A Script for The Memo
[SCENE START]
**INT. TV STATION CONTROL ROOM - MORNING**
The room is a purgatory of beige plastic and worn linoleum. A low, persistent HUM emanates from a rack of obsolete servers.
Under the sickly flicker of an overhead fluorescent light, MAGGIE (20), jaded beyond her years, stares at a computer monitor. Her face is illuminated by the stark white of an email.
SUBJECT: Station Re-evaluation and Operational Adjustments.
Her finger, stained with the ghost of last night’s pasta sauce, hovers over the DELETE key. A nervous twitch.
Outside a grimy window, a ROBIN wrestles an earthworm from a patch of unkempt lawn. The world continues, oblivious.
Maggie rubs her temples. A dull ache blossoms behind her eyes. She pushes her swivel chair back. The wheels GRATE against the floor, a sound of protest.
She reaches for a lukewarm mug of instant coffee. Takes a sip. Grimaces.
The door CREAKS open. GEORGE (60s), the station manager, shuffles in. His grey tweed jacket is a shroud on his narrow frame. He runs a hand through sparse, salt-and-pepper hair. His weary gaze lands on Maggie, then the screen.
<center>GEORGE</center>
> Morning, Maggie.
> (a beat)
> You’ve seen it then, have you? The… communique?
Maggie nods slowly, gesturing to the monitor.
<center>MAGGIE</center>
> Arrived precisely at 07:00 hours. A rather ominous beginning to a Tuesday.
George lets out a long, deflating SIGH. He slumps onto a stool by the main soundboard, his eyes tracing the flickering levels on a VU meter, seeking solace in the predictable rhythm.
<center>GEORGE</center>
> Ominous, indeed. A particularly anodyne turn of phrase for what I suspect is a thinly veiled threat to our very existence.
The door flies open again, admitting STEFFI (40s), a whirlwind of dramatic intent. A vibrant FUCHSIA SCARF billows behind her, a splash of aggressive color in the monochromatic room. She clutches a printed copy of the memo like a sacred, yet deeply offensive, text.
<center>STEFFI</center>
> This! This is an abomination. A bureaucratic cudgel aimed squarely at the heart of community expression! How dare they speak of ‘optimising content streams’? Do they envision us as mere conduits for pre-digested pap?
A wry smile touches Maggie’s lips, then vanishes.
<center>MAGGIE</center>
> Perhaps, Steffi, they envision us as a fiscal liability that needs to be… ameliorated.
George grunts in agreement.
<center>GEORGE</center>
> The girl has a point. While your impassioned rhetoric is, as always, commendable, the brutal reality of the ledger often triumphs over the artistic impulse.
<center>STEFFI</center>
> (hand to chest)
> Brutal reality! Is that what we have become, George? Mere accountants of the airwaves? We are artists! We are the voice of this town!
<center>GEORGE</center>
> The voice of a town that, regrettably, prefers to consume its content via handheld devices and international streaming services. We have, by all measurable metrics, a viewership that could comfortably convene in my living room. With room for guests.
A soft SCUFFLE announces KARL (30s), the station’s unflappable tech wizard. He carries a small, chipped ceramic mug. His calm gaze is fixed on the memo in Steffi’s hand.
<center>KARL</center>
> The memo implies a shift in programming focus. A move towards ‘digital-first engagement models.’ This likely means more short-form content. Possibly… user-generated.
Steffi drops the memo onto the console as if it’s on fire. The papers scatter.
<center>STEFFI</center>
> User-generated? Are we to become a repository for cat videos and poorly lit culinary exploits? Our esteemed documentary series on local mushroom foraging… is that to be supplanted by TikTok dances?
<center>GEORGE</center>
> One does suspect the esteemed documentarians of fungal life would find themselves in direct competition with a plethora of amateur mycologists online. With far greater reach.
Maggie watches them—the theatrical despair, the clinging to a dignity long since eroded. Her voice cuts through the noise.
<center>MAGGIE</center>
> Perhaps we should consider the precise wording. ‘Leveraging emerging platforms.’ This could signify an opportunity, rather than an outright capitulation.
Steffi whirls on her, fuchsia scarf a blur.
<center>STEFFI</center>
> Redefine, Maggie? Or dissolve entirely into the cacophony of the digital ether? The essence of our endeavor is long-form, thoughtful, locally pertinent narratives! Not ephemeral snippets for fleeting attention spans!
<center>KARL</center>
> (pushes glasses up his nose)
> And yet, fleeting attention spans are precisely what dominate the contemporary media landscape. To ignore this would be to hasten our inevitable demise.
George pushes himself off the stool. He walks to the glass pane separating them from the empty, dusty studio beyond.
<center>GEORGE</center>
> Demise, you say? Perhaps it is a dignified conclusion we seek, rather than a humiliating transmogrification into something we are not. We have, after all, upheld a certain standard.
<center>STEFFI</center>
> (hands on hips)
> Integrity does not pay the electricity bill, George! We must adapt! We must innovate! I propose a bold, radical pivot. We shall embrace the absurd. We shall become… viral.
A shiver of genuine dread runs down Maggie’s spine.
George turns from the window, his voice dangerously low.
<center>GEORGE</center>
> Viral? Are you suggesting we debase the very principles upon which this venerable institution was founded? We are not some internet sideshow, Steffi. We are broadcasters!
<center>STEFFI</center>
> Broadcasters without an audience, George! What good is a broadcast if it falls upon deaf ears? We need a reason for Central Management not to simply… pull the plug!
Karl clears his throat. A small, almost imperceptible sound that cuts through the shouting.
<center>KARL</center>
> The memo also mentioned potential redundancies. Operational streamlining. Fiscal efficiencies.
The words hang in the air. Cold. Sharp.
Redundancies.
The theatricality drains from the room. Steffi's shoulders slump. The fuchsia scarf suddenly looks limp.
<center>STEFFI</center>
> (whispering)
> Redundancies… they truly mean to dismantle us.
George shrinks, the fight gone. He returns to his stool, picks up a stray cable, and begins to idly coil it. A pointless, repetitive motion.
<center>GEORGE</center>
> The writing, it would appear, has been on the wall. Or, rather, in the email. Our quaint little endeavor… is simply an anachronism.
Maggie’s gaze drifts from the three defeated figures back to her monitor. The stark white text of the memo seems to PULSE.
The spring light outside is fading. The robin is long gone.
The hum of the server rack is the only sound, a heartbeat of old machinery, oblivious. The blue glow of the monitor is now the brightest light in the room, illuminating only their uncertain future.
[SCENE END]
About This Script
This script is part of the Unfinished Tales and Random Short Stories project, a creative research initiative by The Arts Incubator Winnipeg and the Art Borups Corners collectives. Each script outlines a potential cinematic or episodic adaptation of its corresponding chapter. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
These scripts serve as a bridge between the literary fragment and the screen, exploring how the story's core themes, characters, and atmosphere could be translated into a visual medium.