gathering spaces at The Forks are layered with meaning—designed not just for function, but for story.

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Winnipeg’s stonework hums in chisel tongues—glyphs of frostbitten dreams etched in sediment and soot. Faces emerge, not seen but sensed, eroded into myth by wind and waiting. Carvings press silence into permanence, where granite listens and limestone weeps. Each groove a memory. Each building, a slow exhale of forgotten hands.

Carved in Stone

All over the Forks—tucked near the riverbanks, beside trails, or half-buried in grass—you’ll find carvings.

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Beneath the rusted lattice of the old rail bridges near the Forks, time bends—steel bones whispering histories into the wind, footsteps echoing between memory and motion. The river moves slow and thick below, like thought unspoken, while overhead the iron arches cradle sky and silence.

Bridges: The Forks

There’s something sacred about walking through The Forks in Winnipeg, especially when winter hasn’t quite let go.

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