The Tellurium Stain

by Jamie F. Bell

Andrea followed the man who called himself Simone deeper into the scrubland that clawed at the edges of the Pickering Fusion-Thorium Plant. He moved with a practiced economy, his boots making little sound on the mix of gravel and desiccated soil. The official fence, a clean line of electrified wire and sensor posts, was two kilometres behind them, but the real boundary was the one you could feel. It was a pressure change in the air, a metallic tang on the tongue.

"Oracle says the particulate count is lower here than in the city centre," Andrea said, her voice recorder catching the slight tremor in her own words. "Cleaner air for all."

Simone let out a dry, humourless laugh that sounded like stones rattling in a can. "Oracle says what it's told to say. It lives in a server farm in Mississauga. Doesn't have to breathe this shit." He stopped, pointing not at the monolithic cooling tower that dominated the horizon, but at the ground.

At his feet was a patch of what looked like dandelions, except their heads were not yellow but a sickly, iridescent blue. The petals were fused together in rigid, geometric patterns, forming triangles and squares where soft curves should have been.

"We call them 'glitch-blooms'," Simone said, nudging one with the toe of his steel-capped boot. It didn't yield; it cracked, a tiny piece falling away like a shard of plastic. "Started showing up about three years ago, after the 'minor thermal event' they never reported. Try and post a picture of this online. Go on. The filter will have it down in less than a second. 'Generated Content Violation. Your post has been identified as synthetic media'."

Andrea knelt, her own knee protesting the cold seeping through her trousers. She pulled out her camera, an old DSLR she kept for precisely this reason. It had no network connection, no biometric lock, just a lens and a memory card. She framed the unnatural flower, the background blurred into the grey expanse of the industrial parkland. The camera's click was a small, defiant act.

"My editor thinks I’m chasing ghosts," she admitted, not looking up. "He ran my pitch past a verifier. It cross-referenced a decade of CivicOracle’s environmental reports. My concerns were flagged as 'statistically improbable and bordering on conspiratorial ideation'. I got a formal warning."

"Everyone who lives here has a warning," Simone said, his gaze fixed on the sky. "You get it in your bones. In your kids. Mariam’s girl, she was born with her teeth already in. All of them. The clinic’s AI logged it as a 'benign genetic outlier'. Recommended a dental plan."

He led her past skeletal trees whose bark peeled away to reveal wood the colour of an old bruise. He was part of a small, unrecognised community that lived in the shadow of the plant, in repurposed shipping containers and pre-fab housing abandoned after the last construction phase. They were the plant’s ghosts, their ailments and anomalies scrubbed from the official record by an algorithm designed for public confidence.


The Tellurium Lily

Their destination was a concrete culvert half-submerged in stagnant, rainbow-sheened water. Simone slid down the muddy bank and gestured for her to follow. Inside, shielded from the wind, the air was thick with the smell of decay and damp earth. In the centre of the culvert, growing from a fissure in the concrete, was a single, astonishing flower.

It was a lily, but its petals were not white or pink. They were the colour of scorched metal, a brittle, blackish-silver, and they curled inwards like a closing fist. The texture was wrong; it looked like crumpled tin foil.

"Tellurium-128," Andrea whispered, her hand hovering over the plant, not daring to touch it. She remembered it from a university physics textbook. A rare, stable isotope that, when bombarded with specific neutron radiation, decays in a way that affects cellular structures in certain plants. It was a one-in-a-billion fingerprint for a very specific type of containment failure.

"The old woman who found it called it the 'metal lily'," Simone said. "She died last winter. Her official cause of death, logged by the public health AI, was 'age-related respiratory failure'. She was forty-two."

Andrea felt a cold dread that had nothing to do with the damp culvert. This wasn't a glitch-bloom. This was a smoking gun. A biological indicator that no algorithm could explain away as a random mutation. The plant was a living testament to a lie, proof that something had escaped the reactor’s core—something that wasn’t supposed to exist outside a lab.

She set up her camera, this time on a small tripod, adjusting the settings for the low light. She took dozens of photos, bracketing the exposures, capturing the metallic sheen of the petals, the strange, oily water, the cracked concrete. Each photo was evidence. Each photo was a career-ending risk.

A low, insect-like whine grew steadily louder from outside. Simone grabbed her arm, his fingers digging in with surprising strength. "Drone. Patrol pattern. Kill the light."

Andrea fumbled with her camera’s display, plunging them into near-total darkness. The whine grew to a thrumming roar that vibrated through the concrete around them. A brilliant white searchlight sliced across the culvert’s entrance, sweeping over the far wall and then gone. The sound receded.

They waited in silence for five full minutes, the only sound the drip of water and their own ragged breathing.

"They’re getting more frequent," Simone finally said, his voice barely a whisper. "The Oracle knows something is wrong. It can't see what's happening on the ground, but it can see the gaps. It can see the people who won't go to the AI clinics, the drop in birth rates it can't account for, the search queries for old-world diseases. It's hunting for the anomaly."

Andrea packed her camera away, her hands shaking. She looked from Simone's grim face to the impossible flower still holding its metallic vigil in the dark. The anomaly wasn't just a data point. It was a community. It was a flower. It was the truth, and she was holding a memory card full of it.

Unfinished Tales and Fun Short Stories to Read

The Tellurium Stain is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.