A Script for A Gilded Cage of Creativity
INT. CLASSROOM - DAY
A sterile, minimalist room. Semicircular rows of integrated desks face a large VIEWPORT. The walls are a seamless, metallic gray.
SOUND: A low, persistent, sub-audible HUM.
Through the viewport, a hyper-realistic simulation: an AUTUMN ARBORETUM. Ochre and rust-red leaves cling to impossible branches, swaying in an artificial breeze. The light is a warm, synthetic glow.
JETT (17), introspective, sits at his desk. His knuckles are white where he grips the edge of his data-slate. He stares out at the fake autumn, a knot of tension in his gut.
Across the room, LINDA (17), earnest, traces patterns on her slate. Her sweater is worn, its cuffs unraveling. KAITO (17), sharp and restless, leans back, feigning disinterest, but his eyes dart around the room.
PROFESSOR ANSTEN (40s) stands silhouetted against the viewport, her posture as unyielding as the alloy walls. She scrolls through a console. Finally, she turns, her gaze sweeping over the students. It lingers on Kaito, then settles on Jett.
<center>ANSTEN</center>
> As you know, the Authority places a high value on collective emotional regulation. It is paramount for systemic stability. Today, we delve into how designated artistic practices contribute to this equilibrium.
> (a beat)
> Jett, perhaps you could begin. Your recent submission, 'Synapse Echoes,' demonstrated an... interesting perspective.
Jett’s breath hitches. He swallows, his throat dry.
<center>JETT</center>
> (voice cracking slightly)
> Professor... I believe art, even approved art, provides an outlet. For... for the individual. It allows us to process stimuli, without disrupting collective function.
He chooses his words like stepping stones. Ansten gives a slow, deliberate nod, her expression unreadable.
<center>ANSTEN</center>
> An outlet. Yes. The Authority recognizes the necessity of channeled expression. Kaito? What is your assessment of Jett’s contribution to this discussion?
Kaito sits up, a subtle shift in his posture.
<center>KAITO</center>
> Synapse Echoes... it was efficient. The way the... initial dissonance... it resolved. Quickly. It showed the importance of resolution. Of finding balance. Even in... difficult data.
He stumbles through the academic jargon, playing the game. Linda leans forward, her eyes wide and challenging.
<center>LINDA</center>
> But... what about empathy, Professor? Doesn’t art, real art, help us understand each other? Feel what others feel?
A ripple of unease passes through the room. Ansten’s gaze hardens, just a fraction.
<center>ANSTEN</center>
> Empathy, Linda, is a complex construct. In excess, it can lead to factionalism. To unproductive deviation. The Authority promotes *understanding* based on shared directives, not on individual emotional resonance. Art, in our society, guides emotion towards collective purpose. It is a tool for cohesion.
She pauses, letting the words settle. Jett feels the HUM intensify in his molars.
<center>ANSTEN</center>
> (CONT'D)
> Consider the monumental holographs across Sector Prime. 'The Ascension of the Collective.' Do they not inspire a shared sense of purpose? Linda, do you not feel a surge of pride?
Linda looks down at her slate.
<center>LINDA</center>
> (a near whisper)
> I understand their purpose, Professor. They are... impressive. But they don’t make me feel like the old Earth music... from the archives. When people sang about losing things. That felt... different.
<center>ANSTEN</center>
> (firmly)
> Archival media is historical data. Untethered emotional expression often leads to instability. The purpose of art, now, is to fortify, not to question. To harmonize, not to disrupt.
She looks at Jett, a silent challenge. He clears his throat, forcing himself back into the acceptable narrative.
<center>JETT</center>
> The visual arts, too. The symmetry of the city-spires... the synchronized light displays. They bring a sense of order. Predictability. A visual anchor.
A faint, disconcerting smile plays on Ansten’s lips.
<center>ANSTEN</center>
> Precisely, Jett. Order. Predictability. Art, in its highest form, becomes an architectural element of peace. The invisible scaffolding of our harmonious existence.
Kaito shifts, restless. The words tumble out of him, raw and edged with defiance.
<center>KAITO</center>
> But if it’s all guided, Professor. If it’s all for utility... does it still count as art? Or is it just... propaganda? An algorithm designed to keep everyone quiet?
A heavy silence descends. The HUM of the ship seems to fill the void.
Ansten’s smile vanishes. She takes a slow step from behind her console, moving towards Kaito. The air thickens.
CLOSE ON - The artificial autumn leaves outside the viewport. They shimmer with an unnatural intensity.
<center>ANSTEN</center>
> (dangerously soft)
> Kaito. That is an... unapproved interpretation. The Authority provides opportunity for self-expression within parameters designed for optimal collective benefit. To suggest otherwise is to imply a malicious intent where only beneficent guidance exists. Do you understand the implication of your statement?
The color drains from Kaito’s face. He recoils.
<center>KAITO</center>
> No, Professor! I... I just meant... if it’s not from the inside. The real inside. Does it... resonate the same way?
<center>ANSTEN</center>
> (voice hardening)
> The 'real inside,' Kaito, is precisely what the Authority cultivates. A healthy, balanced internal landscape.
> (turning to Jett)
> Your 'Synapse Echoes,' Jett, demonstrated a commendable understanding of how to take disparate impulses and bring them into a desirable, functional whole. It mirrored the very process of our society’s evolution.
Jett swallows hard. A violation. His quiet rebellion has just been repurposed as an endorsement. He feels a dull ache behind his eyes.
Ansten’s focus returns to Kaito, her gaze cold.
<center>ANSTEN</center>
> (CONT'D)
> Perhaps, Kaito, you would benefit from reviewing the destructive potential of older art forms. I can assign you some supplementary materials.
> (glancing at Linda)
> And Linda, your interest in 'empathy' is noted. A study of the neuro-chemical basis of collective emotional response would prove illuminating.
Linda stares at her desk, her fire extinguished. Kaito is pale and silent. The threat of re-education hangs in the air.
Ansten returns to her console, her face placid once more.
<center>ANSTEN</center>
> (CONT'D)
> Excellent engagement today, class. Understanding the *function* of art is a fundamental component of your civic duty. Your contributions to cultural stability are anticipated and appreciated.
The class ends. Students gather their slates, movements subdued, avoiding eye contact.
As Linda passes Jett, her hand briefly touches his arm. A silent, shared understanding.
Kaito avoids everyone’s gaze, already lost.
Jett remains seated, staring at the artificial leaves. The ship’s hum is no longer just a thrum. It’s a drumbeat.
CLOSE ON JETT'S EYES.
A quiet rebellion hardens into cold resolve. The echoes have just begun.
About This Script
This script is part of the Unfinished Tales and Random Short Stories project, a creative research initiative by The Arts Incubator Winnipeg and the Art Borups Corners collectives. Each script outlines a potential cinematic or episodic adaptation of its corresponding chapter. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
These scripts serve as a bridge between the literary fragment and the screen, exploring how the story's core themes, characters, and atmosphere could be translated into a visual medium.