A Highway of Scratched Promises

by Leaf Richards

"It’s all quite theatrical, isn't it?" Jack gestured vaguely towards the panoramic windscreen, where a massive, automated drone, shaped like a corporate logo, drifted lazily across the horizon. Its polished chrome reflected the afternoon sun with blinding indifference. "This grand illusion of choice. We get to select the tint of our nutrient paste, perhaps, but the menu itself is non-negotiable."

Penny snorted, a dry, dismissive sound that often preceded a particularly pointed observation. "Oh, do spare me the dramatic soliloquy, Jack. You say 'illusion of choice,' I say 'efficient infrastructure.' Potato, pot-ah-to. The paste is perfectly adequate, by the way. And at least the drone is quiet, unlike your incessant philosophising."

He sighed, a long-suffering exhale that ruffled a few strands of his dark, slightly too-long hair. "See? That's precisely the problem. The acceptance. The quiet acquiescence to 'adequate.' We've traded the wild, unpredictable surge of aspiration for the dull, predictable thrum of optimal efficiency. Are we not, in essence, merely data points in a perpetually running algorithm? Our very road trip, I dare say, has been algorithmically optimised for maximum scenic blandness and minimal deviation."

She gripped the haptic wheel a little tighter, though her eyes remained fixed on the road. A tiny bead of sweat, despite the chilled air, tracked a path down her temple. "Jack, we're driving to visit my great-aunt Muriel in Kenora. It's not exactly a pilgrimage to an anarchic commune. And besides, if our lives are algorithms, yours currently seems stuck in a loop of 'grumpy teenager discovers existentialism,' which is hardly original."

He smirked. "Ah, but originality itself is a construct, isn't it? A marketable commodity in the attention economy. True originality, the kind that might actually upset the established order, is swiftly subsumed, re-packaged, and sold back to us as a 'disruptive new trend.' Witness the recent 'Rebellion Core' fashion line. All faux-distress and programmed obsolescence."

"Right," Penny muttered, pinching the bridge of her nose. A faint, almost imperceptible hum resonated from the 'Cruiser's' internal diagnostics, a constant reminder of the unseen systems governing their passage. "So, what's your grand solution, then, Descartes? Should we jettison the auto-drive and navigate by the stars? Starve ourselves of nutrient paste and forage for… what, exactly? Genetically modified berries?" She chuckled, but there was a brittle edge to the sound.

Jack shrugged, the movement oddly clumsy in the confined space. He bumped his knee against the side console, wincing. "Perhaps. Perhaps we simply acknowledge the absurdity. Revel in it. Find the cracks in the veneer. Like, I don't know, discovering a rogue vending machine that dispenses actual, archaic carbonated beverages instead of the usual fortified water."

"Did you actually find one of those?" Penny's voice lifted, a flicker of genuine interest cutting through her practiced nonchalance. Her gaze, for a fleeting second, snapped to his face, her dark eyes wide. She caught herself, though, and her attention returned to the highway, the brief lapse almost a physical tic.

"Almost. Saw one of those antique 'Synthetium' dispensers outside the perimeter of Sector Gamma. Thought about pulling over. Then I realised it was probably just a holographic advertisement for a retro-themed 'experience.' The illusion, you see, is layered."

"Of course, it was," she said, a small, frustrated puff of air escaping her lips. "Because nothing is ever just… a thing. Everything has to be an 'experience' or a 'paradigm shift' or, my favourite, an 'optimisation opportunity.' I swear, if I hear 'Optimisation Index' one more time, I might actually short-circuit."

Jack's lips twitched. He leaned his head against the window, watching the endless fields. The hum of the 'Cruiser' was a constant, almost soothing presence. He wondered if the vehicle itself had an 'Optimisation Index,' measuring their conversational efficiency. Probably. "Ah, the 'Optimisation Index.' The metric by which we all measure our digital servitude. Are you contributing to the collective good, Penny? Are your algorithms aligned with corporate synergy? Have you achieved peak self-actualisation through regulated leisure activities?"

"Oh, do shut up," she said, but a small smile played at the corner of her mouth. "It's not that bad. We have universal basic income, safe cities… mostly. Nobody starves. We're perfectly… content." The word hung in the air, a little too carefully enunciated.


The sun began its slow, deliberate descent, casting long, distorted shadows of utility pylons across the flat landscape. These monolithic structures, draped in a web of fibre-optic cables, pulsed with a faint, almost inaudible energy, a testament to the unseen flow of data that underpinned their world. A distant wind turbine farm spun hypnotically, each blade a silent, white sentinel against the deepening blue. The air, even through the 'Cruiser's' filtration system, carried a faint, almost metallic tang, a reminder of the industrial processes that hummed unseen in the distances.

Jack shifted, pulling out a small, dented data-slate from his backpack. He flicked it on, the screen glowing with a soft, blue light. "'Contentment' is a dangerous state, Penny. It's the anaesthetic of the masses. The benevolent cage. What if the very definition of 'good' has been co-opted? What if this 'safety' and 'efficiency' is merely a sophisticated mechanism for control? We're so busy being grateful for not starving that we forget to ask what we're actually living for."

She took her left hand off the wheel, stretching her fingers, then tapped a rhythm on her knee. "And what, pray tell, are we 'actually living for,' Mr. Anarcho-Philosopher? To scrabble in the dirt for an authentic carbonated beverage? To brave the wilds of a forgotten provincial park? The world isn't some pristine, untouched Eden waiting for our noble rediscovery. It's built. It's managed. It's… productive."

"Productive for whom?" he shot back, a sudden edge in his voice. He leaned forward, his elbows resting on his knees. "The mega-corps whose logos blot out the stars in the city? The AI that predicts our desires before we even feel them? I mean, come on, Penny. Remember those old stories? Of people just… driving, without a destination, without a pre-booked 'recreational itinerary'? Just to see what happens? That's what I miss. The sheer, unadulterated *possibility* of random encounter."

"The possibility of getting stranded without power in a 'dead zone' that hasn't seen a service drone in a decade?" she countered, her voice rising slightly. "The possibility of encountering unregulated bio-luminescent flora that gives you a nasty rash? There's a reason things are regulated, Jack. It's not all some grand conspiracy to deprive you of 'spontaneous wonder.' It's to keep you alive and healthy and not, you know, bleeding out by the side of a highway because you decided to pursue 'authentic experience' with a broken-down 'Cruiser.'"

Jack slumped back against the seat, a scowl on his face. He plucked at another loose thread on his shorts. "You're so pragmatic, it's almost painful. Do you ever just… wonder? About the things that aren't on the data-net? The unquantifiable, unoptimised bits of humanity?"

"All the time," she said, her voice softening slightly. She stole a quick glance at him, a flicker of something unreadable in her eyes. "It's just… wondering about them doesn't make them real. And it certainly doesn't pay the utility tariffs. Sometimes I think you romanticise chaos because you've never actually had to live in it."

A small silence descended, filled only by the 'Cruiser's' steady hum and the distant whisper of the wind against its aerodynamic chassis. He thought about responding, but the words felt clumsy, heavy. He just watched the fields, the way the late afternoon light turned the automated irrigation systems into glittering, alien sculptures. A single, perfectly circular puddle reflected the sky, momentarily breaking the monotony.


The light outside began to bleed into deep purples and fiery oranges, painting the clouds with impossible hues. The road continued its relentless march eastward. Penny stretched, a small groan escaping her lips. "Look, I get it. The world's not perfect. It's… a lot. But we're here. We're going to see Muriel. And she actually makes real tea, not that synthesised brew. That's a small victory, isn't it? A crack in the facade, as you so dramatically put it."

Jack cracked a small smile. "Real tea, eh? Now that's an 'unoptimised experience' I can get behind." He leaned back, letting the smooth vibrations of the car lull him. The tension, for a moment, seemed to ease between them. He closed his eyes, picturing Muriel's small, cluttered home, a haven of analog anomalies in a digital world. The thought was comforting, a warm, fuzzy anachronism.

Suddenly, a sharp, insistent chime cut through the quiet. It wasn't the usual notification tone from their personal comms. This was deeper, more resonant, emanating from the 'Cruiser's' central console. A series of bright, urgent red symbols flashed across the primary display, overlaying the navigational map.

Penny's relaxed posture vanished. Her hands instinctively tightened on the haptic controls. "What in the… that's not a standard system alert. It's… a level three priority override. From where?" She squinted at the screen, her brow furrowed in concentration. The 'Cruiser' seemed to slow almost imperceptibly, a subtle shift in its forward momentum.

"'Non-standard Protocol Engagement Detected,'" Jack read aloud, leaning closer. His voice had lost its usual cynical lilt, replaced by a genuine note of apprehension. "'New Routing Vector Implemented. Authority: Sovereign NetCorp. Priority: Absolute.'" His eyes widened as the navigation map, moments before showing their predictable route to Kenora, began to redraw itself. The green line, indicating their path, abruptly veered north, off the Trans-Canada, towards an unmarked, grey area of the digital terrain. "Penny, what's happening? We're not going to Muriel's."

Her jaw was set, a tight, thin line. "I'm trying to override it. The manual controls are locked. It's… it's taking us somewhere else. We're being rerouted. By NetCorp." She wrestled with the haptic interface, her fingers flying across the controls, but the system remained stubbornly unresponsive, the new, unsettling route locked in place. The drone, its chrome heart reflecting the last of the sun, was now directly above them, a silent, unblinking eye in the darkening sky. The road ahead, previously straight and predictable, now curved into an unknown, unlit forest, swallowing the last vestiges of daylight.

"But… why?" Jack stammered, his earlier philosophical musings evaporating in the face of this sudden, undeniable intrusion. "Where are we going?"

Penny didn't answer. Her eyes, wide with a mixture of fear and growing understanding, were fixed on the new trajectory, which plunged them deeper into the shadows, a captive vessel in a suddenly alien landscape. The 'Cruiser' accelerated, its hum growing louder, more insistent, as if eager to obey its new, unseen master.

The last thing Jack saw before the tree line swallowed them was a tiny, flashing icon on the map: a single, abstract symbol, shaped like a shattered gear, marking their new, inescapable destination, far from any familiar path. His stomach lurched, not just from the unexpected acceleration, but from the sudden, terrifying realisation that their 'optimised' journey had just taken a detour into the truly unknown.

"Penny…" he began, but his voice was lost in the sudden surge of the 'Cruiser's' engines, pulling them into the deepening gloom.

Unfinished Tales and Fun Short Stories to Read

A Highway of Scratched Promises is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.