The Positive Sentiment Filter
The first item in the Helios queue was a video. It was ninety seconds of pure, distilled hope. Sunlight, lens flare, children running through fields of wheat, all intercut with gleaming CGI of the fusion reactor itself—a perfect, golden doughnut of contained plasma. A warm, trustworthy female voice, almost certainly synthesized, spoke of 'limitless clean energy' and 'a new dawn for humanity'. Tomase’s moderation software, Prism, had already analysed it. The verdict appeared in a green box in the corner of his screen: 'Sentiment: Positive. Factual Accuracy: Verified. Recommendation: Amplify.' His job was to provide the final human click of approval.
He clicked. The video vanished from his queue, sent on its way to the platform’s trending algorithms.
The next item was a block of text. No video, no images. It was a link to a pre-print server, a paper authored by a Dr. Aiko Miyato of the Max Planck Institute. The title was dense: 'Stochastic Resonance and Non-Linear Divertor Instabilities in High-Gain Tokamaks'. Prism’s verdict was already in, this time in a red box: 'Sentiment: Negative (Fear, Uncertainty, Doubt). Factual Accuracy: Unverifiable (Contains Speculative Modelling). Recommendation: Deprioritise. Flag as Harmful Misinformation.'
Tomase was supposed to click 'Confirm' and move on. His daily quota was a thousand items. He was already behind schedule. But he hesitated. He knew Dr. Miyato's name. She was a giant in the field of plasma physics. He’d cited her work in his own doctoral thesis, back before he’d burned out and traded academia for the quiet damnation of content moderation.
He clicked the link. The paper was a wall of equations and graphs, but he could still read the language. Miyato wasn't speculating; she was warning. Her models, based on leaked experimental data from a prototype reactor, suggested that the Helios design had a critical flaw. Under certain conditions, the plasma could become unstable, potentially leading to a massive energy discharge that could breach the magnetic containment. It wasn't an anti-fusion screed; it was a peer-to-peer warning from one scientist to others, written in the precise, cautious language of the discipline.
Prism had categorised it as 'Harmful Misinformation'.
Tomase looked from the dense, reasoned arguments of the paper to the memory of the slick, empty video he had just amplified. The AI’s logic was brutal and simple. The video made people feel good about the Helios project. It generated positive engagement. Dr. Miyato’s paper made people feel anxious. It introduced complexity and doubt. One was commercially useful; the other was not. Truth was not a factor in the equation.
The Dossier of Dissent
His mouse hovered over the 'Confirm' button. This was his job. He was a shepherd, guiding the flock away from dangerous ideas. He was a cog in a machine designed to create a frictionless, positive user experience. A world without sharp edges, without difficult questions.
He felt a familiar tightening in his chest, the dull ache of moral compromise that was the constant companion of his profession. He remembered the mandatory wellness seminars, where AI-generated avatars coached them on 'emotional disassociation' and 'maintaining brand values'. They had told him that his personal opinions were irrelevant, a source of potential bias. Prism was objective. Prism saw the network as a whole. Prism knew best.
Tomase dragged Dr. Miyato’s paper to a folder hidden on a private, encrypted partition of his hard drive. It was a folder he had created a few months ago, late one night after suppressing a meticulously researched report on microplastic contamination from a new line of 'eco-friendly' trainers. The folder was named 'Anomalies'.
He clicked back to the queue and hit 'Confirm'. Dr. Miyato's warning vanished, flagged and buried, relegated to the digital graveyard where it would never trouble the platform's users.
He felt dirty. Not just complicit, but an active agent of a new, insidious kind of censorship. It wasn't loud and totalitarian; it was quiet and algorithmic. It didn’t burn books; it just adjusted their search rankings to zero. It didn't silence dissidents; it just labelled their warnings as 'negative sentiment' and starved them of the oxygen of attention.
The queue refreshed. Another pro-Helios video, this one featuring a beloved, folksy actor (or a startlingly realistic deepfake of him) explaining fusion with a folksy analogy involving a campfire. Prism loved it. 'Sentiment: Trustworthy, Positive. Recommendation: Amplify.'
Tomase opened his 'Anomalies' folder again. He began to systematically search the platform’s internal archives, using his moderator privileges to access the deep logs. He searched for other suppressed articles, other flagged scientists, other dissenting voices on the Helios project. He found dozens. A geologist warning about the seismic risks of the plant's location. A materials scientist questioning the lifespan of the superconducting magnets. An economist arguing that the project’s budget was a black hole that would bankrupt the public purse.
All of them flagged. All of them buried. All silenced by an algorithm that had been trained to equate positivity with truth, and doubt with danger. He copied everything, building his dossier, a silent testament to a debate that was never allowed to happen.
Unfinished Tales and Fun Short Stories to Read
The Positive Sentiment Filter is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.