The Intolerable Geometry of 'Fine'
"Okay, hold that panel steady," Alex instructed, his voice tight with concentration. He was on his knees, trying to line up Screw C with Hole 17b. "Now, is the top shelf level?"
Caleb, who was holding the shelf in question, squinted at it. "Yeah, it's fine."
Alex paused. The Allen key in his hand hovered over the screw. "What does 'fine' mean?"
Caleb shifted his weight. "It means fine. It looks okay. Good to go."
"I need a more precise definition," Alex said, not looking up. "Is it level according to the principles of Euclidean geometry, or is it 'fine' in a more abstract, 'eh, good enough' sort of way?"
A long-suffering sigh came from above him. "Alex, it's a wardrobe, not a space shuttle. No one is going to come into our bedroom with a laser level and judge us. It looks straight to me."
"The human eye is fallible," Alex muttered, crawling over to his toolbox. He returned with a small, yellow spirit level. "Let's introduce some objective truth into the situation."
He placed the level on the shelf. The bubble floated decisively to the right, pressing itself against the black line like a desperate prisoner. "Aha! See? It's not fine. It's not even close to fine. It's a travesty. A shambles. Our clothes would slide off and congregate in a sad pile on the right-hand side."
"Oh my god," Caleb said, letting the shelf go. It sagged, held only by two half-tightened screws. "They're clothes, not marbles. They're not going to 'congregate'. Just prop it up with a bit of cardboard underneath and let's get on with it."
Alex looked at him, horrified. "Prop it up? Prop it up? Why don't we just hold the whole thing together with chewing gum and hope? The point is not just to have a wardrobe, Caleb. The point is to build it *properly*. To have a solid, reliable foundation."
"It's a metaphor, isn't it?" Caleb said, crossing his arms. "This isn't about the shelf. This is about you thinking my entire approach to life is slipshod and propped up with cardboard."
"I wasn't going to say it, but since you brought it up..." Alex trailed off, gesturing vaguely at the wobbly structure.
The Great Dowel Debate
The argument moved from the specific to the general with terrifying speed. The shelf was forgotten. Now, it was about Alex's need for planning versus Caleb's talent for improvisation. It was about Alex's ten-year financial plan versus Caleb's decision to book a spontaneous trip to Lisbon last year.
"You can't just 'wing it' with everything!" Alex exclaimed, picking up a wooden dowel and using it to gesture. "Life requires structure! It requires foresight! It requires following the bloody instructions!"
"Life is for living!" Caleb shot back, grabbing a long side panel and holding it like a shield. "It's about embracing imperfection! If you spend all your time checking if everything is perfectly level, you'll never actually build anything! You'll just have a pile of parts and a spirit level!"
They were circling the half-built wardrobe now, using its components as props in their domestic-philosophical theatre. The structure, which had been precarious to begin with, began to sway gently with the vibrations of their argument.
"You call it imperfection, I call it cutting corners!" Alex accused, pointing the dowel at Caleb's chest.
"And you call it planning, I call it fear of the unknown!" Caleb retorted, planting the end of the side panel on the floor with a thud.
The thud was a mistake. It sent a shudder through the entire assembly. There was a groan of stressed particleboard. A screw popped out of its hole and pinged off the far wall.
They both froze, eyes wide.
The wardrobe swayed to the left. It swayed to the right.
Then, with a long, agonised creak, it gave up. It folded in on itself, collapsing into a heap of pale wood, screws, and shattered dreams. The crash echoed in the empty apartment.
Silence. A thick, profound silence. They stood on opposite sides of the wreckage, staring. Alex was still holding his dowel. Caleb was still holding his panel. It was a scene of total, unmitigated failure. A monument to their incompatibility.
The little bag of surplus screws had burst, scattering across the floor like tiny metal seeds of discord.
Caleb looked at the heap of wood. He looked at the instruction manual, which had landed on top of the pile like a tiny, mocking flag. He looked at Alex's face, a perfect mask of shock and horror.
Then, a corner of his mouth twitched. A strange, choked sound escaped his throat.
Alex's head snapped up, ready for a fresh round of blame. But Caleb wasn't angry. He was laughing. Not a small chuckle, but a deep, rolling, helpless laugh that made him double over and drop the panel.
Alex stared at him, then back at the wreckage. Their first project. Their symbolic foundation. A pile of rubbish on the floor. It wasn't a tragedy. It wasn't even a drama. It was a farce. A slapstick routine with Allen keys.
And despite himself, despite every fibre of his being that wanted to scream and catalogue the failures, Alex started to laugh too. It was a release of all the tension, the stress of moving, the fear that this was all a huge mistake. They laughed until they were leaning against the walls for support, tears streaming down their faces.
"Our foundation," Alex gasped, pointing at the heap with his dowel. "It's so... solid. So reliable."
"It's embracing imperfection!" Caleb howled, sliding down the wall to sit on the floor.
The laughter eventually faded, leaving them in a comfortable, breathless quiet. The sun was setting, casting long shadows across the floor and the debris field of their afternoon.
Caleb looked up at Alex from the floor. "Pizza?" he asked, his voice still shaky. "We can eat it off the floor. The floor, I assume, is level."
Alex looked at the mess. He looked at Caleb's hopeful, smiling face. He dropped the dowel. "Yeah," he said, a smile finally breaking through. "Okay. Pizza on the floor sounds perfect."
Unfinished Tales and Fun Short Stories to Read
The Intolerable Geometry of 'Fine' is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.