The Thaw and the Framework

by Jamie F. Bell

The screen glowed, a sterile 'ECO-STAR' logo asserting itself against the drab wall. Elias cleared his throat, a dry rasp. 'Right, so, this is it. The latest… framework. For 'arts, creative, and climate entrepreneurship' in Northern Canada.' His voice carried an undercurrent of something that wasn't quite enthusiasm, more like a long-practiced resignation. Zara, perched on a plastic chair, her sketchbook open but untouched, picked at a loose thread on her worn denim jacket. Leon, hunched over his laptop at the far end of the table, typed something, the clack of keys a counterpoint to Elias's measured words.

Mira, seated opposite Leon, had her gaze fixed on the window. The world outside was still largely monochrome, the bare branches of a birch tree scratching at a bruised sky. A low rumble of distant traffic. She didn't look at the screen, nor at Elias, but listened intently, as if waiting for a particular cadence, a familiar lie.

Environment: The Old Familiar Ground

Elias clicked the slide. 'First, Environment. Deep dive into local context, community needs, climate challenges, cultural landscape.' He paused, let the words hang there, heavy and familiar. 'We've been doing that for… what, ten years now?' He looked around, a half-smile that didn't quite reach his eyes. Zara offered a faint nod, a gesture of shared exhaustion.

Leon snorted, low enough that it could've been a sniffle. 'More like twenty, if you count everyone before us. The 'deep dive' usually ends with a report collecting dust on some bureaucrat's shelf, if we're lucky.'

Mira shifted. 'It's about how you use the dive, isn't it? The difference is… is this actually *for* us, or another consultation that funnels back south?' Her voice was soft, but the question landed with the quiet weight of a stone. Elias adjusted his glasses again, a tiny, almost imperceptible tremor in his hand. He understood the subtext: the endless cycle of well-intentioned programmes designed elsewhere, parachuted in, then quietly dissolved.

He skipped a beat, moving to the next slide. 'Customer. Identify audience, beneficiaries, stakeholders. Community-centric approach. Ensure genuine impact.'

Zara finally spoke, her tone flat. 'Impact. Right. As in, impact on the grant timeline, or actual impact on, say, the youth group that wanted to learn traditional drum making last winter, but the funding got rerouted to a 'digital cultural archive' project no one here asked for?' She didn't look up from her jacket, but her fingers worked the thread with more urgency.

Leon stopped typing. 'Or the fibre optic art installation that required power lines that weren't there, and a specialized technician who only came once a month from Toronto.'

Elias held up a hand, a gesture of appeasement more than authority. 'I hear you. Believe me. But this is supposed to be different. Decolonized. Culturally relevant.' The words felt hollow, even to him, like old coins in a dry purse. He didn't believe them entirely, not anymore, but it was his job to try.

Opportunity, Solutions, and the Team

The projector whirred softly. 'Opportunity. Pinpoint specific needs, gaps, potentials for creative or entrepreneurial ventures aligned with environmental and community well-being.' Elias gestured vaguely at the screen. 'This is where we find the real leverage, the spark.'

Zara finally put down her sketchbook, leaning forward. 'Okay. A spark. We need to teach the kids how to build their own solar ovens for community kitchens, using local materials. That's a need. The old ones are rusting, and transport costs for new parts are ridiculous.' She eyed Elias, a challenge in her gaze. 'Is that an 'opportunity' in this framework?'

Elias nodded slowly. 'That's precisely the kind of thing they're talking about.'

Leon grumbled. 'And the 'Solution' would be to actually get the materials, find a space, pay the instructors properly. Not another feasibility study that generates more paper than working ovens.' He stretched, a loud crack echoing from his lower back. The chairs in this hall were not built for comfort or longevity.

Mira spoke up, her eyes still on the grey expanse beyond the glass. 'The Team. That's where it often breaks down, isn't it? 'Drawing on diverse skills, engaging local knowledge keepers.' It sounds good on paper. But when the elders don't see the benefit, or the youth feel like they're just window dressing for a grant application… it falls apart.' She finally turned, her gaze sweeping over the group, a quiet intensity in her dark eyes. 'How do we make sure it's *our* team, truly?'

Elias scribbled something on his pad, a non-committal squiggle. He knew the problem. Knew it well. The frameworks rarely accounted for the sheer exhaustion of having to prove yourself, your community, your needs, over and over again, to people who only understood spreadsheets. The spring outside was not just a season of thaw; it was a season of muddy, broken promises, where new things tried to grow through the debris of the old.

Advantage and Results, Then the Unforeseen

He pressed on. 'Advantage. Define what makes your project unique, impactful, resilient, especially within the distinct Northern context.' Elias lifted his head. 'And Results. Articulate outcomes, measure impact – social, environmental, economic, cultural – strategise for long-term sustainability.' He leaned back, a faint grimace on his face. 'The usual metrics, then. But with a local lens.'

The room settled into a cynical quiet. Zara returned to her sketchbook, drawing rapid, angular lines. Leon spun a pen between his fingers. Mira folded her hands, watching a particularly stubborn patch of ice in the carpark finally give way, a small gush of brown water snaking towards the drain.

Suddenly, a sharp rap on the door jolted them. It wasn't the usual hesitant knock of a late arrival or a curious neighbour. This was a firm, almost aggressive series of blows. Elias frowned, pushed his chair back. 'Expecting anyone?'

Leon shrugged. Zara shook her head. Mira simply stared at the door, her composure momentarily broken by a flicker of concern. Elias walked to the door, his movements stiff, as if each step required a conscious effort. He pulled it open, revealing not a person, but a large, plain wooden crate resting on the worn linoleum outside. It was crudely constructed, stained a dark, almost black, colour, and smelled faintly of brine and something metallic. No visible labels, no delivery person. Just the crate, inexplicably delivered to their meeting room.

He knelt, running a hand over the rough wood. 'What in…' The crate wasn't heavy, but it was awkward, clearly meant for two people. A single, thick rope was wrapped around it, cinched tight, and knotted in a way Elias didn't recognise. It wasn't postal service; it felt more like something hauled in from a fishing boat, or perhaps a trap retrieved from a long, forgotten trapline.

Leon was beside him now, laptop forgotten. 'No return address? No manifest?' He peered closer at the wood. 'Looks like it's been out in the elements. Sea water, maybe? And… is that a faint scorch mark on the side?'

Zara, her artist's eye already picking out details, pointed. 'Look here. On the top. Just barely visible.' Etched into the dark wood, almost absorbed by the grain, was a symbol. A crude, jagged star, not the neat, corporate logo from their presentation, but something organic, almost violent. It looked like a claw mark, or a broken snowflake.

Mira stepped closer, her expression unreadable. She knelt opposite Elias, her gaze fixed on the symbol. Her lips moved, almost imperceptibly, as if sounding out a word no one else could hear. 'That's… unusual,' she murmured, her voice barely a breath.

Elias, with a sudden surge of adrenaline, stood up. His eyes scanned the empty hallway, the closed doors of other rooms, then the main entrance. Nothing. Just the faint sound of melting snow dripping from the eaves. The delivery was unsettling not just because it was anonymous, but because it felt targeted. It felt like something *for* them, specifically, yet entirely outside their expectations. He reached for the rope, his fingers tracing the coarse fibres, feeling the strange, cold weight of the crate.

With a grunt, he pulled at the rope, uncinching the knot with more force than necessary. The lid came loose with a faint, disturbing hiss, like old wood complaining. Inside, nestled on a bed of dried, unfamiliar moss, was a single object. It was small, no bigger than his hand, wrapped in what appeared to be cured animal hide. The air instantly filled with a sharp, earthy smell, distinct from the brine. Elias looked up at his team, a dawning comprehension, or perhaps dread, in his eyes. He slowly unwrapped the hide, revealing a tarnished, silver compass. But it wasn't an ordinary compass. The needle spun wildly, not settling, and etched into its back was the same jagged star symbol they'd seen on the crate. Below it, in a script that seemed both ancient and unsettlingly familiar, were three words: *The path is obscured.*


The compass felt heavy, cold in Elias's palm. The needle continued its frantic, meaningless dance, reflecting the uncertain light of the projector. The hum of the machine, moments ago an annoyance, now seemed a distant, benign sound, utterly irrelevant. The ECO-STAR framework, with its neat, sequential steps, felt a million miles away. This was something else entirely. Something colder, wilder. Something that had found *them*.

He looked at Zara, her artist's hand hovering, ready to sketch something she didn't yet understand. At Leon, whose usual cynicism had evaporated, replaced by a tense, focused curiosity. At Mira, whose eyes, wide and unblinking, seemed to see more than any of them. The meeting, the framework, the grants – all faded into the background. A new path, one that promised to be far more treacherous and undefined than any methodology could account for, had just been laid at their feet.

Elias tightened his grip on the compass, the jagged star pressing into his skin. He didn’t know what this meant, or who had sent it, but one thing was suddenly, chillingly clear: their work, their lives even, had just taken a turn into territory none of them had anticipated.

The faint scent of brine and moss still hung in the air, a phantom reminder of the unknown world that had just intruded.

Mira slowly reached into the crate, her fingers brushing against the rough moss. Her breath hitched. 'There's… more.'

She pulled out a small, intricately carved wooden figure, no bigger than her thumb. It was a stylised raven, its eyes tiny chips of obsidian, and around its neck, a miniature, identical silver compass, its needle also spinning in frantic circles.

Then, from beneath the moss, a low, guttural sound, like a deep growl, vibrated through the bottom of the crate.

The room plunged into a sudden, inexplicable darkness as the projector's lamp blew with a soft pop, leaving them isolated with the growl, the compasses, and the chill of an unknown presence.

Outside, the last stubborn chunk of ice near the door cracked and slid, a sound like a distant gunshot in the sudden silence.

Unfinished Tales and Fun Short Stories to Read

The Thaw and the Framework is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.