The Gutter of Gilded Frames
The hum of the servers was a low, insistent drone, a mechanical breath in the sterile data centre. Nathan pinched the bridge of his nose, the blue light from the array of monitors leaching the last vestiges of colour from the late-night office. On his primary screen, 'MonkeyPlus' smiled, a perfectly symmetrical cascade of auburn hair framing a face scrubbed clean of worry, pores, or human imperfection. Her feed was a curated chronicle of impossible sunrises, artisanal coffees, and spontaneous trips to 'unspoilt' coastal villages – always from the precise, flattering angle, always with the right filter applied. He’d seen a thousand like it, a million even. But something about this one, the fifth in a series of flagged profiles, felt… stickier.
He scrolled through her last two weeks of posts. A serene shot of a 'rustic' breakfast in a Provencal villa. An artfully arranged flat lay of a hand-knitted scarf and a steaming mug in a 'cosy' London café. A 'spontaneous' selfie atop a Scottish Munro, wind-swept hair miraculously still perfect. Each image, a tiny, self-contained universe of aspirational beauty, meticulously tagged with brand mentions and location data.
Nathan cross-referenced the geotags with local flight manifests and high-resolution satellite imagery. The Provencal villa’s IP address pinged from a server farm in Frankfurt. The London café’s timestamp placed MonkeyPlus there at the exact moment a background anomaly in the Munro selfie suggested she was over 700 miles north. The 'spontaneity' was a script, the 'authenticity' a meticulously engineered façade.
"Still chasing digital ghosts, Nathan?" Timothy’s voice cut through the drone, rich with a familiar, weary cynicism. He leant against the doorframe, a half-eaten packet of shortbread biscuits in his hand, crumbs dusting the front of his faded band t-shirt.
Nathan grunted, eyes still fixed on the screen. "This one’s a masterwork. Every detail screams 'real', but every detail is a lie. Look at the light in this selfie from 'Bali'. The sun angle is all wrong for that time of day, that latitude. It's either a very sophisticated render or she’s got a personal sun-mover."
Timothy shuffled closer, offering a biscuit. Nathan took one, chewing slowly. "They all are, mate. They all are. Our entire department exists to ensure the illusion holds. PineWorks isn't selling authenticity; we're selling a convincing imitation of it. Don't confuse the merchandise for the truth."
"But why? Why this elaborate performance?" Nathan gestured at MonkeyPlus’s perfectly composed life. "It’s exhausting, just to look at. Imagine living it."
"Because people buy it," Timothy said, crumbs spraying slightly as he spoke. "They don't want the grainy, unfiltered truth of someone else's miserable Tuesday. They want the highlight reel, the aspirational fantasy. They want to believe that if they buy the same coffee, wear the same scarf, go to the same 'unspoilt' locale, they too can achieve that glow. And PineWorks is here to monetise that delusion."
"It’s more than delusion, Tim. It’s… dangerous. Remember Arnold?"
Timothy’s smile faltered, replaced by a grim set to his jaw. "Arnold. The patron saint of 'too much truth'. He got too close, didn't he? Started pointing out the stitching in the fabric of their reality. Tried to warn people that the person they adored wasn't actually living that life, not really. Said it was making people sick."
"And PineWorks? They called it 'unauthorised disclosure of proprietary algorithms' or some such corporate euphemism, then scrubbed him clean. Erased. His feeds vanished, his followers ghosted. A digital assassination." Nathan rubbed his temples. "He tried to show them the real Arnold, the one struggling with debt and loneliness, not the 'travel guru' perpetually on holiday. And they deleted him for it."
"He wasn't 'on brand'," Timothy supplied drily. "The system consumes what it needs and discards the rest. You can't have ugly truth muddying the pretty lie. Think of the advertisers. Think of the 'engagement metrics'. Unsightly, isn't it?"
Nathan nodded, a knot tightening in his stomach. He zoomed in on a pixelated reflection in MonkeyPlus’s 'artisanal coffee' shot. A faint, distorted image, barely perceptible. It wasn't the pristine cafe interior she tagged. It was a grimy, streaked window overlooking a desolate, rain-slicked alleyway.
"Hold on," he murmured, his voice hushed. "There's something here. In the metadata of her 'Bali' photo. It’s an unusual encryption signature. Not standard PineWorks protocol."
Unvarnished Pixels
Timothy leaned over, his usual flippancy replaced by a flicker of genuine interest. "Unusual how? A personal backdoor?"
"No, it’s… older. Almost like a legacy system’s handshake," Nathan replied, fingers flying across the keyboard. He ran a series of decryption scripts, bypassing PineWorks’ superficial integrity checks. A progress bar crawled across the screen, a tension growing with each percentage point. "There. Got it."
The screen flickered, then resolved into a new, raw data stream. This wasn't MonkeyPlus’s public feed. This was unedited, unfiltered, and deeply unsettling. A 'dark feed,' as some of the tech blogs whispered about – a place where the pristine facades dissolved.
The first clip showed MonkeyPlus, not smiling in Bali, but huddled in a dimly lit room, eyes wide and bloodshot, hair matted and dishevelled. The flawless skin from her public profile was replaced by pallor, dark circles, and faint, unsettling bruises. She was whispering, almost whimpering, into a cracked phone screen.
"Bloody hell," Timothy breathed, his shortbread forgotten. "That’s… not Bali."
The next image was a still: a close-up of her hand, trembling, gripping a cheap plastic water bottle. The manicured nails of her public persona were broken, bitten, and the skin around them was red and inflamed. Another clip, her voice raspy, a desperate plea for something Nathan couldn't quite make out, punctuated by the faint, rhythmic thud of a distant bass.
"This isn't curated. This is… a cry for help," Nathan whispered, his own voice tight with a strange mixture of horror and grim satisfaction. "She's trapped. Or something is very wrong."
He noticed a recurring detail: in several frames, a specific, almost imperceptible pattern on the peeling wallpaper behind her. A faint, faded floral motif, identical in each clip, proving it was the same location. And on a small, dusty bedside table in the background of one video, a single, tarnished silver locket lay open. Inside, a blurred, aged photograph of a young man, almost unrecognisable, but with a familiar intensity in his eyes. Nathan zoomed in, his heart thudding.
"Tim, look at this. The locket. That man... It’s Arnold. Before. Before PineWorks swallowed him whole."
Timothy stared, a slow dawning horror spreading across his face. "Arnold? But what… how is he connected to her? And why this dark feed?"
As if on cue, a faint, high-pitched whine began to emanate from the hidden audio track of the dark feed. It was a digital artefact, almost like white noise, but with a distinct, deliberate cadence. Nathan isolated the audio, ran it through a frequency analyser. It wasn't random. It was Morse code. Slowly, painstakingly, he deciphered the first few bursts.
D-A-N-G-E-R. H-E-L-P. L-I-S-T-E-N.
The last word, a single, clear, desperate S-H-A-D-O-W. Then static. But before the static consumed it completely, a glint of metal caught Nathan’s eye in the corner of the frame. A faint, almost invisible wire, barely thicker than a hair, snaked from behind the dresser where the locket lay, disappearing into the wall.
"They’re listening," Timothy breathed, his voice barely audible. "Someone is watching her, controlling this feed, but she’s found a way to… to signal us."
A cold dread snaked up Nathan’s spine. This wasn't just about fake followers and filtered lives anymore. This was a prison. A real one, in the real world. He began furiously typing, trying to trace the origin of the hidden wire, to find a precise location.
"We need to get this to—"
A sharp rap on the glass partition of the data centre made them both jump. Mr. Richter, the Head of Digital Integrity, stood there, his face impassive, his perfectly tailored suit as unnerving as always. He hadn’t been in the office in weeks. His gaze, however, wasn't on them. It was fixed squarely on Nathan’s monitor, where MonkeyPlus’s terrified face still flickered.
Richter pushed open the door, and the hum of the servers seemed to dim in comparison to the sudden silence of the room. A faint, knowing smile played on his lips. "Evening, gentlemen. Working late, I see. Just admiring our latest 'asset'?" His eyes, cold and calculating, shifted from the screen to Nathan, then to Timothy, lingering for a fraction too long.
"We were just… analysing a discrepancy, Mr. Richter," Nathan managed, his voice steady despite the adrenaline now coursing through him. He instinctively minimised the dark feed window, but he knew Richter had seen enough.
"Discrepancies," Richter purred, stepping further into the room, his movements slow and deliberate. "Always so tiresome, aren't they? Especially when they threaten the integrity of our carefully constructed… narratives."
His eyes fell to the half-eaten packet of shortbread. "Timothy, I trust that's not company property you're consuming? We do have standards, you know. Standards of presentation. Standards of… loyalty."
Timothy swallowed hard, the crumbs suddenly feeling like grit in his mouth. Richter’s gaze returned to Nathan, a predatory glint entering his eyes. "And Nathan, I believe you’ve been delving into some rather… sensitive algorithms lately. Things that aren’t strictly within your operational purview."
He paused, his smile widening, but it held no warmth. "The Gutter of Gilded Frames, wouldn't you say? Fascinating, the things one finds when one looks too closely beyond the glamour."
Unfinished Tales and Fun Short Stories to Read
The Gutter of Gilded Frames is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.