The Glacial Unveiling
George cleared his throat, the sound a little too loud in the quiet hum of the hall. He adjusted the ancient projector, which groaned audibly before sputtering a slightly crooked image onto the screen – a minimalist logo, abstract and angular, certainly not the colourful, hand-painted sign that hung outside the hall. Geoff, slumped in his chair, already looked bored. He’d been on this board for twenty-some years, seen more ‘new initiatives’ than he cared to remember, most of them fizzling out after a season or two when the grant money dried up. His gaze drifted to the patched-up corner of the ceiling, a ghost of the 2022 flood.
“Alright,” George began, his voice surprisingly steady for someone about to detonate a small bomb. “Thank you all for coming, especially on a night like this. I know it’s a trek.” He gestured vaguely towards the frost-glazed windows, where the aurora borealis had just begun to unfurl like slow, silent green smoke against the black. No one seemed particularly impressed by the gesture. They lived here; they saw it every week.
“So,” he continued, clicking to the next slide, “as you know, the Arts & Innovation Collective has been undergoing a significant… evolution. Our partnership with the Winnipeg hub has been instrumental in expanding our reach, securing unprecedented funding, and, well, pushing the boundaries of what a community arts program can achieve.”
Geoff grunted. “Pushing boundaries, eh? You’ve been pushing the boundaries of what this board understands, that’s for sure. All those grants, George. Millions, you said. For what, exactly? Those light installations? Pretty, sure, but… millions?” His question hung in the air, heavy with unspoken doubt. Bonnie, the treasurer, nodded, her pen poised over a ledger, her expression a careful blend of curiosity and suspicion.
Donna, usually quiet, leaned forward. “The coding workshops for the high school kids were pretty cool, though,” she offered, a flicker of genuine enthusiasm in her voice. “We built some generative art stuff. It was… weird, but cool.”
George offered a tight, almost imperceptible smile. “Exactly, Donna. Generative art. The very forefront of digital creativity. And those workshops, the summer camps, the multimedia installations… they’re all part of a much larger, more ambitious project.” He took a deep breath, his knuckles white where he gripped the podium.
“The truth is,” George said, his eyes scanning their faces, searching for something, a tell, a spark of understanding, “the Arts & Innovation Collective, both here in Thunder Bay and our public-facing Winnipeg counterpart, is fundamentally… an applied AI research program.”
The Unspoken Echo
A stunned silence fell over the room, thick and immediate. The projector's hum seemed louder, the old building's creaks more pronounced. Geoff’s jaw went slack. Bonnie’s pen clattered onto her notes. Donna’s youthful face shifted from curiosity to an almost comical bewilderment.
“An… an *AI* program?” Geoff finally managed, his voice a guttural whisper. “Artificial Intelligence? What in the blazes are you talking about, George? This is an arts collective. We teach kids to draw, to play guitar. We put on local theatre!” He pushed himself upright, the plastic chair groaning under his sudden movement.
“It’s still an arts collective,” George insisted, a bead of sweat tracing a path down his temple. “Think of it as… a creative incubator. We use artistic output – generated music, visual media, even narrative structures from creative writing – as data. Data to train and refine advanced algorithms.”
Bonnie picked up her pen, but didn’t write. “So, all those kids… all those community members… they were, what, unwitting participants in a science experiment? That’s what you’re saying?” Her voice was dangerously quiet, each word carefully articulated.
“Not an experiment, Bonnie. A collaboration. A critical component,” George corrected, perhaps a touch too quickly. “The human element is vital. The sheer volume and diversity of creative input from a wide demographic – particularly from a smaller, unique community like ours – offers invaluable training data that larger, more homogenous urban centres simply cannot replicate.”
He gestured to the slide again, now displaying a complex flow chart. “The Winnipeg hub handles the public relations, the outreach, the high-level computational processing. But here,” he thumped the podium, “here is the engine. The organic source material. The authentic human interaction that gives our neural networks their… nuance.”
Donna hugged her knees. “But… the summer camp. We thought we were just learning how to make cool digital art. Was it… were we just… feeding a machine?” She looked up at George, her eyes wide with a mix of wonder and something bordering on hurt. It was the question of a new generation, grappling with an old world's sudden, unsettling shift.
“You were absolutely learning, Donna,” George assured her, his tone earnest, almost pleading. “And you were contributing to something far grander than anyone outside this room could imagine. Imagine an AI capable of understanding, even augmenting, human creativity. Imagine the possibilities for cultural preservation, for entirely new forms of artistic expression.”
Geoff slammed his fist lightly on the table, rattling the coffee mugs. “Imagine the possibilities for deceiving a whole community, you mean! For using us! You said this was about rebuilding after the flood, about giving these kids something. What about trust, George? What about honesty?” His voice cracked on the last word, the frustration evident.
“The secrecy was a necessity for funding,” George fired back, his own composure starting to fray. “And for protecting the integrity of the research. Imagine the scrutiny, the fear, the immediate rejection if we had led with ‘advanced AI.’ This way, we could integrate it organically, demonstrate its value before the… more complex implications were introduced.”
He leaned forward, desperate to convey his vision. “This AI, it’s not some abstract threat. It’s built on *us*. On our stories, our art, our unique northern perspectives. The goal is to create something truly unprecedented. Something that could revolutionize how we understand and preserve culture, specifically for communities like ours, often overlooked by the mainstream.”
Bonnie folded her arms, her gaze sharp, unwavering. “And when it goes wrong, George? When this… ‘unprecedented’ AI decides it doesn’t need our ‘nuance’ anymore, or when someone else decides to use it for something less… artistic? Who’s responsible then? And how exactly do we explain to the town that their beloved arts centre is actually a data farm?” Her voice, though calm, was laced with an icy resolve that sent a shiver down George’s spine.
The full weight of his decision, the ethical tightrope he’d been walking for months, suddenly pressed down on him. The flickering lights of the aurora outside felt impossibly far away now, replaced by the stark, unforgiving glare of the fluorescent tubes. He had laid out his grand vision, but the cracks were already showing, and the trust he had so carefully cultivated was crumbling into fine, digital dust.
“It’s about control, George,” Geoff stated, his voice now lower, more dangerous. “And you kept it all to yourself.”
George opened his mouth to protest, but the words caught in his throat. He saw the doubt in Donna’s eyes, the quiet fury in Bonnie’s. The hum of the projector, the background noise of his carefully constructed illusion, suddenly sounded less like progress and more like a ticking clock.
He cleared his throat again, but this time, no sound came out. The air in the room felt impossibly thin, choked with the revelation, and for the first time, George felt a profound, chilling sense of isolation.
The Algorithm's Gaze
A small, almost imperceptible red light on the projector flickered, then stabilised. On the screen, the abstract logo began to subtly animate, lines shifting, recombining into something vaguely organic, almost like a neural pathway illuminating itself. No one noticed it, too caught up in the human drama unfolding. But for a fleeting moment, George wondered if the AI had just… responded.
“We need to discuss this,” Bonnie finally broke the silence, her voice cutting through the tension like a shard of ice. “Right now. Every single detail.” She looked at George, then at Geoff, then to the silent, bewildered Donna, her expression hardening with each passing second. The real meeting, the one about trust and betrayal, had just begun, and its outcome felt as unpredictable as the shifting lights beyond the hall.
George swallowed hard, knowing that the easy part—the reveal—was over. The impossible part, the actual convincing, the rebuilding of something he hadn't realised he'd broken, was only just beginning.
Unfinished Tales and Fun Short Stories to Read
The Glacial Unveiling is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.