The Omni-Box Sings
Agnes and the Ghost Machine
Agnes swore, a low, guttural sound that scratched in her throat, barely escaping her lips, as the Omni-Box sputtered. The worn plastic casing, a sickly yellowed hue from decades of nicotine smoke and neglect, vibrated against her calloused fingertips, sending a faint tremor through her entire arm. The screen, a grainy cathode-ray tube salvaged from who-knew-where, glowed a toxic green, then an angry purple, then abruptly snapped to a spitting, chaotic black, showering static like an angry, hissing cat. She thumped it, a short, sharp rap with the heel of her hand, the old plastic groaning in protest. Nothing. Just the persistent hum, a low, almost subsonic thrumming that seemed to vibrate first in her teeth, then deep in her bones, a constant reminder of the city’s endless drone. It was a familiar battle, this one, a skirmish against obsolescence that she usually won, but today, the old beast was putting up a fight.
Then, a new sound, cutting through the Omni-Box’s protest. A rhythmic, irritating thud against her re-enforced plasteel door. Three sharp knocks, deliberate and loud, then a pause, then two lighter ones, quick and almost apologetic. James. He was early. Or, more likely, she’d lost track of time again, wrestling with this stubborn contraption, her internal clock as unreliable as the city’s power grid. A faint, almost imperceptible scent of damp concrete and something vaguely chemical, like cheap antiseptic, wafted through the door’s ancient seals, announcing his presence even before the knocks.
“Coming,” she rasped, her voice a dry creek bed, parched from disuse and the ever-present synthetic air circulating through the vents. Her knees clicked, a sharp, audible protest, as she pushed herself up from the low stool, the fabric of her ancient dressing gown, a thick, quilted monstrosity that smelled faintly of stale tea and old paper, rustling like old leaves scuttling across ferrocrete. Every joint in her body sang a dull, aching tune of protest with each movement. She shuffled towards the door, the soles of her threadbare slippers catching slightly on the grimy floorboards, each step a small exertion. The city outside, a perpetual grey smear of chrome and rain-slicked ferrocrete, offered no natural light, only the distant, pulsing neon glow of corporate logos, casting a sickly sheen on everything. She could feel the perpetual chill that seeped through the walls, a cold that clung to her skin like memory.
She fumbled with the heavy bolts, the clatter echoing in the small, cluttered space, a harsh metallic symphony. The sound always felt too loud in her quiet flat, a jarring intrusion. She pulled the door inward, just enough to reveal a sliver of the brightly coloured parka James wore, a blinding splash of synthetic oranges and greens against the monochromatic backdrop of the corridor. He was a beacon of garish enthusiasm, a walking advertisement for youthful optimism, and Agnes, in her cynical, weary existence, found him profoundly annoying. And yet, she tolerated him. Perhaps it was his strange reverence for the junk she salvaged, or the fact that he was the only one who bothered to knock anymore.
“Morning, Agnes! Or, uh, afternoon. Lost track of the cycle again?” James’s voice was a little too loud, a little too cheerful, his words tripping over each other as if eager to escape, a breathless cascade. He grinned, a wide, genuine thing that crinkled the corners of his eyes, erasing the faint shadows beneath them. A shock of bright blue hair, dyed to match the omnipresent corporate signage of 'SpectraCorp' that dominated the city’s perpetually overcast skyline, poked out from under his cap, a cheap, plastic-brimmed thing advertising a defunct synth-pop band. He held a small, battered toolkit in one hand, adorned with brightly coloured stickers of retro game characters and obsolete tech company mascots, a collage of forgotten digital dreams. The faint, sweet scent of synthetic fruit chew clung to him, mingling with the metallic tang of his data-gloves.
Agnes just glared, her eyes narrowed. “The cycle is what I say it is in my own flat. And you’re late.” The lie tasted bitter on her tongue, but she wouldn’t give him the satisfaction of admitting her own temporal disorientation.
“Am I? My chronometer says I’m precisely five point three minutes early. Had to loop around Sector Gamma, traffic was a nightmare. Big data-flush from Bio-Gen Corp.” He gestured vaguely with his head towards the grimy, opaque window, as if Agnes needed a reminder of the endless, grinding machine of the city, the invisible currents of information and commerce that dictated every moment. He didn't wait for an invitation, just nudged the door open wider with his hip, stepping into the cramped foyer, bringing with him the faint smell of wet dust and that vaguely sweet, artificial fruit chew. Agnes had to step back or be run over, a familiar dance. The sheer audacity of the boy, she thought, this young generation with their boundless, unearned confidence.
“The Omni-Box is acting up,” Agnes grumbled, ignoring his ceaseless chatter, turning her back towards the living area. The Omni-Box was, in truth, an old analogue media decoder, a Frankenstein’s monster of scavenged parts that Agnes had wired together herself, each connection a tiny act of defiance against planned obsolescence. But it was more than that. It listened. It whispered. Sometimes, when the signals aligned just right, it sang. And sometimes, it showed things it shouldn’t. Things that made the hairs on her arms stand on end, things that tasted like cold fear.
James’s eyes lit up, scanning the living area with an almost childlike wonder. He always did this, like a kid in a forgotten museum, or a scavenger finding a cache of ancient relics. His gaze snagged on the stacks of archaic data-slabs, their plastic yellowed and cracked, the dusty vinyl records, each groove a tiny history, the reel-to-reel player in the corner, its magnetic tape an anachronism. His grin softened slightly, losing some of its forced exuberance, replaced by a genuine awe, a reverence that Agnes, despite herself, found endearing. “The Omni-Box. Right. Always a pleasure with that one.” He navigated the maze of furniture – teetering stacks of obsolete comms manuals, a broken holographic projector, an armchair shedding its synthetic leather – making a beeline for the flickering screen. His movements were surprisingly agile, considering his general clumsiness, a fluid dance around the detritus of a bygone era. He almost tripped on a loose wire near a stack of forgotten power regulators, but caught himself, a small, barely audible 'oof' escaping him as he steadied himself with a hand on a precariously stacked pile of old circuit boards.
“What’s the symptom today?” he asked, kneeling beside the device, pulling a compact multi-tool from his belt. Its tiny lights flickered with sterile efficiency as he flipped it open, a stark contrast to the grimy, analogue tech it was about to dissect. “Is it humming that weird tune again? The one that sounds like… like a flock of broken synthesizers trying to sing a lullaby, all off-key and mournful?” He tilted his head, listening intently, his bright blue hair catching the sickly green glow of the screen.
“Worse,” Agnes said, easing herself back onto her stool, wincing as her knee popped, a sharp, dull click that always reminded her of failing machinery. “It’s gone from broken lullaby to a full-on screech, a sound like grinding gears, tearing metal. And the display… it’s showing things. Things that aren’t on the current net. Impossible things.” Her voice was low, almost conspiratorial, despite her usual disdain for anything remotely dramatic. She gripped the edge of the Omni-Box, feeling the faint, residual warmth of its failing components, a ghostly heat against her dry skin. A part of her was scared, a cold knot in her stomach, but another part, a long-dormant part, was humming with a strange, nervous energy.
James peered at the screen. It was currently displaying a distorted image of what looked like an old, black-and-white newsreel. A grainy figure, dressed in archaic, loose-fitting clothing, gesticulated wildly in front of a backdrop of what appeared to be massive, rudimentary buildings made of steel girders and brick, their edges harsh and unforgiving. A language Agnes didn't understand, clipped and formal, warbled from the speakers, barely audible above the screeching feedback, like a ghost trying to deliver a forgotten sermon. "Wow," James breathed, his blue eyes wide with genuine shock. "That's… not on the public archives, is it? Or even the deep dark-net caches I frequent. I’ve never seen anything like it."
Agnes huffed, a short, sharp expulsion of air. “Of course, it’s not. If it were, it’d just be another junk stream, another mindless feed for the masses. This is different. This is… alive.” She watched him, waiting for the dismissive smirk, the casual tech-bro condescension she usually got from anyone under fifty. But it didn't come. James was genuinely fascinated, his fingers hovering over the Omni-Box's array of dials and switches, a respectful reverence in his posture, like an archaeologist approaching a priceless artefact. He leaned closer, so close Agnes could smell the faint, metallic tang of his data-gloves, the sterile scent of processed synthetics. A fine tremor, like a shiver running through an old bone, ran through the Omni-Box, a subtle vibration that matched the pulse in Agnes's own wrist.
“The tuning is all off,” he murmured, his brow furrowed in concentration, a stray lock of blue hair falling across his forehead. “But it’s almost like… like it’s picking up residual signals. Ghosts in the aether, maybe. Like faint whispers across an impossible divide.” He flicked a small toggle switch, one Agnes hadn't even noticed, hidden beneath a layer of grime and fused dust. The screeching intensified, rising to an unbearable pitch that made Agnes wince, then abruptly cut out, replaced by a sudden, jarring silence. The black-and-white image on the screen solidified, though still wavering with spectral energy, revealing more detail: a crowded street, ancient vehicles, their shapes bulbous and unfamiliar, and beyond them, a towering structure that looked eerily familiar, albeit without the modern augmentations of solar panels and holographic advertising. It was the central corporate spire of SpectraCorp, but *younger*. Raw. Unfinished. A stark, brutalist monument to ambition.
Agnes felt a chill, a deep, pervasive cold that had nothing to do with the perpetually inadequate heating in her block. It seeped into her bones, a cold that spoke of decades, of history forgotten and rewritten. “That tower,” she whispered, her voice barely audible, a fragile thread in the sudden quiet of the room. “It’s… impossible. It hasn’t looked like that in eighty years. Not since… before.” Her mind raced, a dusty archive of memories suddenly activated, like an ancient data-core booting up after decades of dormancy. She had seen photographs, long-forgotten family albums tucked away in a rusting comm-chest, of the city from that era. The raw, brutalist architecture, the unforgiving lines of steel and concrete, before the layers of chrome and glass had been plastered over it, before the neon made everything a kaleidoscope blur of corporate colours and fleeting digital advertisements. The image on the screen was a ghost of a ghost, a perfect echo of a world she’d only known through faded, brittle pictures. James glanced at her, his expression unreadable for a fleeting moment, then back at the screen, his gaze intense.
“It's a temporal anomaly,” James said, his voice surprisingly calm, almost scholarly, contrasting sharply with his usual excitable demeanour. He reached for a small, unlabelled jack on the side of the Omni-Box, one Agnes had always assumed was decorative, a forgotten input from a bygone engineer. “Or maybe just a glitch in the old net-weaving. This unit… it’s built on pre-collapse architecture, isn’t it? Pure analogue components, barely digital interface. It’s like a living fossil.” He plugged a thin optical cable, its casing a smooth, matte black, from his toolkit into the jack. A soft, green light pulsed from the cable, rhythmic and steady, echoing the Omni-Box's faint internal glow, a heartbeat of data. “Amazing. They don’t make 'em like this anymore. Too inefficient. Too… unpredictable. Too much soul, maybe. They want everything clean, predictable, easily controlled.” He spoke with an almost reverent tone, which surprised Agnes. Most of the young techies she’d dealt with treated her equipment like fossilised garbage, barely worth a glance. James, though goofy and overly bright, seemed to see the soul in the silicon, the ghost in the machine, the history etched into every circuit board. He wasn’t just looking at a broken piece of junk; he was looking at a story, a narrative unravelling before his eyes.
He moved a dial labelled 'Flux-Modulator', a greasy, almost fused knob she’d always been afraid to touch, its grimy surface catching the faint, flickering light from the screen. A shiver of unease ran down Agnes’s spine. The Omni-Box shimmered, the black-and-white image on its screen distorting and stretching, then began to scroll through a series of fleeting, impossible broadcasts, like a window into a shattered past, or perhaps, a multitude of pasts. Each image, though brief, was saturated with an almost painful detail, a hyper-realism that belied their fleeting nature.
One showed a bustling street market, the air thick with steam rising from food stalls and the cries of vendors hawking synthetic noodles and protein paste, their voices echoing off grimy tenement walls. The scents of stale oil, pungent spices, and damp humanity seemed to waft from the screen, making Agnes’s stomach rumble with a phantom hunger. Another, a dimly lit speakeasy, its air heavy with the ghost of synthetic tobacco smoke, filled with shadowy figures in trench coats and fedoras, faces obscured by perpetual gloom, their movements furtive, conspiratorial. The faint clink of glass and a low, mournful synth-jazz tune seemed to emanate from the screen, a melancholic soundtrack to a forbidden gathering. Then a quick flash of what looked like a corporate laboratory, sterile and buzzing with unfamiliar, cutting-edge equipment, a single, pulsating, glowing orb at its centre, humming with an unseen power, a focal point of intense, illicit research. Each image lasted only a second or two before dissolving into a wash of static, a flurry of corrupted data, then reforming into another fragment of a forgotten, or never-was, history, a rapid-fire succession of glimpses into alternate timelines, or perhaps just the carefully buried truth.
“This is incredible,” James muttered, his voice hushed, almost reverent, as if he were in the presence of something sacred. “You’ve got a temporal receiver, Agnes. It’s not just picking up old broadcasts. It’s picking up… echoes. From different points in the time-stream, maybe even alternate realities.” He paused, his bright blue eyes, usually so full of playful mischief, now sharp with an intense, almost predatory focus, the humour completely gone. “Or, more likely, from the deep, deep, *deep* archives of a company like SpectraCorp. The stuff they don't want anyone to remember. The foundational data, before they polished the narrative, before they built the illusion. This is… raw history. Unfiltered.” His words, usually so breezy, now carried a weight, a quiet authority that Agnes hadn’t often seen in him. A shiver, colder than before, ran through her.
He pulled a small data-stick, no bigger than her thumbnail, its casing a dull, utilitarian grey, from a pouch on his toolkit and inserted it into a port on the Omni-Box, a tiny, almost invisible slot Agnes had forgotten existed. The Omni-Box, seemingly responding to his touch, to the influx of new data, hummed a softer, almost melodic tune, a gentle, inquisitive purr. The erratic images on the screen stabilised, flickering through the historical montage with a more measured pace, no longer a chaotic blur, but a curated exhibition. Agnes found herself leaning forward, her earlier grumpiness forgotten, a strange, almost childlike sense of wonder bubbling up in her dry, cynical soul. She hadn't felt this engaged in decades, not since… well, not since before everything became so perfectly managed and predictably bland, before the corporations had sanitised every corner of existence.
“Look,” James pointed a gloved finger at the screen, his movements quick and precise. A new image had appeared. Not a historical broadcast, but a real-time feed, albeit heavily pixelated, like a security camera from a generation ago. It showed a darkened room, filled with sleek, modern server racks glowing with a sterile, cold blue light, humming with latent power. The air in the image seemed thick with the faint scent of ionized air and cool metal. A figure, obscured by shadow, moved through the room, their silhouette tall and imposing, their steps almost silent on the polished floor. Then, the image shifted, zooming in with a jarring stutter, focusing on a single, glowing console. On its screen, lines of code scrolled rapidly, a waterfall of arcane symbols and commands, interspersed with what looked like intricate schematics for some kind of advanced neural interface, designs that hinted at technology far beyond public access. Agnes’s breath caught in her throat.
Agnes felt a knot tighten in her stomach, cold and hard. “That’s… that’s current. That’s now. I can feel it.” The Omni-Box itself seemed to pulse with a new, frantic energy, its hum now a taut, anxious vibration.
“Yeah,” James agreed, his voice tight, all traces of his usual cheer gone, replaced by a grim determination. “And that server farm… it’s not public. Not even the best data-runners have access to that. That’s high-tier corporate security. SpectraCorp, probably, given the interface designs, the specific flicker of their proprietary encryption. They’re running something big. Something… illicit.” He was no longer goofy, his usual easy smile replaced by a grim line across his lips. His hand, still resting lightly on the Omni-Box, was steady, betraying no tremor of fear, only intense concentration. He pressed a sequence of keys on a small, attached keypad, its surface worn smooth from countless touches. The Omni-Box whirred, sounding like a disgruntled old beast being roused from slumber, its internal mechanisms groaning under the strain.
A small window opened on the Omni-Box screen, overlaid on the pixelated feed from the server farm. It showed a geographic map, a grid of the sprawling city, with a single, pulsing red dot. The dot was moving, slowly at first, an almost imperceptible crawl, then picking up speed, accelerating with alarming rapidity. It was heading directly towards their sector, a predatorial surge through the city’s unseen arteries. A low, insistent alarm began to emanate from the Omni-Box, a sound like grinding gears, growing steadily louder, more frantic, a visceral warning that resonated deep in Agnes’s chest.
“They’re sending a clean-up crew,” James said, his voice clipped, devoid of any pleasantries. “Whoever’s running that server farm, they just detected an unauthorised access. Your Omni-Box, Agnes, just poked a hornet’s nest the size of a corporate spire.” He looked at her, his blue eyes suddenly serious, hardened by the grim reality of their situation. “We need to move. Or at least cut the connection. Fast.” He reached for the optical cable, his fingers already brushing against its smooth casing, but Agnes stopped him, her hand closing over his. Her skin, dry and cool from age, felt strangely firm, resolute. She looked from his intense, worried gaze to the pulsing red dot on the map, now less than a block away, its relentless approach a physical weight in the air, then back to the shadowy figure on the server farm feed. The Omni-Box was singing its terrible, beautiful song, a siren call of forbidden knowledge, and she was listening. Truly listening, for the first time in years.
“No,” Agnes said, her voice surprisingly steady, a low, firm vibration in the air, considering the sudden, dizzying panic that threatened to overwhelm her. A wave of cold fear washed over her, making her heart pound a sluggish, heavy rhythm against her ribs, but she pushed it down, deep into the recesses of her weary mind. “Not yet.” She peered closer at the blurry figure on the screen, her aged eyes straining to make out details through the pixilation and static. There was something familiar about its posture, the way its shoulders hunched slightly, a subtle curve that spoke of long hours hunched over a console. And the almost imperceptible limp in its gait, a barely noticeable hitch in the left leg. A memory, long buried beneath layers of self-imposed isolation and the dust of forgotten betrayals, flickered at the edge of her consciousness, elusive as a moth in the dim, flickering light of her apartment, stirring up a bitter, old taste in her mouth.
James hesitated, his hand still beneath hers, the optical cable half-pulled from the Omni-Box's port, its green light pulsing erratically. He looked at her, his jaw tight, then at the frantic alarm, its grinding sound now a piercing whine, then back to the moving red dot on the city map, which was now less than five blocks away, closing in with terrifying speed. He could practically feel the thrum of their approaching vehicle through the grimy floorboards. “Agnes, we don’t have time for this. If SpectraCorp’s enforcers track this back here, they’ll flatline the whole block, just for good measure. They don't care about collateral. They don't care about anyone.” His voice was urgent, tight with an edge of desperation, his goofy charm completely evaporated, replaced by a genuine fear that Agnes found both irritating and, strangely, perversely, reassuring. At least he wasn’t pretending this was a game, not anymore. This was real. This was the cold, hard reality of the city outside.
“I know that gait,” Agnes murmured, her eyes fixed on the screen, her gaze unwavering, even as the Omni-Box whirred louder, protesting the continued connection, the immense strain of pulling signals from impossible places, from impossible times. “The way the left shoulder dips, just so. It’s… it’s a long shot. But I have to know.” She didn’t elaborate, didn’t explain the decades-old connection, the deep-seated resentment, the betrayal that had driven her into this self-imposed exile, surrounded by the ghosts of analogue tech and her own fading memories. James, to his credit, didn't press. He just watched her, his own internal calculations surely screaming at him to yank the cable, to run, to save himself from the inevitable corporate wrath. He wiped a bead of sweat from his temple with the back of his data-gloved hand, his blue hair momentarily falling into his eyes.
He did something else instead. He quickly tapped a few more keys on the Omni-Box’s worn keypad, his fingers flying with an expertise Agnes hadn’t expected, a surprising grace for someone so prone to tripping over loose wires. The fuzzy image on the screen sharpened fractionally, the colours in the server farm feed becoming less washed out, the cold blue glow of the server racks more defined, the sterile atmosphere almost palpable. The shadowy figure’s outline became a little clearer, its head turning slightly, almost imperceptibly, as if sensing the intrusion, the distant, impossible gaze from Agnes’s apartment. The red dot on the city map pulsed even faster, now only three blocks away, its approach sounding like a thunderous echo in the persistent hum of the Omni-Box, a growing roar that vibrated through the very fabric of the old building. A faint smell, acrid and metallic, like static electricity before a storm, permeated the air.
“Alright,” James said, his eyes still glued to the screen, his breath coming in short, quick bursts, fogging slightly in the perpetually cool air of the apartment. “I’ve cross-referenced the server layout with some leaked schematics from a defunct data-mining operation – old stuff, barely classified anymore. That’s a secure sub-level, probably twenty floors below ground, deep in SpectraCorp’s core. Whatever they’re doing down there, it’s not for public consumption. And that figure… it’s wearing a corporate ID-tag, barely visible through the distortion. Can’t make out the name, but the design… it's old-school SpectraCorp executive. Top brass. From the pre-restructure era.” He looked at Agnes, his jaw tight, his youthful face etched with a grim understanding. “This is big, Agnes. Way bigger than a glitch in your antique radio. This is a corporate ghost in the machine, and we just woke it up.”
Agnes finally pulled her hand from his, her gaze still fixed on the screen, a strange mixture of dread and fierce resolve in her aged eyes. The Omni-Box crackled, spitting out another image – a blurry corporate logo, then a flash of coordinates, numbers shifting too quickly to parse, before the screen went dark with a final, chilling whisper that felt less like static and more like a name, Agnes’s name, echoing from somewhere impossibly far away, from a time long past, or perhaps, a future yet to unfold. The power died, plunging the room into near total darkness, illuminated only by the faint, distant neon bleed from the city outside. The Omni-Box was silent, cold, dead. But the alarm, the grinding, tearing sound of an approaching clean-up crew, still blared from somewhere deep within its inert casing, a relentless, terrifying promise of what was to come. Agnes felt the vibrations of heavy boots on the stairs, felt the cold press of a forgotten past against her present, and knew, with a certainty that chilled her to the bone, that some ghosts simply refused to stay buried. They were here, now, and she had nowhere left to run.
Unfinished Tales and Fun Short Stories to Read
The Omni-Box Sings is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.