The Orange Peel Grimace

by Jamie F. Bell

Sixty-seven years, a lifetime of meticulously reported truths, and here I am, cowering behind a weeping birch, breath pluming in the crisp autumn air, about to become a footnote in some cosmic, grotesque jest. My hands, usually steady with a pen or a camera, tremble like a novice reporter on his first beat. This isn't a story for the evening news, not a human tragedy to be neatly packaged. This is… something else. Something in the marrow-deep cold that seeps not from the falling leaves, but from the impossible smile across the street. The chill wasn't merely the October bite; it was an invasive cold, a premonition, the kind that makes the small hairs on one’s arms stand to attention even before the eyes confirmed the terror.

I should have gone back inside, pulled the blinds, made myself a cup of Earl Grey. Rational thought, a journalist's anchor, demanded it. But the sight… it held me. Not a person in a costume, no. The way it moved, the way its head tilted, the absolute, unblinking stillness of its painted features – it defied the organic. A man, even a madman, could not achieve such perfect, unsettling artifice. The orange wig, a tangle of garish plastic, seemed too bright against the muted browns and greys of the skeletal oak branches above it. Its oversized, tattered coat, once perhaps a vibrant crimson, was now streaked with what looked like dried mud and something darker, rust-coloured, clinging to its frayed cuffs.

The Performer's Entrance

My heart thudded against my ribs, an insistent, frantic drum solo. I pressed myself further into the rough bark, feeling the cold seep through my threadbare cardigan. From this vantage, through the sparse yellow leaves of the birch, I watched. It stood by the rusted swing set in the abandoned park across the road, a tableau of unsettling stillness. Its gaze, if one could call it that from beneath the perpetually arched, painted brows, seemed fixed on nothing, or perhaps everything. The faint scent of wet earth and dying vegetation was suddenly overpowered by a cloying sweetness, like stale candy floss, that prickled the back of my throat. I swallowed hard, a dry, uncomfortable gulp.

Then it moved. A languid, unnervingly smooth shift of its weight, as if its joints were too well-oiled, too perfectly articulated. One leg lifted, then another, a slow, deliberate march towards the street. My journalistic brain, perverse even in panic, noted the utter lack of any discernible human gait. No bounce, no subtle sway. Just a gliding, almost mechanical progression. The oversized, worn boots, painted a cracked black and white, made no sound on the leaf-strewn pavement. It was an impossible silence for something of that bulk.

The colours screamed against the autumn palette: electric blue trousers, a lime green waistcoat beneath the ragged coat, and that face. A stark white base, with two wide, crimson arcs forming a permanent, grotesque smile that stretched from ear to ear, far beyond the natural curve of a human mouth. And the eyes… oh, the eyes. Two black, bottomless pools, devoid of pupil or iris, reflecting nothing, seeing everything. They were painted on, of course, but the *implication* of their depth, the suggestion of an abyss, was what truly froze the blood.

I fumbled for my phone, a habit of a lifetime. To record, to document, to analyse. My thumb, numb with cold and fear, struggled with the touchscreen. This was a story, yes. But the kind that unravels sanity, not one that gets a byline. My mind, usually a fortress of logic, felt like a loose collection of jumbled notes, flapping uselessly in the wind. The hope, a fragile thing, was that if I could understand it, I could survive it. If I could classify it, it would lose its power. A foolish thought, even as it formed.

The creature paused at the edge of the road, its head cocked slightly. It was looking directly at my hiding spot. I felt, rather than saw, its attention. My lungs seized. It could not have seen me. The birch offered ample cover. Yet, the air grew colder, specifically around me. My vision blurred for a fraction of a second, the world tilting. I squeezed my eyes shut, then opened them. It hadn't moved. Only now, its single white-gloved hand was raised, a slow, deliberate wave. A gesture of sickening familiarity.


A Grotesque Invitation

"Why, hello there, good sir!" The voice, when it came, was a tenor, clear and perfectly modulated, yet utterly devoid of warmth. It carried across the street, cutting through the wind with unnerving clarity, as if spoken directly into my ear. "Do not be shy, for the grand performance has but just begun!" The words, formal and theatrical, felt like a cruel parody. This was not a plea; it was a pronouncement, an unshakeable decree.

My breath hitched. I found my legs, old and stiff, responding with a jolt of pure adrenaline. Retreat. The only sensible course. I backed away from the tree, my boots crunching loudly on the dry leaves, each sound a betrayal. The clown made no sudden move, merely observing my clumsy scramble. Its head rotated, a slow, deliberate pivot, following my every desperate step. It was playing with me, a cat with a mouse, enjoying the spectacle of my terror.

"Such haste, dear patron!" the voice chimed again, closer now, impossibly closer. I dared not look back, my hope now a flickering ember, threatened by the icy blast of its presence. "One would think you had an urgent engagement!" The words were laced with a saccharine amusement that grated on my nerves. I stumbled over a raised root, catching myself on an outstretched arm against a fence post, the rough wood scraping my palm. Pain, a real, tangible pain, grounded me for a moment.

I burst through a gap in a sagging hedge, onto another street, quieter, lined with older, slightly dilapidated homes. My chest burned, each gasp for air a sharp, aching protest. My vision tunnelled. Sixty-seven. Not the age for this. Not the age for being hunted by… by *that*. My heart hammered, a brutal engine threatening to quit. I pressed on, my only thought to put distance, to find shelter. The world was a blur of red and orange leaves, of grey skies and the looming shadows of autumn. My hope was a small, stubborn seed, buried deep, insisting I could outlast this, that there was a logical explanation, however monstrous.

Ahead, a grand, derelict Victorian house loomed, its dark windows like vacant eyes. A fool's errand, perhaps, but it was shelter, a solid structure between me and the open air. The front door, once a majestic entryway, now sagged on a single hinge, a welcoming maw. I didn't hesitate, shoving it open with a shoulder, splinters grating against the old wood. The interior was a mausoleum of dust and decay, the air thick with the scent of mould and forgotten things. But it was *inside*.

I slammed the door shut, or tried to. It merely swung back open a few inches, groaning. My fingers, fumbling for a lock that wasn't there, brushed against crumbling paint. I leaned against it, panting, eyes darting into the cavernous gloom of the foyer. Cobwebs draped like macabre lace. A grand staircase, its banister broken, spiralled upwards into darkness. Dust motes danced in the slivers of weak, autumnal light that pierced the grimy windows. It was an ominous silence, the kind that screamed of unseen presences.

The Uninvited Guest

"Such a lovely abode, would you not agree?" The voice. Not from outside. From within. From the top of the crumbling staircase. My blood ran cold, a true, complete freeze this time. My vision swirled, and I had to clutch the doorframe to steady myself. No. It was impossible. How could it have…?

Slowly, impossibly, the clown descended. Its movements were fluid, graceful, utterly silent, even on the creaking, rotten treads. Each step was a deliberate, theatrical gesture, a grotesque ballet. The painted smile seemed wider, the black eyes deeper. It wasn't just observing now; it was performing for me, its sole audience. My hope, which had buoyed me through the desperate dash, now felt like a cruel joke. Yet, a tiny, defiant spark remained. I had faced horrors in my career; war zones, political corruption, human depravity. This was different, yes, but I would not simply… crumble.

"A perfect setting, would you not concur? For a grand finale, perhaps?" It reached the landing, pausing, its head tilted, considering. The saccharine candy-floss smell was potent here, suffocating. My breath caught in my throat. I couldn't speak, couldn't scream. My throat felt constricted, raw. My legs felt like lead, rooted to the spot. This was it. The end of the line. The final report. But then, a thought, a defiant flicker: *Not yet.*

Its hand, the white glove pristine despite the journey, slowly, dramatically, came up. It held a single, tarnished brass bell, the kind a street vendor might use. A small, tinny jingle echoed in the vast, dusty hall. A signal. Not for me. For something else. The shadows in the corners of the room seemed to deepen, to coalesce. My hope now, it wasn't for escape, but for understanding, for the ability to grasp, even in my last moments, what this impossible horror truly was. The journalistic impulse, honed over decades, was an urge to witness, to report, to *know*.

The bell rang again, a thin, piercing sound that scraped against my eardrums. I could almost feel the vibrations in my teeth. The clown took another step, then another, closing the distance between us with unnerving leisure. Its painted smile never wavered, a mask of permanent, malicious glee. The house groaned around us, the old timbers settling, or perhaps something else stirring. I didn't know if this was supposed to feel… anything. Warm? Comforting? I just… didn’t feel alone, not for a second. The cold, however, was absolute.

A scuff on the worn floorboard near my foot caught my eye—a shallow, crescent-shaped gouge, as if something heavy had been dragged across it repeatedly. An irrelevant detail, yes, but my mind clung to it, anchoring me to the physical world while the surreal horror unfolded. The air grew heavy, almost viscous. The specific scent of damp plaster and old newspapers, mixed with that sickly sweet candy floss, filled my nostrils. I heard a faint, rhythmic drip somewhere deep within the house, a monotonous counterpoint to the thudding of my heart.

"The audience awaits," the clown intoned, its voice a soft, almost tender hum now, a terrifying shift from its previous theatrical pronouncements. "And the show, my dear sir, must go on." Its black, painted eyes, devoid of any light, seemed to pull at me, drawing me deeper into the abyss of their painted gaze. I could hear the faint, distant wail of a siren from the main road, a sound of the normal world, so incongruous with the surreal terror consuming me. It was a fleeting, almost cruel reminder of a reality I might never return to. My jacket, old but familiar, suddenly felt too tight across my chest. The hum of an old, forgotten refrigerator, still inexplicably running somewhere in the depths of the house, added another layer to the cacophony of the impossible.

A slight tremor ran through the floorboards. Was it the wind outside, or something moving beneath us? My gaze flickered to the shadows beneath the decaying grand staircase. They seemed to writhe, not with movement, but with an unnatural density, like ink dissolving in water. The clown's smile seemed to stretch even wider, if that were possible, revealing an impossible, unsettling row of teeth that were far too sharp, far too numerous. The hope I had clung to, the hope for survival, was now replaced by a chilling, desperate hope for a swift end, or perhaps, for a sudden, revelatory clarity. A final, grand report.

Unfinished Tales and Fun Short Stories to Read

The Orange Peel Grimace is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.