The Glass Apple

**THE GLASS APPLE**

**SCENE START**

**INT. ANDREW'S BEDROOM - MORNING**

SOUND of a gentle spring rain, birds chirping distantly

Watery, pale light filters through blinds, cutting the room into horizontal slashes. Dust motes dance in the beams.

ANDREW (74), frail, with skin like worn paper, sits bolt upright in his bed. His eyes are wide, listening.

Then we hear it. A sound that doesn’t belong.

SOUND of thin glass rolling on hardwood. A hollow, delicate *scritch-roll... scritch-roll...*

The air smells of damp earth and tulips from the garden outside. Spring. Indisputably Spring. But the sound persists.

SOUND: *Scritch-roll... Tap.*

Andrew swings his legs over the side of the bed. His knees POP, a dry crack that sounds louder than the mystery noise. He reaches for a heavy wool dressing gown, his trembling fingers fumbling with the cord. He doesn't call out. There is no one to hear him.

He shuffles out of the room.

**INT. HALLWAY - CONTINUOUS**

The runner rug is worn threadbare down the middle, a path eroded by a lifetime of footsteps.

And there it is.

Resting against the skirting board at the top of the stairs, the source of the noise. A SILVER BAUBLE. A vintage mercury glass apple, tarnished with age, its metal cap askew.

Andrew stares. He packed the Christmas decorations away months ago. He remembers the cold attic air, the snap of the plastic tote lids. This makes no sense.

He bends down, a slow, pained movement. The blood rushes to his head. He picks up the ornament.

It is ICE-COLD. Not cool, but freezing, as if plucked from a snowbank. He holds it to his eye. The silvered surface distorts his reflection, stretching his face into a grotesque, weeping moon.

ANDREW
> (whispering, voice rusty)
> Curious.

The air in the hallway SHIFTS. The scent of tulips vanishes, replaced instantly by the sharp, resinous tang of PINE and WOODSMOKE.

A shiver runs down Andrew's spine. His vision tunnels. The hallway seems to STRETCH, the door at the far end suddenly miles away. A crushing weight of melancholy settles on his chest, a physical pressure. The feeling of 4:00 PM in deep December.

He knows, with the undeniable certainty of a dream, what he must do.

**INT. LIVING ROOM - LATER**

A large cardboard coffin, marked "TREE" in faded marker, sits in the middle of the room. The space in front of the bay window has been cleared.

Outside the window, a vibrant spring day. A robin pulls a worm from the greening lawn. The contrast is violent.

A sharp, precise KNOCK at the front door. Three raps.

Andrew, tightening his dressing gown, goes to the door.

On the porch stands JARED (70s), a tall, skeletal man in a three-piece tweed suit, holding a cane topped with a silver skull.

JARED
> Good morrow, Andrew. The air carries a peculiar charge today, does it not?

ANDREW
> Jared. It is... unexpected to see you.

Jared steps inside without invitation, his cane tapping a staccato rhythm on the hardwood. He walks straight to the living room, ignoring Andrew. He stops before the cardboard box.

JARED
> Ah. The great resurrection. I thought as much.

Andrew closes the door. The sunlight from the window seems to bend around Jared, avoiding him.

ANDREW
> I found an ornament. In the hallway. It was cold.

JARED
> (turning to face him)
> A harbinger. The calendar is a tyrant, Andrew. But occasionally... occasionally, we are granted a reprieve. A loop. Shall we proceed?

ANDREW
> (falling into the strange cadence)
> It seems necessary.

JARED
> Open the sarcophagus.

Andrew takes a knife and cuts the yellowed packing tape. The flaps part with a papery sigh.

He pulls out the compressed boughs of an artificial Christmas tree. As his fingers touch the plastic needles, the temperature in the room PLUMMETS.

Frost begins to FERN across the inside of the bay window, obscuring the view of the blooming cherry tree outside.

ANDREW
> Section A.

JARED
> The foundation of the world. Plant it deep, Andrew. The soil here is thin.

They work in a meditative silence. Snap, fluff, arrange.

With each branch Andrew spreads, a MEMORY flickers on the wall like a silent film.
- His wife, MARTHA, in 1982, laughing in a red sweater.
- His DAUGHTER, small and sticky-fingered, crying over a broken candy cane in 1994.

JARED
> The ghosts are lively. They approve of the disruption.

ANDREW
> It is not disruption. It is alignment.

The tree stands complete, a dark, jagged silhouette against the frosted window. The room is dim, lit only by the pale light filtering through the ice.

Andrew brings out another tote. He plugs in a string of lights. Half the bulbs are dead, leaving dark gaps.

JARED
> Imperfection is the hallmark of humanity. String them. Let the darkness breathe.

Andrew winds the lights around the tree. The working bulbs cast a warm, amber glow that doesn't reach the corners of the room. The shadows there seem to grow taller, stretching like smoke.

He takes the glass apple he found and hangs it on a prominent branch. It spins slowly, catching the amber light.

ANDREW
> Do you remember the year of the great snow? Ninety-six?

JARED
> I remember the silence. The way the world stopped. We are approaching that silence again, Andrew. Can you feel it?

ANDREW
> I can.
> (a moment of doubt)
> Is this... is this senility, Jared? Am I losing my mind?

Jared lets out a dry, rattling laugh.

JARED
> Senility is a medical term for when the veil gets thin. You are not losing anything. You are finding. Look at the tree.

Andrew looks. The plastic needles are darkening, the texture shifting. He can SMELL sap. The trunk becomes rough BARK. The ornaments aren't just hanging; they seem to be growing from the branches like strange, glittering fruit.

The room itself is EXPANDING. The ceiling recedes into darkness. The walls move back. The furniture—an armchair, a bookshelf—looks tiny and far away, like dollhouse furniture.

Andrew reaches into the ornament box. His hand brushes against a velvet pouch. He pulls it out. It's heavy.

JARED
> The heart. Open it.

Andrew undoes the drawstring. Inside is a heavy, lead crystal teardrop. It shatters the amber light into a thousand rainbows. He moves to hang it on the tree, but his hand stops.

ANDREW
> It doesn't belong here.

JARED
> No. The tree is hungry, but it is picky. That one is too heavy for these branches.

Andrew looks up. The tree is full, bowing under the weight of a lifetime. But the top... the top is bare. A single metal spike points accusingly at the darkness above.

ANDREW
> The topper. I don't have the angel. The angel broke. Last year. Or ten years ago.

JARED
> A tree without a crown is a sentence without a period. It is unfinished. The ritual cannot close.

Panic rises in Andrew's throat. The thought of being trapped in this cold, stretched twilight forever.

ANDREW
> I have nothing else. The box is empty.

Jared taps his cane on the floor. The sound ECHOES as if in a cathedral.

JARED
> Think, Andrew. The season is Spring. What rules the Spring?

ANDREW
> Growth. Life.

JARED
> And where is the life?

He points with a bony finger towards the front door. Through its small window, a sliver of the outside world is visible: a vibrant, impossible green.

JARED
> The tree is indoor winter. But to finish it, to seal the loop, you must crown it with Spring. You must bring the outside in.

ANDREW
> I have to go out.

JARED
> (bowing low)
> A quest. How chivalric. I shall guard the fortress.

**INT. HALLWAY - CONTINUOUS**

Andrew walks the seemingly endless runner rug. He puts on an old tweed coat and a flat cap. He feels like an arctic explorer.

He opens the front door.

The air hits him like a physical blow—warm, humid, smelling of wet asphalt and blooming lilac. The contrast makes his eyes water.

He looks back. Jared is a stark silhouette against the glowing tree, a scarecrow made of shadows.

ANDREW
> What am I looking for?

JARED
> You will know it when it bleeds.

**EXT. FRONT GARDEN / STREET - CONTINUOUS**

Andrew steps onto the porch. The world is aggressively alive. Daffodils nod their yellow heads.

He walks down the path. As he reaches the sidewalk, the world begins to warp. The houses on either side seem to lean away from him. The fences grow taller.

SOUND of the city vanishes. Absolute silence, save for his own breath and the wind in the leaves.

He turns the corner towards the small wooded park at the end of the street.

**EXT. WOODED PARK - CONTINUOUS**

He steps off the pavement.

The scrubby park is gone. In its place, a DEEP, PRIMEVAL FOREST. The trees are immense pillars, their canopy a solid roof of green. The light is filtered, swimming with pollen.

He walks. His arthritis is gone. He feels light, untethered. He walks for what could be minutes or hours.

A flash of WHITE in the undergrowth.

He pushes through ferns, wet and cold against his trousers.

**EXT. FOREST CLEARING - CONTINUOUS**

In a small clearing stands a bush he doesn't recognize. Its branches are twisted like barbed wire.

And in the center, growing from the highest thorn, is a single, WHITE BLOSSOM. It is shaped like a star, five-pointed and perfect. It glows with its own inner light.

This is it.

He reaches out. The thorns look sharp enough to pierce bone. He hesitates, then grips the stem below the blossom.

A thorn digs deep into his thumb. A single drop of BLOOD wells up, shockingly red against the white flower.

*You will know it when it bleeds.*

He SNAPS the stem.

The sound is like a GUNSHOT, echoing through the trees.

The forest falls utterly silent. The wind stops. The light dims.

Andrew holds the warm, pulsing flower. He turns to go back.

The path is gone. The ferns have closed ranks. The trees have shifted. He is completely, utterly lost.

He stands alone in the ancient woods, clutching the bleeding star.

**FADE TO BLACK.**

**END SCENE**