A Resonance in Scratched Vinyl
"My dad wants to sell them," Pete said, his voice echoing slightly in the cavernous space. He ran a hand over a stack of cardboard sleeves, leaving a clean streak in the thick layer of dust. "Says they're just taking up space. He doesn't get it."
Milo understood completely. To Pete's dad, they were just discs of black plastic. To Pete, they were artifacts, each one a capsule of a specific time and feeling. Pete had always been an old soul, more comfortable with the crackle of a needle on vinyl than the sterile perfection of a digital playlist.
"We'll save the good ones," Milo said, offering a reassuring smile. He picked up a record, the cover art a psychedelic swirl of colours. 'The Summer of '78: Various Artists'. "Your mission, should you choose to accept it, is to separate the classics from the disco garbage."
Pete laughed, the sound easy and familiar. With Milo, it always was. They'd been friends since they were seven, an inseparable unit. Their friendship was a comfortable, worn-in thing, like a favourite jumper. But lately, for Milo, it had started to feel different. The shape of it was changing, becoming something he didn't quite have a name for yet, and it terrified him.
They worked in a comfortable rhythm. Pete would pull out a record, inspect it, and give a verdict. Milo would wipe it down with a soft cloth and place it in one of two piles: 'Keep' or 'Go'. They talked about everything and nothing: school starting in a few weeks, the terrible movie they'd seen last night, the weird noise Milo's car was making.
But underneath the easy chatter, Milo was watching. He watched the way Pete's eyes lit up when he found a rare pressing. He watched the way Pete's fingers traced the faded lettering on a sleeve. He watched the way Pete bit his lip when he was concentrating. These were details Milo had always known, but now he was seeing them in a new, sharper focus. It was like listening to a familiar song and suddenly hearing a harmony you'd never noticed before.
The Needle in the Groove
"Oh, wow," Pete breathed, pulling a record from the bottom of a crate. The cover was simple, a black and white photograph of a man with a guitar. "David Byrne. 'Songs of Love and Despair'. My mom loved this one."
He handled this one with extra care, sliding the vinyl from its sleeve as if it were a sacred relic. He carried it over to the small, portable turntable they'd brought up with them and set the needle down with a surgeon's precision.
A soft crackle filled the attic, followed by the gentle strum of an acoustic guitar. The voice that filled the space was raw and full of a yearning that felt far too big for the small, dusty room.
Pete didn't come back to the pile. He stood by the window, his back to Milo, looking out at the sun-drenched street below. The music swelled, a simple, heartbreaking ballad about loving someone you couldn't have. Milo's heart began to beat a little faster. The choice of song felt... deliberate.
"It's weird, isn't it?" Pete said, his voice quiet, not turning around. "Next summer, everything will be different. We'll be in our last year. Then... university. Maybe in different cities."
The unspoken fear. The ticking clock on their childhood, on their time together. Milo felt it too, a constant, low-level hum of anxiety.
"We'll still be friends," Milo said, but the words sounded hollow, a flimsy shield against the inevitable.
"I know," Pete said. He finally turned around, and his eyes were glistening in the bar of sunlight. "But it won't be like this. It won't be... attics, and records, and nothing to do all day."
He took a few steps towards Milo, closing the space between them. The song was reaching its crescendo, the singer's voice cracking with emotion. The air in the attic was thick with dust, nostalgia, and something else, something new and fragile and incredibly potent.
"Milo," Pete started, then stopped. He looked down at the floor, then back up, his expression a mixture of fear and resolve. "Do you ever feel like... like we're standing on the edge of something? And if you take one more step, you can't go back?"
Milo's breath hitched. He knew exactly what Pete meant. He was on that edge right now. He could make a joke, change the subject, and retreat to the safety of their familiar friendship. Or he could step forward.
The song ended, the final chord hanging in the air before the needle settled into the soft, repetitive hiss of the run-out groove.
Pete held out a hand. It was a simple gesture, but it was everything. His hand was trembling slightly.
"Dance with me?" he whispered, a faint, nervous smile on his lips. "There's no music, I know, but..."
Unfinished Tales and Fun Short Stories to Read
A Resonance in Scratched Vinyl is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.