A Script for The Unscheduled Encounter
[SCENE START]
**INT. COMMUNAL DINING HALL - MORNING**
A vast, sterile space. Symmetrical rows of white tables gleam under flat, shadowless PANELS of artificial light. The air HUMS with recycled air and the scent of nutrient paste.
Through panoramic windows, the summer heat presses in, a tangible, hazy weight.
MAGGIE (20), compliant and cautious, sits at a table for two. She picks at a dense, grey OPTIMISATION BISCUIT on her plate. Her eyes are distant.
Opposite her, PRIA (20s), cheerful and vacant, gestures with perfect posture.
<center>PRIA</center>
> ...so the satisfaction derived from mutual data sharing in a transparent relationship framework is, objectively, a net positive for both participants. Wouldn't you agree?
Maggie blinks, pulled from her thoughts. She forces a smile that doesn't reach her eyes.
<center>MAGGIE</center>
> Absolutely. Optimal.
Her gaze drifts. Across the hall, other young adults in identical grey LEISUREWEAR sit in assigned pairs. They perform "structured dialogue," their gestures measured, their expressions placid. It’s like watching a hundred silent, identical plays at once.
Her eyes find him. STEVEN (21), at a corner table, alone. He stirs his own nutrient paste with an air of profound boredom, his sandy hair a little too long for Collective standards.
As if feeling her gaze, he looks up.
Their eyes lock. Just for a second. It's not a smile, not a nod. It's a flicker of shared conspiracy. A silent acknowledgment of last night. Of indigo light and the word AWAKE.
Maggie's stomach flutters. She looks away, heat rising in her neck.
<center>PRIA</center>
> Maggie? Are you experiencing optimal engagement with my data points?
<center>MAGGIE</center>
> (stretching the cold plastic of her smile)
> Yes, Pria. Absolutely optimal.
A soft CHIME from Maggie's wrist-comm. She looks down. A new schedule notification pops up on the tiny screen.
`ASSIGNMENT: Emotional Synchronisation Exercise`
`PARTNER: Steven_734`
`LOCATION: Synchronisation Chamber Gamma`
Maggie’s breath catches. Her heart gives a clumsy, disorganized thump.
**INT. SYNCHRONISATION CHAMBER - LATER**
A sterile, circular room with padded grey walls. No windows. A single low table sits in the center. The only feature is a small, dark lens in the ceiling—a CAMERA. The air tastes of static.
Steven is already there, leaning against a wall, arms crossed. He wears the standard grey ACTIVEWEAR, but on him, it looks less like a uniform and more like a costume he's forced to wear.
Maggie enters. The door slides shut with a soft HISS.
Steven pushes off the wall. A wry curl plays on his lips.
<center>STEVEN</center>
> Well. This is... unexpected. The Grid works in mysterious ways, I suppose.
Maggie sits opposite him at the table. The padded cushion deflates softly. She keeps her voice low, her eyes flicking to the camera.
<center>MAGGIE</center>
> Mysterious, or just over-compensating for last night?
He lets out a low, rough chuckle. A sound utterly alien in this place.
<center>STEVEN</center>
> Probably. The Grid hates a loose thread.
He leans forward, elbows on the table, his gaze intense.
<center>STEVEN (CONT'D)</center>
> So. Emotional Synchronisation. What are we supposed to be feeling right now?
<center>MAGGIE</center>
> (deadpan)
> Enlightened self-awareness through shared vulnerability?
They both laugh. A quiet, subversive sound that seems to press against the padded walls. It’s a genuine laugh. Maggie’s chest feels lighter.
A tablet on the table PINGS softly, displaying a prompt.
`PROMPT: Describe a moment of profound personal fear.`
Maggie hesitates, staring at the sterile text.
Steven doesn't miss a beat. He doesn't look at the tablet. He looks right at her.
<center>STEVEN</center>
> Being trapped in a system that pretends to offer freedom but only offers a gilded cage.
His voice is quiet, stripped of irony. It hangs in the air between them. A confession. Maggie’s breath hitches. This is dangerous. This is thrilling.
The tablet waits. Steven gives her a slight, prompting nod.
<center>STEVEN (CONT'D)</center>
> Your turn.
She looks at him, really looks at him. For a moment, the camera, the Collective, the humming Grid—it all fades.
<center>MAGGIE</center>
> Being invisible.
> (her voice cracks)
> Living a life where no one ever really... sees you.
He doesn't look away. He doesn't pity her. He just holds her gaze. A silent acknowledgment. *I see you.*
They abandon the tablet. They talk. Whispers about the blandness of the food, the forced smiles. He talks about fixing old engines, the remembered smell of grease and metal, his fingers gesturing with surprising nimbleness.
She talks about colors. The deep, rich crimson of a real sunset, something the Collective deems "distracting." As she speaks, her hand, unconsciously, drifts across the table.
Her fingers brush his. A fleeting, electric contact.
He doesn't pull away.
The tablet PINGS, loud and intrusive.
`SESSION COMPLETE.`
The spell is broken. The room is a sterile box again. The camera is a heavy, unblinking eye.
They stand. The silence is thick with things unsaid.
<center>STEVEN</center>
> See you around, Maggie.
His voice is low, but it holds a new weight. A promise. He gives her a quick, almost imperceptible nod and walks out. The door HISSES shut behind him.
Maggie stands alone in the silent chamber. The faint, phantom smell of burning copper from the service panel returns to her.
She lifts her wrist-comm. The screen displays her vitals, her schedule. All normal.
But then she sees it. In her "Connection Profile," the green compatibility bar next to Steven's name has shifted. Just a fraction.
And next to it, a single RED DOT pulses slowly. A surveillance indicator she has never, ever seen before.
CLOSE ON MAGGIE'S FACE
Her expression freezes. The sterile room suddenly feels like a cage closing in. The Grid isn't just watching. It's focused.
[SCENE END]
About This Script
This script is part of the Unfinished Tales and Random Short Stories project, a creative research initiative by The Arts Incubator Winnipeg and the Art Borups Corners collectives. Each script outlines a potential cinematic or episodic adaptation of its corresponding chapter. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
These scripts serve as a bridge between the literary fragment and the screen, exploring how the story's core themes, characters, and atmosphere could be translated into a visual medium.