Algorithm in the Reeds
The fluorescent hum above the long, scarred pine table was the loudest thing in the room. Not quite a full silence, more like a holding breath. The smell of damp wood and stale coffee hung heavy. Outside, the early autumn wind scraped against the resurrected hall’s new windows, a low, consistent moan that everyone here, in this pocket of Northwestern Ontario, had long since learned to ignore.
…so, the grant for the mural project, it's pending review," Cindy said, her voice tight, the corner of her eye still on Tony at the head of the table. Her pen tapped a nervous rhythm against a worn folder. "They’re asking for more detailed projections on community engagement metrics. Specifically, how many unique youth participants we expect by fiscal year-end."
Tony watched the pen. Tap-tap-tap. A metronome for their perfectly ordinary, perfectly respectable arts collective. It was almost cruel, how normal this all felt. The chipped mugs, the faint lingering scent of the last potluck, Jonathon’s perpetually furrowed brow.
Jonathon," he finally said, cutting off Cindy's next word. Not rudely, just… decisively. The pen stopped. The hum of the lights seemed to amplify.
Cindy’s head snapped up. Joanne, sitting opposite, stopped fiddling with the drawstring of her oversized hoodie, her gaze darting between Tony and Cindy.
We need to discuss the core mandate," Tony continued, his hands flat on the table, palms down, a posture he knew made him look more grounded than he felt. "The 'advanced youth and community arts collective.' We've… we've been operating under a somewhat simplified definition."
Jonathon scoffed, a low, rumbling sound. "Simplified? We built this place back up after the flood, Tony. People poured their hearts, their hours into this, thinking we were giving these kids a space, a creative outlet. What could be simpler than that?" His voice, usually a gentle rumble, had an edge of genuine offence.
That's exactly it, Jonathon. The 'advanced' part. It's not just about advanced painting techniques or coding for kids. It's about advanced… intelligence systems." He paused, letting the words hang there, heavy and foreign in the familiar air. "We are, in essence, an AI research program."
A beat of absolute stillness. Joanne’s hoodie string went slack. Cindy’s mouth opened slightly, then closed. Jonathon just stared, his brow now a landscape of disbelief. "An… AI… what?" he managed, the words clumsy, as if his tongue couldn't quite wrap around them.
Artificial Intelligence," Tony clarified, though it felt redundant. "The creative output from our participants, the patterns we encourage, the collaborative networks we’ve built through the digital platforms… it’s all data. It’s feeding a larger system."
Data for what, Tony? This is an arts collective. We teach pottery. We run photography workshops. We just got a grant for a community garden!"
Yes, and that engagement, that organic interaction, the problem-solving, the way people from different generations and backgrounds learn and create together – that’s the gold. The Winnipeg hub… they’re building the core algorithms. We're the real-world interface. The human element, the 'messy' data that clean lab environments can't replicate." Tony leaned forward, trying to project sincerity, to bridge the chasm he’d just opened. "The resilience of this community, the way you’ve rebuilt after the flood, the unique patterns of interaction in a place like this, on the edge of everything… it's invaluable."
Jonathon pushed back from the table, his chair scraping loudly across the polished concrete floor. "Invaluable? You're telling me we’re… a giant experiment? That all those kids sketching on their tablets, all those elders sharing stories for the oral history project – they're just… guinea pigs for some city tech company?" His face was flushed, a deep, angry red that contrasted with his usual calm demeanour.
Joanne finally spoke, her voice softer, almost a whisper. "But… the northern lights project? The interactive light installation we built with the youth? That was… real. People connected." She looked genuinely hurt, like a child told a beloved story was a lie. "Was that just… a data harvest?"
Tony felt a familiar prickle of discomfort behind his eyes. He hated this part. He’d signed up for the vision, the intellectual challenge, the perceived greater good, but the faces across the table, their raw confusion and betrayal, always cut deeper than any lines of code. He understood their perspective. This was a place where neighbours still checked on each other’s snowmobiles, where gossip travelled faster than broadband, and where 'technology' usually meant getting the satellite internet to actually *work*. The idea of their intimate community becoming a dataset was utterly alien.
The hall itself felt like a testament to that ethos – the high ceilings patched, the old stage still smelling faintly of amateur theatricals and dust. A single, crooked picture of the last community fish fry hung on the wall, testament to simple, tangible gatherings. The flood of 2022 had been a rupture, a devastating reminder of their vulnerability, but the rebuilding had been a collective triumph. Now, Tony was telling them it was all… repurposed.
The Architect's Whisper
It's not exploitation," Tony insisted, his voice firmer now, trying to regain control. "It's synergy. Think of what this AI could achieve, built on truly human experience, not just abstract programming. Solutions for infrastructure in remote communities, predictive models for disaster relief, hyper-personalised educational tools tailored to unique learning styles. We’re creating something truly revolutionary, something that could actually *help* places like ours."
Or," Cindy countered, crossing her arms, "something that makes a lot of money for a few people in Winnipeg while we’re left with… what? Another set of digital crumbs?"
We were compensated," Tony reminded them, his tone carefully neutral. "The grants, the resources that rebuilt this place, the ongoing operational budget… much of it came from the private consortium funding the AI research. The public grants were always a fraction of our true operating costs." He watched their faces, seeing the dawning horror in Jonathon's eyes, the quiet resignation starting to settle on Joanne's. He knew, intellectually, this was a difficult conversation. Emotionally, it felt like pulling teeth.
So, when my nephew, little Adam, spent all summer designing those 3D printed models of the local wildlife," Jonathon said slowly, his voice dropping to a dangerous calm, "and he thought he was learning engineering skills for his future… he was just teaching your… *system*… how to recognise deer migration patterns?"
Tony hesitated. "He was absolutely learning engineering skills, Jonathon. And he produced excellent data."
Joanne stood up, not angrily, but with a weary grace. She walked to the window, peering out at the darkening sky. The wind, it sounded colder now. She turned back, her face illuminated by the pale, fading light. "Do the kids know?" Her gaze was directed at Tony, but her question seemed to hang in the air for everyone. "Do they know they’re part of an… experiment?"
Tony swallowed. The ethical review board had deemed the 'informed consent' sufficiently vague, given the nature of the project. 'Participation in an advanced interdisciplinary arts program contributing to innovative digital futures.' It had sounded so good on paper. Now, facing these genuine, community-minded people, it sounded hollow, almost predatory. They hadn’t lied, not technically. They just hadn’t told the whole truth. Which, in a small town, was often worse.
The Unseen Threads
A fly, slow and sluggish from the cooling air, buzzed lazily near the ceiling light, bumping against the plastic diffuser. It was late autumn, the kind of quiet chill that preceded the first serious snowfall, and everything felt suspended.
We’re on the cusp of something here, people," Tony pressed, his voice strained. "Imagine an AI that truly understands human creativity, that can predict cultural shifts, that can even generate art that resonates deeply with specific communities. The funding we receive is tied directly to these breakthroughs. Without it, this hall… this collective… it all goes back to being a half-repaired memory of the flood."
Jonathon slammed his hand on the table, a sudden, jarring sound. "So that's it? Our choice is to be a lab rat or let this place crumble? This isn't art, Tony. This is… deception." His chest heaved with each word.
Cindy looked from Jonathon’s furious face to Tony’s impassive one. "What does this AI… *do*? What is it learning about us?" Her voice was laced with a fear that went beyond financial concerns, a primal unease about being observed, categorised.
Joanne still stood by the window. Outside, the sky was now a deep, bruised purple, the first stars pricking through. Far to the north, a faint, shifting green curtain began to unfurl, a silent, cosmic ballet. She turned from the celestial display, her eyes locking onto Tony, a profound, unreadable sadness in their depth. "And what happens," she asked, her voice barely audible over the rising wind, "when the AI learns everything there is to know about a place that’s supposed to be forgotten?"
Unfinished Tales and Fun Short Stories to Read
Algorithm in the Reeds is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.