Cedar and Contradiction
"Is it sentient?" William muttered, wrestling with the HDMI cable, his knuckles scraping against the dusty metal housing of the ancient projector. The screen, a temporary sheet tacked unevenly to the brick wall, flickered between a grainy desktop and a blank, mocking white.
Sarah, perched on the edge of a paint-splattered stool, didn't even look up from her phone. "No, William. It's just a projector. You're giving it too much credit. Unlike the rest of us, it doesn't have an existential crisis every Monday morning."
He grunted, yanking the cable. The screen went entirely black. A faint smell of burning plastic wafted from the machine. "I just… I need it to *work*. This is the biggest presentation we've done for the 'Green Canvas Collective'. All those community stakeholders, the city council rep, the guy who owns the artisanal soap shop who keeps asking if we can make a 'biodegradable glitter bomb' for climate awareness."
Sarah finally lowered her phone, a slight smirk playing on her lips. Her hair, the colour of polished oak leaves, was pulled back in a loose bun, a few strands escaping to frame her face. "We told him no. Repeatedly. And breathe, William. It's not the end of the world. Just a minor tech meltdown. Happens every time we try to merge art with anything remotely technical. You'd think after three years we'd invest in something that doesn't sound like a dying goose."
He stared at the black screen, feeling the cold seep into his bones despite his frantic movements. The weight of 'climate and creative entrepreneurship' felt suddenly crushing. How did anyone pitch 'transformative mixed-methodological participatory methodology' to a room full of people expecting, what? A mural of a polar bear looking sad? The irony was thick, like the dust motes dancing in the weak sunlight streaming through the arched window.
His mind, a jumble of half-formed ideas and anxieties, flashed to yesterday's lecture. Dr. Periwinkle, all tweed and earnest enthusiasm, had waxed poetic about 'synergistic co-creation frameworks'. William had just nodded, trying to translate it into 'get people to paint cool stuff that also helps the planet and maybe makes a few bucks for local artists without feeling like a sell-out'. It was a mouthful, and a mental tightrope walk.
Sarah slid off the stool, her boots making a soft thump on the concrete. She picked up a stray pine needle from his sweater, flicking it away. "Look, it's fine. Worst case, you do it old-school. Charisma and interpretive dance. You're good at the charisma part. Maybe less so the interpretive dance, but desperate times, eh?"
William pushed his glasses up his nose, a nervous habit. "It's just… what if they don't get it? What if it sounds like we're just talking in circles about 'intersectional ecological aesthetics'? We're trying to show how art can actually *do* something, change things. Not just pretty pictures. That the act of making and sharing, when done with intention, can ripple out in ways you can't quite measure."
He felt the ridiculousness of his own fervour. How could he explain that the community garden they'd helped design, with its repurposed bicycle wheel trellis and painted rain barrels, wasn't just 'pretty'? How the simple act of neighbourhood kids painting endangered prairie flowers onto those barrels had somehow, inexplicably, softened the hardened corners of a once-neglected block? It was more than just 'community engagement'; it was almost… a shift in the local atmosphere, a tiny recalibration of hope.
The Unspoken Language of Growth
Sarah put a hand on his shoulder, a surprisingly firm touch. "They'll get it, eventually. Or they won't. But you've got to believe in what we're doing. This 'methodology' as Periwinkle calls it – it's just a fancy word for what we already do: getting people together, making a mess, and then cleaning it up into something beautiful and useful. The trick is making them *feel* it. Like that little art installation we did at the community centre last month. The one with the recycled plastic butterflies."
William nodded, a ghost of a smile touching his lips. He'd poured weeks into those butterflies, cutting and shaping, guiding local families to embed tiny seeds into the plastic before they were heat-sealed. The idea was that when the 'butterflies' eventually degraded, the seeds would sprout. A symbolic gesture, they’d called it. But then, a week later, a patch of barren soil behind the centre had unexpectedly bloomed with indigenous wildflowers. The soil, previously dead, had come alive. And nobody, not even the city's parks department, could explain it. It was too fast, too vibrant. It had been chalked up to 'unusual seed viability' and 'a particularly wet spring', but William knew better.
Sarah pulled a slightly bent paperclip from her pocket, her brow furrowed. She poked at the HDMI port. "Did you try… turning it off and on again? The classic IT solution for everything from a wonky computer to a mid-life crisis."
"Yes, Sarah, I am not a neophyte." He sighed, running a hand through his already messy hair. "I've rebooted it. I've re-seated the cables. I've even offered it a solemn apology for its continued existence."
Suddenly, a new voice cut through their bickering. "Looks like the VGA connection is loose, boss." Davi, lean and perpetually calm, appeared from behind a stack of canvases depicting abstract representations of melting glaciers. They wore an oversized hoodie, the drawstring chewed nearly through. Their fingers, stained with what looked suspiciously like permanent marker and blueberry jam, deftly reached for the back of the projector. A gentle click echoed in the room. The screen instantly sprang to life, displaying William's perfectly designed title slide: 'From Brushstrokes to Bio-Diversity: Creative Climate Futures'.
William blinked. "It was… the VGA? But it's an HDMI cable!"
Davi shrugged, a barely perceptible movement. "Yeah, but the old converter for this particular dinosaur sometimes needs a friendly nudge. Happened last week with the guest lecturer on sustainable urban beekeeping. They almost had a hive mind meltdown, ironically."
Sarah clapped Davi on the back, making them nearly drop their phone. "See, William? Never panic when you have a Davi. They're like a human-shaped Swiss Army knife for all things chaotic and tech-related. And blueberry jam, apparently."
William just stared at the now-stable image, a profound sense of relief washing over him, followed by a flush of mild embarrassment. He’d been convinced it was a deeper, more existential hardware failure, a cosmic joke at the expense of his burgeoning climate advocacy.
"Okay, deep breaths," William whispered, moments before the first community members shuffled in. The smell of cedar from the autumn wreaths hanging on the door mingled with the faint, metallic tang of the heating system kicking on. He adjusted his glasses one last time, trying to project an air of confident academic gravitas, which felt about as authentic as a three-dollar bill.
He started, voice a little too high, explaining the 'synergistic model' and 'ecosocial entrepreneurship'. Sarah sat in the front row, offering encouraging nods and occasionally a raised eyebrow that somehow managed to convey both support and mild amusement. The city council rep, a woman with a severe bob and an expression that suggested she'd rather be anywhere else, scribbled notes with a pen that looked suspiciously like a tiny laser pointer. Even the artisanal soap guy was there, looking slightly less agitated than usual, probably still pondering glitter bombs.
He found his rhythm eventually, moving from the abstract jargon to concrete examples. The revitalized community garden, the mysteriously flourishing wildflowers, the public art installations made from reclaimed waste that had led to an observable 15% reduction in littering in a three-block radius, confirmed by actual, scientific neighbourhood audits. These weren't grand gestures; they were small, persistent shifts, almost imperceptible until aggregated, like the slow, steady churn of a glacier. But the results were undeniable, a hum beneath the surface of everyday life, a gentle nudge towards flourishing.
And it was that quiet, potent efficacy, the almost magical way their modest art projects seemed to *shift* the energy of a place, that felt like the true 'fantasy' within their contemporary work. It wasn't spells or potions, but the unexpected, almost uncanny, resonance between creative intention and tangible outcome. The world wasn't magically transforming overnight, but certain corners of Winnipeg felt… brighter, healthier, more alive. A patch of urban decay now held a vibrant green space; a lonely bus stop featured a mosaic that made commuters smile, its colours somehow more vibrant than the grey sky. It was as if their art wasn't just reflecting the world, but subtly reshaping its very texture.
He ended with a call to action, outlining their next big project: a collaborative series of 'climate-responsive' sculptures for the city's riverbanks, aimed at engaging local youth in riparian ecosystem restoration. He spoke of 'storytelling through sculpture' and 'environmental stewardship as artistic practice'. He even managed to avoid mentioning glitter bombs.
The council rep, Ms. Albright, surprised him by not grilling him about budget cuts. Instead, she tapped her pen thoughtfully. "Mr. Davies, your… creative approach to community engagement is… certainly unique. The data on the litter reduction, in particular, is compelling. We have a provincial initiative for sustainable urban development launching next spring. A larger scale, multi-city project. It requires… unconventional partners. Your 'Green Canvas Collective' might be just what we're looking for."
William's heart gave a sudden, surprised thump against his ribs. A provincial initiative? Multi-city? This was far beyond painted rain barrels in a small community garden. This was a whole new kind of canvas, with brushes he hadn't even imagined.
She pushed a pristine business card across the table. "Come see me next week. Bring your team. And prepare a proposal. Something… bold. Something that makes us believe a few more butterflies might just make the world bloom."
He didn't know if this was supposed to feel… anything. Exciting? Terrifying? He just knew, looking at Sarah's widening eyes and Davi's rare, genuine smile, that the small, vibrant hum they'd cultivated in their corner of Winnipeg was about to resonate on a much, much larger scale. And he wasn't entirely sure if they were ready for the symphony, or the potential discord, that awaited them.
Unfinished Tales and Fun Short Stories to Read
Cedar and Contradiction is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.