A Script for A Collapsed Street
FADE IN:
**EXT. COLLAPSED STREET - DAY**
A world of granular GREY. Dust hangs so thick it’s like a physical presence.
Through the haze, we find EMMOND (40s, architect, in a dust-caked suit). His eyes flutter open. He’s wedged in a narrow, canyon-like space between the leaning, shattered carcasses of two buildings.
A massive CONCRETE SLAB pins his left leg.
He tries to shift. A sharp, searing pain shoots through him. He lets out a choked groan.
He coughs, a dry, ragged sound. The movement sends another wave of agony through his leg. He squeezes his eyes shut.
<center>EMMOND (V.O.)</center>
> One moment... walking past the old Dominion Bank. The morning light...
SOUND of a monstrous, grinding ROAR, like the world tearing apart--
<center>EMMOND (V.O.)</center>
> Then... this.
He opens his eyes again. Pushes against the slab with his shoulder. It moves a millimeter. A shower of pebbles and plaster dust rains onto his face. The air tastes of wet earth and metal.
He tries to call out, but his voice is a dry rasp.
<center>EMMOND</center>
> (a whisper)
> Help...
The silence that answers is heavy, suffocating. Broken only by the steady DRIP... DRIP... DRIP of water nearby.
Above, a fractured gap shows a sky the color of bruised plums. He’s in the space *between* the buildings. A fatal embrace. A cold shiver cuts through the pain.
A subtle shift in the quiet. A soft THUD. Then another.
Footfalls.
Emmond strains to turn his head, neck muscles screaming in protest.
A figure emerges from the deeper gloom, silhouetted against a distant, brighter opening. A WOMAN. Her movements are slow, deliberate, as if wading through water.
This is CATHY (40s). Her spring jacket and trousers are caked in grey dust. Her hair is a wild mess. But her posture is unnervingly calm.
<center>EMMOND</center>
> (cracked whisper)
> Hello? Is anyone... here?
Cathy pauses. Her head turns slowly, her gaze drifting over the ruin before settling on him. Her eyes hold a deep, unsettling clarity.
<center>CATHY</center>
> Indeed. It appears we are.
Her voice is surprisingly steady, formal. She takes another careful step, picking her way over a tangle of wires. She stops a few feet away.
<center>CATHY</center>
> You are… pinned?
It’s an observation, not a question. Stated with detached, scientific precision.
<center>EMMOND</center>
> My leg. Under this... this whatever it is.
He gasps as another jolt of pain hits.
Cathy kneels beside him, unhurried. Her face is smudged with dirt, her deep brown eyes observing everything with clinical curiosity. No pity. He notices her heavy boots are untied. A strange detail.
She looks up, past the immediate debris, to the leaning, fractured remains of the buildings above.
<center>CATHY</center>
> The structure above appears compromised. A precarious cantilever. We must be swift.
> (looks at him)
> Can you free yourself, or do you require… assistance?
Emmond grits his teeth, pushes against the slab with all his might. It doesn’t budge. The pain is a white-hot scream. A small, embarrassing whimper escapes him.
<center>EMMOND</center>
> (panting)
> No. I cannot. It's... too heavy. My leg...
Cathy surveys the scene, patient. She touches the concrete slab, her fingers light, assessing.
<center>CATHY</center>
> The weight is distributed unevenly. And the angle is… problematic. Where do you feel the primary compression?
<center>EMMOND</center>
> (strained)
> Here.
He points to a spot just above his ankle.
Cathy nods slowly. Her eyes scan the rubble, darting. She spots it: a heavy, twisted section of STEEL BEAM, half-buried nearby. She moves toward it, her stride purposeful.
<center>CATHY</center>
> This might suffice.
She braces herself, positioning her shoulder against the beam, muscles tensing.
<center>CATHY</center>
> On the count of three. You must push against the slab when I lift, to create space. Do not attempt to move your leg until there is sufficient clearance. Understood?
Emmond, caught in the gravity of her resolve, nods. He takes a shaky, burning breath.
<center>CATHY</center>
> One… two… THREE!
With a guttural GRUNT, she heaves.
The beam CREAKS, groaning under the strain. The concrete slab grinds, lifting a fraction of an inch. Emmond shoves with his hands and shoulders, a silent scream caught in his throat.
A gap, no wider than his hand, appears above his leg. Not enough.
Cathy strains, her face crimson with effort. Her eyes lock with his, a flash of pure willpower.
<center>CATHY</center>
> (voice tight)
> Again! Push!
Emmond pushes, a primal ROAR tearing from him. The gap widens. Just enough.
<center>CATHY</center>
> Now!
He pulls. A desperate, painful WRENCH. He scrambles back, dragging his leg free, collapsing onto his hands and knees, shivering uncontrollably as the slab settles back with an ominous THUD.
He lies there, gasping. His leg THROBS, a dull, relentless ache, but he can move his toes. He’s alive.
Cathy stands over him, breathing heavily, but her composure has already returned. She offers a hand. Her grip is surprisingly strong, pulling him to his feet. He sways, leaning heavily against a jagged wall.
The dust is settling. Before them, the street has ceased to be. A GAPING, DARK CHASM stretches for an entire city block.
<center>CATHY</center>
> We are quite literally, between worlds, are we not? The earth has decided to… rearrange itself.
She looks at him. A flicker of bleak camaraderie in her eyes.
<center>CATHY</center>
> Emmond, is it?
<center>EMMOND</center>
> (breathless)
> Yes. Emmond. And you are Cathy.
<center>CATHY</center>
> Indeed.
The leaning structure above them lets out a low GROAN. A piece of concrete detaches and falls into the chasm, swallowed by the dark.
<center>CATHY</center>
> That cantilevered section will not hold much longer. We must proceed.
<center>EMMOND</center>
> Where... where do we go?
She points. Twenty meters away, a precarious bridge of concrete and REBAR spans a narrower section of the chasm, connecting to the distant, but more intact, OLD LIBRARY BUILDING. It’s a nightmare path.
<center>CATHY</center>
> That way. It appears to be the most viable route.
<center>EMMOND</center>
> It's… unstable.
<center>CATHY</center>
> Everything is unstable, Emmond. The question is merely, to what degree.
She takes a step towards the precipice, testing the ground. She sniffs the air.
<center>CATHY</center>
> The air has changed, has it not? The scent… not merely decomposition. There is something new, something mineral. Almost… organic, yet utterly alien.
Emmond sniffs. Beyond the dust and damp, there is a faint, earthy sweetness mingled with a sharp, electrical tang.
<center>EMMOND</center>
> What... what is it?
<center>CATHY</center>
> I am a botanist, Emmond. But the manner of this rupture... it is not simply structural failure. The earth has been… carved.
Her words send a chill down his spine. They reach the edge of the chasm. The wind WHISTLES past them. The bridge looks impossibly fragile. Below, a faint, almost imperceptible GREEN SHIMMER pulses from the depths.
<center>CATHY</center>
> We must cross. One at a time. Slowly. Use the exposed rebar for purchase. Do not look down.
> (she meets his eyes)
> Can you do this, Emmond? Your leg?
Emmond looks at the abyss, then back at her.
<center>EMMOND</center>
> (hoarse)
> I... I have to.
<center>CATHY</center>
> Indeed. Allow me to go first.
Without waiting, she steps onto the bridge. Her movements are precise, cat-like. He watches, holding his breath. A chunk of concrete dislodged by her boot tumbles into the chasm, its impact swallowed by the depths.
She reaches the other side, turns, her eyes a silent command.
<center>CATHY</center>
> Your turn, Emmond. Be mindful of the central fissure.
His turn. He takes a deep breath and steps onto the crumbling concrete. He keeps his eyes locked on Cathy. The abyss below seems to breathe, pulling at him.
His foot slips on loose gravel. He YELPS, arms windmilling. He catches himself, his hand scraping against jagged rebar, drawing blood.
<center>CATHY</center>
> (sharp, urgent)
> Careful! Maintain your focus!
He presses on, his injured leg screaming. The central fissure is a gaping maw. He gathers himself, leaps--
And lands awkwardly on the other side, stumbling against the cold, cracked wall of the library. He made it.
He leans against the wall, panting, heart hammering. He looks up, meets Cathy’s gaze. A subtle, silent nod passes between them.
<center>CATHY</center>
> We are safe. For this moment.
She runs a hand over the library's exposed brick foundation.
<center>CATHY</center>
> The foundations here are more resilient. And the temperature… it is warmer, is it not? A distinct anomaly.
He feels it. A subtle heat radiating from the ground. He notices a faint, shimmering quality to the air near the deepest cracks in the library wall.
<center>CATHY</center>
> Look.
She points. In a fissure where the concrete has cracked open like an eggshell, something GLOWS.
A moss-like growth, luminous and pulsing with that same strange GREEN LIGHT from the chasm. It clings to the damp rock, vibrant and alien.
<center>EMMOND</center>
> (a whisper)
> What... what is that?
Cathy kneels, mesmerized. Her composure finally cracks, a flicker of raw wonder and fear in her eyes. She reaches out, her fingers hovering inches from the pulsating growth.
<center>CATHY</center>
> It is… entirely new. A mutation. Or something… that was always here, waiting. The energy it radiates...
> (looks at Emmond, her voice trembling with awe)
> This catastrophe, Emmond, it is not merely destruction. It is a birth. Of something utterly profound. Utterly… other.
Before he can process her words, a low, grinding RUMBLE begins, deep beneath their feet. It’s a resonant, hungry growl that vibrates up through their bones.
The green light from the fissure INTENSIFIES, pulsing brighter, faster, casting grotesque, shifting shadows.
A hairline crack appears in the concrete where Cathy is kneeling. It spiderwebs outwards with terrifying speed.
The ground is tearing again.
CLOSE ON EMMOND AND CATHY -- faces frozen in shared terror as the world comes apart around them.
FADE TO BLACK.
About This Script
This script is part of the Unfinished Tales and Random Short Stories project, a creative research initiative by The Arts Incubator Winnipeg and the Art Borups Corners collectives. Each script outlines a potential cinematic or episodic adaptation of its corresponding chapter. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
These scripts serve as a bridge between the literary fragment and the screen, exploring how the story's core themes, characters, and atmosphere could be translated into a visual medium.