Verdigris & Vexation

by Eva Suluk

"Right, so we're just... leaving it?" Tobin’s voice, a low thrum at the best of times, hitched a little, strained by the effort of crouching. Rain-slicked tarmac shone a dull, oily black under the weak glow of a distant streetlamp, its halo smeared by the persistent drizzle. Sylvie didn’t answer, her gaze fixed on the wreckage at their feet. The air tasted of damp concrete and something vaguely metallic, like blood mixed with rusty water. This wasn’t just another forgotten alleyway discard. This was… deliberate.

A few minutes earlier, they’d been tracing the usual circuit, a morbid, late-night ritual of surveying the city’s underbelly for anything out of place. Most nights, it was just the usual — overflowing bins, graffiti fresh enough to still smell of aerosol, the occasional discarded needle glinting meanly. But tonight, this box. It lay cleaved in two, a jagged fissure running through what must have once been a remarkably elaborate shell. Splinters, dark and glossy from the damp, clung to the asphalt like lost teeth.

"No," Sylvie finally said, the word emerging on a cloud of visible breath. "We’re not leaving it." She reached out a gloved hand, careful not to disturb the fragments more than necessary. The wood was dark, almost black, with fine, almost microscopic carvings etched into its surface. Ornate. Ridiculously so, for something abandoned in a gutter. It smelled faintly of old spices and something else, something sharp and clean, like a chemical. A faint, bitter tang that tickled the back of her throat.

Tobin grunted, shifting his weight. He was good at grunting. It communicated a surprising spectrum of emotions, from mild annoyance to profound philosophical disagreement. Tonight’s grunt was leaning towards 'this is probably a bad idea, but I’m going along with it anyway.' Sylvie appreciated the silent resignation. "Think it’s a setup?" he muttered, peering around the corner of a overflowing skip, his eyes, dark and quick, scanning the upper windows.

"Always a possibility," Sylvie conceded, though her focus remained stubbornly on the box. "But for who? And why here? No, this feels… different. Less like a trap, more like a dropped clue. Or a furious disposal." She nudged one half of the box with her finger. Inside, nestled among the broken shards and damp sawdust, were small, flat plates. Copper, by the look of them, dulled to a deep verdigris green in places, but still holding the glint of metal where they were scratched or recently exposed. There were at least a dozen of them, carefully stacked, now spilled like playing cards.

Each plate, no bigger than her palm, was covered in an intricate pattern of lines and symbols. Not letters, not numbers she recognised. They looked almost organic, like microscopic root systems, yet also sharply mechanical, like the internal workings of some impossible clock. She carefully picked one up. It was surprisingly heavy, cool against her glove. The edges were sharp, but meticulously filed, not roughly cut. Whoever made this had spent serious time.

"What d'you reckon? Some kind of art piece?" Tobin ventured, sidling closer, though he kept a respectful distance from the mess. His pragmatism was a welcome anchor against Sylvie’s tendency to leap to the wildly improbable. "Looks like circuits from a steampunk toaster that exploded." He flashed a quick, almost invisible smirk.

"More than that," Sylvie murmured, turning the plate over. The reverse was blank, but the weight felt balanced, deliberate. She carefully placed it back amongst its brethren. "These symbols… they're repetitive, but with subtle variations. Like a language that shifts based on the context of the adjacent character." Her mind, a finely tuned engine for puzzles, was already humming. This was the exact kind of obscure, meticulous detail that hooked her.

She picked up another plate, then another, arranging them as best she could to see if any patterns emerged from the chaos. The wetness of the wood, the cold metallic touch of the copper, the grime on her gloves – it all grounded her. No grand, sweeping revelation, just the gritty texture of discovery. One of the plates had a tiny, almost imperceptible notch on its edge, perfectly aligned with a similar notch on another. A faint, almost sweet, chemical odour emanated from a small, dark stain on the cracked wood, distinct from the metallic tang.

A Glimmer of Intent

Tobin, meanwhile, had stopped looking at the box. His head was cocked slightly, a familiar gesture that meant his acute senses had snagged on something. He wasn't like Sylvie, who processed the world through analysis and pattern recognition. Tobin was pure instinct, a creature of the shadows and shifting breezes. If something moved or sounded wrong, he felt it in his bones.

"Hold on," he whispered, his voice barely audible above the constant hum of the city. His eyes, now narrowed, were fixed on the fire escape opposite, three storeys up, where a rusty ladder snaked its way down to a locked gate. "See that?" he gestured with his chin, not wanting to draw attention with a hand. "Top landing. Just above the bin." Sylvie followed his gaze. For a second, she saw nothing but rusted iron and the dull glow of a grimy window. Then, she caught it. A faint smear, high up, barely visible in the poor light. A fresh scuff mark on the dusty railing. And just below it, a tiny, almost-gone shimmer of something that wasn’t condensation. Glitter, maybe? Or fine metallic dust.

Her breath hitched, not from fear, but from the sudden, jarring realisation. Someone had been watching. And not just passing by. Someone had lingered, high above, perhaps observed them picking through the remnants. A cold knot formed in her gut. The meticulous nature of the box, its violent destruction, the cryptic contents, and now the surveillance – it all clicked into a more sinister picture. This wasn’t just a random act of vandalism or a peculiar find. This was a message, or part of a much larger, uglier game.

"Someone’s been here," Sylvie confirmed, her voice low and even, betraying none of the sudden prickle of unease that had crawled up her spine. "Recently. After it was broken." She looked at the smashed box again, then back at the faint mark on the fire escape. The destruction felt less like anger now, and more like… haste. Or a statement. The rain picked up, a heavier patter drumming on the corrugated iron of the nearby shopfront, washing away the evidence even as they pieced it together.

"Or they just dropped their phone," Tobin offered, ever the voice of caution. But there was a tremor in his tone, a subtle shift that told Sylvie he didn’t believe his own words. He was just trying to talk them both down from the edge of immediate paranoia. A broken sliver of what looked like plastic, a dark, rich amber, caught her eye near a drainpipe. She didn't touch it. Its smooth, almost jewel-like quality seemed out of place in the grimy surroundings.

Sylvie traced the outline of one of the copper plates with a gloved finger. The symbols felt deliberately alien, yet profoundly logical. They spoke of a system, a code. She felt a familiar pull, the magnetic tug of an unsolved puzzle. This wasn’t a random alley find; it was an invitation, albeit a violent and unsettling one. The chemical smell on the wood, the metallic dust, the perfectly notched plates – these were not accidents. These were details, deliberate and precise.


The Unveiling Thread

"We need to get these out of here," Sylvie declared, making up her mind. Her gaze swept the alley once more, seeing it not as a collection of refuse, but as a crime scene, a stage. "All of them. And the larger pieces of the box. Carefully." The drizzle was now a steady, cold rain. It was a good cover. Most people huddled indoors on a night like this. Only fools, or people with a mission, braved the weather.

Tobin nodded, already pulling a larger, waterproof canvas bag from his backpack. He moved with a quiet efficiency, his hands deft despite the gloom. He didn’t question her decision, a silent testament to their long, unspoken understanding. He knew that when Sylvie’s mind latched onto a mystery, it was like a pit bull with a trouser leg – there was no letting go until she had every last fibre. He was the one who cleaned up the mess she sometimes made.

"Any idea what we're looking at?" he asked, gently depositing a larger section of the carved wood into the bag, careful not to scrape the copper plates as Sylvie handed them over. The bag, dark green and faintly smelling of old coffee, swallowed the evidence with a soft thud. "Looks a bit… high tech for a garden gnome, doesn't it?"

"More than high tech," Sylvie mused, her eyes still scanning the alley, trying to imprint every detail into her memory, the slant of the roofline, the pattern of graffiti, the exact location of the broken streetlamp. "This is coded. Some kind of map, I think. Or a key. The metal dust… it’s almost too fine, too precise to be accidental. Like it was filed down deliberately, a trace element left behind. And the specific notching… this is a system. Someone spent months, maybe years, on this box."

She stood up, brushing damp grit from her trousers. The chill had seeped into her bones, but the intellectual heat of the puzzle warmed her from the inside. The spring night air, usually crisp with the promise of new life, felt charged with something else, something old and dangerous. "We need to get these back to the lab. See what those symbols mean. And find out who made this, and who broke it. Because those two aren't necessarily the same person."

Tobin zipped up the bag, its contents now secured, a silent, heavy secret within the canvas. He looked up at her, the weak light catching the weary line of his jaw. "And the person who was watching? The one who left the sparkly stuff? You think they're still out there, Sylvie?" His question hung in the damp air, a quiet, reasonable fear.

Sylvie met his gaze. A faint smile touched her lips, a grim, determined curve. "Oh, I’m counting on it, Tobin. I’m absolutely counting on it. Because if we don’t find them, they’ll definitely find us."

She turned, already mapping out the quickest, most inconspicuous route out of the labyrinthine alleys and back towards the grimy sanctuary of their makeshift headquarters. The rain seemed to be washing away more than just the day's dirt; it felt like a curtain falling on one chapter, and rising on another. The copper plates, with their mysterious verdigris sheen, were a thread, thin but strong, pulling them into a larger, more perilous web, and Sylvie, despite the cold knot in her stomach, felt an undeniable surge of fierce, almost reckless, exhilaration.

Unfinished Tales and Fun Short Stories to Read

Verdigris & Vexation is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.