In the Beam
By Tony Eetak
The humid summer air hung heavy in the main hall of the Serpent River First Nation community centre, carrying the faint, lingering scent of last night’s bingo and the pervasive aroma of lemon disinfectant. Dust motes, forbidden from explicit mention yet undeniably present in the diffuse light, danced with a languid indifference as the very infrastructure of the future arts programme seemed determined to unravel itself. The projector, an obstinate, beige behemoth of forgotten technology, offered only a stuttering, lacklustre rectangle of grey, mocking Devon’s increasingly frantic attempts to bring it to life.