They gather beneath giants—paint, steel, and silence pressing down like weather. Here, they are not exhibits but echoes, resisting the stillness with their own weight of being. This is not interruption. This is grounding. A reminder that presence is also a kind of art.

Under the Gaze of Giants

By Tony Eetak
They gather beneath giants—paint, steel, and silence pressing down like weather. Here, they are not exhibits but echoes, resisting the stillness with their own weight of being. This is not interruption. This is grounding. A reminder that presence is also a kind of art.

In the shadow of large-scale art, a new generation finds stillness on its own terms.

In a quiet alcove beneath towering canvases, a small group of youth sit cross-legged, whispering between museum murmurs. Their presence, casual and at ease, contrasts the grandiosity of the gallery. Art looms above—vast, commanding, and still—while below, the pulse of conversation and shared silence creates a softer rhythm.

The gallery’s architecture turns every movement into echo. The youth, wrapped in the soft shadow of a sculpture’s base, take a moment to rest—backs against cool concrete, eyes drifting between each other and the brushstrokes overhead. This isn’t defiance; it’s belonging on our own terms.

This project was supported by:

Rooted in the rhythms of Winnipeg’s urban landscape, each image in this exhibit reflects a practice shaped by light, weather, and the quiet details of daily life. This is photography distilled to its core—composition, contrast, and feeling—offering a window into the city as seen through Indigenous youth perspective and presence.