The Unfolding Permafrost Veil
The low, guttural hum began like a rumour across the frozen tundra, vibrating through the soles of my insulated boots long before it reached my ears. A weak, bruised sun, barely clearing the horizon, cast long, distorted shadows across the endless expanse of snow-dusted spruce and rock, turning the world into a study in desaturated greys and purples. The air itself felt brittle, sharp with the promise of frostbite, each breath a painful contract with the sub-zero reality of the deep North. Something was fundamentally out of sync with the age-old rhythm of the winter, a mechanical discord in a symphony of silence.
My breath plumed in front of me, tiny crystalline clouds that vanished too quickly. The hum, persistent and growing, wasn’t just an auditory annoyance; it was a physical intrusion. It felt like a low-frequency tremor, a dull ache behind my ribs, a sensation that the very bedrock beneath my feet was unhappy. This wasn’t the familiar groan of permafrost shifting under its own glacial weight, or the distant rumble of ice cracking on the lake. This was… calculated. Man-made, which in my experience, usually meant man-made trouble.
I’d been tracking it for three days, ever since the first snow squall tried to bury its subtle signature. Three days of cross-country skis, snowshoes, and the low-frequency sensors I’d jury-rigged from old satellite parts and a broken ice auger motor. My family, the few left in our remote community, just thought I was 'out for a walk' or 'checking traps,' which wasn't entirely untrue. My traps just happened to be for disruptions, for the environmental hiccups that preceded avalanches of bad decisions.
The land here, it *spoke*. Not in words, obviously, but in the subtle shift of wind patterns, the unusual absence of ptarmigan, the way the snow settled (or didn't). It was a language I’d spent my eighteen years learning, a dictionary compiled from generations of observation. And right now, it was screaming a complaint.
"Right," I muttered, the word swallowed by the vast, open space. "What new kind of brilliant are we dealing with today?" My internal radar was humming, a counterpoint to the drone. This wasn't just noise; it was an imposition, a violation of the deep, fragile quiet that defined these latitudes. The 'E' in ECO-STAR, as my old mentor – a surprisingly earnest anthropologist who'd come North seeking "authentic experiences" and ended up becoming a rather bewildered expert in local resource politics – used to drone on about. Environment. Not a checklist, but a conversation. And this hum was a loud, rude interruption.
My skis scraped against a drift, throwing up a shower of fine, dry powder. The temperature had dropped another few degrees, the kind of cold that pinched at your nostrils and made your eyelashes freeze. I pulled my scarf higher, tucking my chin deeper into the collar of my parka. This felt important. More than important. The local caribou herds, already stressed by climate shifts, had been spooked. Their migration patterns were off, a subtle chaos rippling through the delicate web of life. The "customer," if you wanted to get clinical, was everything that called this place home. And their "unmet need" was basic, really: peace. To exist without some grand human project shaking their foundations.
I crested a low ridge of wind-scoured rock, and then I saw it. A glint of metallic grey, stark against the monochrome landscape, incongruous. It was miles off, but even from this distance, the sheer audacity of it pricked at me. It wasn’t a small scientific outpost, or a remote cabin. This was a structure, angular and sharp, like a shard of misplaced modernity embedded in the ancient ice. A cluster of solar panels, oddly small for the energy it must be drawing, reflected the pale sun like arrogant eyes.
The Glacial Hum
I pulled out my compact field scope, the glass rimed with a thin layer of frost I had to wipe with a gloved thumb. The structure resolved into sharper, more disturbing detail. It was a kind of rig, tripod-like, maybe fifteen metres tall, anchored into the permafrost. Wires, thick as my wrist, snaked down into the ground, disappearing into boreholes. At its base, a series of vents pulsed with faint, greenish light, like a sick animal breathing. And the hum – it radiated from this thing, a palpable wave of energy that distorted the air around it.
"Oh, for… sake," I breathed, the words catching in the frigid air. This was definitely a "solution" to a problem no one here had asked for. The irony, bitter as unripe cranberries, was that I knew exactly the kind of corporate buzzword bingo that had birthed this monstrosity. "Permafrost Stabilisation and Resource Re-calibration Array." Or some such corporate guff. Anything but what it really was: another attempt to wrangle the North into submission. Another "opportunity" to extract value, not to create it reciprocally.
I checked my comms unit. No signal. Of course. They’d likely set up a local jammer. Standard operating procedure for anyone doing something they didn’t want the world to know about. This made the "team" aspect a bit tricky. Usually, my team was a loose network of concerned citizens, a few well-meaning scientists, and Uncle Birch – a man whose patience was as vast as the tundra, and whose glare could freeze a caribou at twenty paces. Right now, it was just me. And my rather cynical internal monologue.
I started my descent, careful not to gain too much speed on the icy slope. The wind picked up, swirling snow around my legs, trying to obscure my path. Good. It added a natural cloak. As I got closer, the green glow from the vents became more pronounced, a sickly, bioluminescent pulse. The ground underfoot changed, too. The snow, usually pristine and light, here felt oddly compacted, almost like ice that had been heated and then re-frozen.
My eyes scanned the perimeter. No fences, which was a surprise, but motion sensors were likely embedded in the drifts. The satirical part of me wondered if they’d even bothered with bear deterrents, or if they just figured bears were part of the "unmet need" of being inconvenienced by human ingenuity.
I found a cluster of snow-covered boulders, their ancient grey backs offering a little concealment. From here, I could see two figures moving around the base of the rig, bundled in bright yellow arctic gear, their faces obscured by balaclavas and goggles. They looked like oversized, bumbling lemons against the stark white backdrop. They were carrying tools, doing… something. Maintenance, perhaps. Or troubleshooting. Given the hum, probably troubleshooting.
I crouched behind the largest boulder, pressing myself into the snow. The cold seeped through my layers, but my focus narrowed. I needed to understand what this thing *did*. What its "results" were meant to be, and what its actual, terrifying "results" were already manifesting as. The idea of "seven-generation impact" was probably not in their quarterly report.
Unearthing the Intent
My fingers, stiff despite my inner gloves, unzipped a small compartment on my jacket. I pulled out a set of miniature, magnetic probes, no bigger than my thumb. They could latch onto metal surfaces and relay energy signatures, acoustic vibrations, even trace atmospheric compounds back to my wrist-mounted interface. A very analogue, very North-adapted version of digital espionage.
The hum vibrated through the rock beneath me, a constant, irritating thrum. I waited for one of the lemon-suited figures to move further away, towards what looked like a small, insulated hut – perhaps a generator or control centre. As soon as his back was turned, I moved, a low crouch-run across the crusty snow, feet hardly disturbing the surface. My breath was a ragged gasp, but I held it, focusing on each precise movement. This kind of terrain was my domain, a ballet of calculated risk and instinct.
I reached the base of the rig, pressing myself against the cold, vibrating metal. It smelled faintly of ozone and something metallic, like burnt circuitry. Quick as a fox, I slapped three probes onto different parts of the structure: one on a support beam, one near a glowing vent, and one directly onto one of the thick cables disappearing into the ground. A tiny green light blinked on each, confirming adhesion. Then I melted back into the shadows of the boulders, heart hammering a frantic rhythm against my ribs.
Back in cover, I brought up my wrist interface. The data streamed in, a chaotic symphony of numbers and waveforms. The hum wasn't just a byproduct; it was the mechanism. This "Permafrost Harvesting Array," as the corporate schematic on my screen optimistically called it (I’d hacked into a public domain patent application earlier), was designed to… well, it was designed to vibrate the permafrost at a specific, low frequency. The stated goal? To "optimise latent geothermal energy transfer," which was a fancy way of saying "melt some ice to make electricity and maybe warm up an underground data centre they probably wanted to build."
The satirical genius of it hit me with a chill that wasn't just the Arctic air. They weren't just harvesting ice; they were harvesting instability. The "solution" was to take a stable, albeit frozen, system and introduce chaos for an imagined benefit. And the "customer" for this 'solution' wasn't the Northern communities seeking sustainable energy, but rather some distant, climate-anxious corporation looking to greenwash its portfolio with "innovative" Northern projects. The true customer, the land, was being actively ignored, its cries amplified into this unsettling hum.
My screen flashed red. An alarm. Not from their system, but from my own. The vibration, according to my sensors, was doing more than just "optimising energy transfer." It was causing structural stress fractures in the permafrost, minute at first, but cumulative. It was like gently but persistently shaking a sleeping giant. The instability was building. This wasn't just localised melting; it was a systemic weakening.
And then there was the secondary output. A strange gaseous compound, venting from the lower grilles. My atmospheric sensor identified it: a trace of methane. Not a lot, but consistent. Methane, trapped for millennia in the permafrost, now being slowly, deliberately released by this "innovative" humming. The very thing they claimed to be working against, they were exacerbating. It was a comedy of errors, played out on the stage of the planet's most fragile ecosystem. A slow-motion environmental suicide, dressed up as a brilliant "solution."
My "advantage," I realised, wasn’t just my ability to operate unseen in this environment, or my makeshift tech. It was my deep, ingrained understanding of the land itself. The way it responded, the way it shifted. These scientists in their bright yellow suits, with their equations and their patents, saw only variables. I saw a living, breathing entity.
The two lemon-suited figures from earlier started heading towards the main rig, their conversation audible now, carried on the crisp air. I couldn’t make out words, but their tone was agitated. The hum seemed to intensify, a deeper, more insistent growl. My stomach churned. This was accelerating.
The Unseen Fracture
I had to get closer, had to find the primary control panel, to see if there was any way to shut this thing down without causing an even bigger geological hiccup. The risk was enormous. A sudden cessation of the vibrations could lead to immediate, unpredictable permafrost collapse in the now-weakened area. But letting it continue was a guarantee of disaster.
My mind raced through scenarios, a rapid-fire assessment of 'solutions'. Could I rig a slow, gradual power down? That would require direct access to the main console, and probably a specific access code. Or could I overload a circuit? Too risky, too uncontrolled. This wasn't about brute force; it was about precision, about finding the system's inherent flaw, its Achilles' heel.
The hum was now a grinding roar, and the ground was vibrating perceptibly under my hands. A faint, almost imperceptible tremor ran through the boulder I was hiding behind. The two figures were now at the base of the rig, one pointing frantically at a panel, the other gesturing wildly towards the ground. They were clearly panicking. Their "solution" was not behaving as expected. The "results" were starting to appear, and they weren't quantifiable "customer delight."
A crack, sharp and loud, tore through the air. It wasn't from the rig. It was from the ground, nearby. A hairline fracture, thin as a spiderweb, snaked across a patch of packed snow, extending towards the metallic base of the structure. My heart leaped into my throat. This was it. The land was pushing back. The "ecology of an idea" was failing its environment.
I had to move. Now. Before the whole thing decided to reconfigure itself into a giant sinkhole. I darted out from behind the boulder, keeping low, moving towards the smaller, insulated hut I’d seen earlier. If there was a central control, it would be there.
My boots crunched on the unnaturally solid snow. The air around the rig was now thick with the smell of methane, acrid and disturbing. The green lights on the vents pulsed faster, turning a sickly yellow. A small, almost comical explosion of steam erupted from one of the cables disappearing into the ground, followed by a shower of ice crystals. One of the frantic engineers, still shouting, stumbled and fell, disappearing into a newly formed crevice in the ground.
I reached the hut, a utilitarian rectangle of grey composite material. The door was a simple, keycard-access panel. This was my moment. I pulled out a small, flat device from my jacket – a universal keycard emulator I’d built after a particularly annoying incident with a mining company’s gate. It was finicky, sometimes requiring a few tries. Not ideal for a high-stakes, rapidly crumbling situation.
I pressed the device against the panel. Nothing. A tiny bead of sweat, cold despite the sub-zero temperatures, tracked down my temple. The ground under my feet groaned. Another crack, louder this time, split the air, closer. The faint, sickly yellow from the vents was intensifying, and the humming rig was shaking violently. The two engineers were frantically scrambling away from the base, shouting something about "containment protocols" and "system breach."
I pressed the emulator again, holding my breath, my fingers numb with cold and tension. This was it. My "team" was just me. My "advantage" was about to run out of time. The door clicked. A tiny green light winked on. I shoved it open, feeling a surge of adrenaline. Inside, a single control panel glowed, bathed in the same unsettling yellow light as the vents. It was crude, rudimentary, covered in blinking red warnings. And right in the centre, a large, inviting red button, labelled: "Emergency Shutdown."
As I stepped inside, the ground outside gave a monumental, shuddering lurch. The hut tilted precariously. I heard a sickening groan of stressed metal and the tearing sound of ice. A shower of snow and debris rained down outside the narrow doorway. One of the frantic engineers, still shouting, stumbled and fell, disappearing into a newly formed crevice in the ground.
My hand hovered over the red button. This was it. The big decision. Shut it down, and hope the subsequent instability didn't swallow the whole landscape. Or let it run, and guarantee a slow, agonizing environmental collapse. No good choices. Just choices.
Suddenly, a blinding flash erupted from the main rig, followed by a concussive blast of super-chilled air and a deafening, metallic shriek. The hut pitched violently to the side, sending me sprawling. My head hit something hard. Darkness threatened to consume me, but through the haze, I saw the control panel sparking, and the red button now glowing with an angry, pulsating light. The entire rig was listing, a drunken giant about to topple. And the humming, unbelievably, was still there, but now it sounded like a dying gasp, a final, desperate wail before silence. What had just happened? And could I still reach that button?
Unfinished Tales and Fun Short Stories to Read
The Unfolding Permafrost Veil is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.