A Confluence of Chromium and Complaint

by Jamie F. Bell

The coffee machine, a monolithic contraption of dubious chrome and even more dubious internal mechanisms, emitted a sound that could only be described as a dying gasp, followed by a wheezing cough. A plume of steam, thick with the stench of burnt coffee grounds, billowed from its spout, momentarily obscuring my view of the perpetually bewildered Angela.

"Terrence, if you would be so kind as to apply yourself with a modicum more vigour," Angela intoned, her voice cutting through the hiss, each word precise, as if she were addressing a parliamentary committee rather than a man elbows-deep in a corroded drip tray. "Our clientele, one might reasonably assert, anticipates a steady supply of caffeinated beverage, especially at this ungodly hour."

My knuckles scraped against something sharp inside the machine's underbelly. I bit back a colourful epithet, opting instead for a terse, "Indeed, Angela. The vigour is, I assure you, in ample supply. The machine, however, appears to possess a rather pronounced deficit of cooperation."

A sigh, theatrical and long-suffering, drifted from behind me. Angela, ever the dramaturge of the everyday, wrung her hands. "Such recalcitrance is simply unacceptable. We operate, Terrence, upon principles of unwavering service and… functional appliances. This is, frankly, an affront to the entire establishment."

From his customary stool at the far end of the counter, Clarence, whose main occupation seemed to be the cultivation of chronic dissatisfaction, piped up. "It's the filters, Terrence. Always the filters. They're not the proper brand, you see. Angela, she always insists on buying those off-brand ones, thinking she's saving a shilling, but what's the true cost, eh? What's the *true* cost?" He punctuated this with a sharp, hacking cough, then took a dramatic sip from his lukewarm tea.

I ignored him. Clarence's monologues were as constant and predictable as the low hum of the refrigerated pie display. My fingers, thick and no longer as nimble as they once were, fumbled with a loose wire. The air vent above me blew a chill draft, smelling faintly of stale frying oil and something vaguely metallic. The scuff on my left boot, a dark, lingering smudge from a week-old diesel spill, seemed to deepen with each failed attempt.

The Unscheduled Observer

A gust of wind, laden with the scent of damp earth and decaying leaves, rattled the front door. It swung open with a complaining squeal, admitting not the usual bleary-eyed trucker, but a man of meticulous, almost severe, presentation. He wore a tweed jacket, far too lightweight for the burgeoning chill of a Manitoba autumn, and carried a slim leather attaché case as if it contained state secrets. His spectacles perched precisely on the bridge of his nose, reflecting the stark fluorescent lights with a clinical glare.

Angela, ever sensitive to the arrival of new subjects for her scrutiny, instantly straightened. "Good morning, sir. Welcome to Pipestone Creek Truck Stop. Might I inquire as to your… purpose? We rarely see gentlemen of such… refined sartorial choices at this particular juncture of the Trans-Canada."

The man offered a small, almost imperceptible nod. "Indeed. My apologies for the unscheduled appearance. I am Mr. Ferris. I represent a… an administrative oversight body. I am here, Madame, to conduct an assessment of your operational efficacy and general adherence to… established protocols."

My hands froze inside the guts of the coffee machine. An 'administrative oversight body'? This sounded like something out of a particularly grim government pamphlet. Clarence, momentarily silenced by the novelty of a new target, merely gaped, his teacup halfway to his lips.

Angela, however, rallied with remarkable speed. "Protocols? My dear sir, this establishment, I assure you, is a veritable bastion of meticulous protocol! From our thrice-daily floor mopping regimen to our strictly enforced napkin distribution policy, we adhere to a standard of… superlative order!"

Mr. Ferris merely blinked. "A commendable assertion, Madame. However, assertions, whilst rhetorically robust, often require substantiation. My mandate is to observe. To record. To, dare I say, quantify."

He swept his gaze across the establishment, his eyes pausing on the sputtering coffee machine, then on Clarence's half-eaten scone, and finally, with chilling precision, on me, still contorted over the steaming chrome behemoth. My arm, now sticky with old coffee residue, throbbed faintly.


"And you, sir?" Mr. Ferris directed his gaze, and an almost imperceptible twitch of his eyebrow, towards me. "Are you engaged in the regular maintenance of this… apparatus? Or is this a particularly hands-on form of operational review?"

I extracted myself from the machine, wiping my hands on a tragically inadequate paper towel. "I am Terrence. And this, sir, is a battle. A daily skirmish with entropy, fought valiantly, if not always successfully, in the service of hot beverage provision."

Angela gasped, a tiny, indignant sound. "Terrence! Such levity is entirely inappropriate for a formal assessment! Mr. Ferris, he is our… our utility specialist. Highly dedicated, if occasionally prone to… poetic licence."

Mr. Ferris made a small note on a pristine, miniaturised notepad he produced from his jacket pocket. "'Utility specialist prone to poetic licence'. Fascinating. And the apparatus itself, Mr. Terrence? What is its current operational status?"

"Its operational status, Mr. Ferris," I stated, choosing my words with care, "is, at present, that of a temperamental octogenarian with a chronic chest infection. It whirs, it groans, it occasionally spits, but a consistently hot, palatable brew remains, regrettably, an aspirational outcome."

Clarence snorted, a sound like a wet sponge being wrung out. "Told you it's the filters. And the water pressure. The water pressure here, it's a joke. You try washing a truck with that trickle, eh? A joke!"

Mr. Ferris turned his full, unblinking attention to Clarence. "And you, sir? Are you an employee of this establishment, or a… contributing stakeholder in its operational narrative?"

Clarence blinked, momentarily stunned into silence by the sheer formality. "Me? I'm Clarence! I'm a regular! Been coming here for… for ever! Since before Angela even thought of putting those terrible yellow curtains up!"

Angela, ever vigilant against perceived slights, bristled. "My curtains, Clarence, are a tasteful saffron! And entirely appropriate for the autumnal aesthetic!"

"'Saffron'," Clarence muttered, "looks like a cheesecloth fire hazard to me."

Mr. Ferris, with an almost inhuman detachment, recorded another note. "'Regular patron, long-standing, exhibits critical perspective on décor and procurement logistics'. Most illuminating. Mr. Terrence, might I inquire into the specific nature of your diagnostic process concerning this coffee machine? Do you maintain a log? A repair schedule? A preventative maintenance ledger?"

I looked at the ancient machine, then at my grease-stained hands. "My diagnostic process, Mr. Ferris, is largely intuitive. It involves a healthy dose of exasperation, a smattering of blunt force, and a prayer to whatever forgotten god presides over rusty plumbing."

Angela made a choking sound. Mr. Ferris, however, merely nodded, his pen scratching furiously. The hum of the fluorescent lights above seemed to intensify, a high, thin whine that drilled into the back of my skull. It reminded me of the constant, low-level thrum of my own dissatisfaction, a sound I had long ago learned to mostly ignore.

An Autumnal Interlude

Later, after a particularly arduous exchange about the optimal angle for the napkin dispenser (which, according to Mr. Ferris's meticulous calculations, was currently 17 degrees off vertical), I stepped outside. The Manitoba wind, now carrying a sharper bite, tore at my worn denim jacket. The sky was a vast, unforgiving expanse of bruised grey, mirroring the colour of the distant prairie stretching endlessly to the horizon. A cluster of trembling aspen leaves, the last vestiges of a brief, golden display, clung precariously to a skeletal branch, their edges already curling into brittle brown.

The air smelled of something profound and melancholic – wet asphalt, the lingering exhaust of a passing semi, and the unmistakable scent of damp earth surrendering to winter's approach. My breath plumed in the cold, a fleeting, visible sign of life in a landscape that seemed to be slowly pulling a grey shroud over itself. I watched a single, defiant crow fight against the wind, its black silhouette swallowed by the vastness before it reappeared, struggling onward.

This place, this Pipestone Creek, was nothing more than a temporary pause on an endless journey. A beacon, perhaps, for those who needed petrol or a lukewarm cup of coffee, but essentially, a blip. My life, I sometimes mused, felt much the same. A collection of blips, connected by routine and the relentless passage of seasons. My hip, a constant companion of aches and twinges, sent a familiar protest up my leg. I scraped the sole of my boot on the concrete, dislodging a stubborn clump of dried mud. The hum of an ancient, barely functioning generator behind the building provided a bass note to the wind's lament. A single chip in the concrete step caught my eye, a minor flaw, yet somehow, it seemed to encapsulate everything.

The thought of Mr. Ferris inside, meticulously cataloguing the minor imperfections of Angela's empire, brought a grim, internal smile. What would he make of that chip? A structural integrity failure? A testament to chronic underfunding? Or simply, a chip? The absurdity of it all was almost comforting, a familiar blanket against the encroaching chill.


I returned inside, the warmth feeling almost oppressive after the sharp clarity of the autumn air. Mr. Ferris stood by the cash register, his back ramrod straight, addressing Angela with an air of profound, yet utterly baffling, gravitas.

"Madame Angela," he began, his voice devoid of inflection, "my preliminary observations, though incomplete, reveal several… discrepancies. Discrepancies which, I feel compelled to inform you, suggest a rather comprehensive re-evaluation of your current operational paradigm is not only advisable but, dare I say, imminent."

Angela's face, usually a mask of theatrical indignation, paled considerably. Clarence, sensing a shift in the ambient level of grievance, leaned forward expectantly.

"Re-evaluation?" Angela squeaked, a rare break in her usual composure. "But our methodologies are… time-honoured! Our systems, though perhaps esoteric, have served us for… decades!"

Mr. Ferris merely adjusted his spectacles. "Indeed. And while the venerable nature of a system might elicit a certain nostalgic appreciation, it does not, I must emphasize, preclude its fundamental obsolescence. Consider this, Madame, merely the prelude. The true measure of efficacy, of compliance, of future viability… that, I anticipate, will be unveiled during the comprehensive audit. And that, I assure you, is merely around the bend."

He snapped his attaché case shut with a sound that seemed to echo with chilling finality in the mundane, diesel-scented air. My gaze drifted to the coffee machine, which, against all odds, had finally begun to drip a hesitant, dark stream into its pot. But the aroma, even now, carried a faint, metallic tang, like the breath of something old and rusty, waiting.

He paused, his eyes, magnified behind the lenses, sweeping over each of us, a silent, almost predatory assessment. "One might even say, the bend is approaching rather rapidly, bearing with it a scrutiny of unparalleled depth, from which, it is entirely possible, not all aspects of this current enterprise will emerge entirely… intact."

Unfinished Tales and Fun Short Stories to Read

A Confluence of Chromium and Complaint is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.