A Catalogue of Possible Futures
I wanted to believe her. More than anything. I wanted to believe that this day was what it appeared to be: a celebration. Sixty days. A small, perfect victory. We were treating it like an anniversary, a day trip to a place where things grew in an orderly, predictable fashion. Unlike our lives.
"It's beautiful," I said, and it was. Sunlight streamed through the glass panes, illuminating the vibrant, impossible colours of the flowers. I watched her as she drifted from one bloom to another, her fingers tracing the edge of a leaf. She looked healthy. Her skin had its colour back, the dark circles under her eyes had faded to pale smudges. She was wearing the yellow dress I liked. She was performing 'Sasha on a Good Day', and the performance was flawless.
But I knew the script too well. I was the co-star, the stage manager, and the nervous critic in the front row, all at once. I found myself cataloguing the tiny details. The slight tremor in her hand as she pointed to a pitcher plant. The way her gaze would occasionally slide away, becoming distant for a split second before snapping back into focus. Was she present? Was she really here with me, in this humid, green paradise?
"Owen, look at this one," she called, her voice echoing slightly in the cavernous room. She was crouched by a bizarre, alien-looking orchid. "It looks like a tiny monster."
I came and stood beside her. "It's amazing," I agreed. She leaned her head against my arm. Her hair smelled like coconut shampoo. It was a simple, perfect moment. And my brain was screaming at me: *Is it real? Is any of this real?*
Loving an addict in recovery is like living in a house you know has faulty wiring. You can live there for weeks, months, enjoying the warmth and the light. But in the back of your mind, you're always waiting for the spark, the smell of smoke. You can never fully relax.
The Architecture of Hope
We left the conservatory and walked towards the Japanese Hill-and-Pond Garden. The autumn air was crisp, and the ginkgo trees were a startling, brilliant yellow. We sat on a bench overlooking the pond, where fat, lazy koi swam in lazy circles.
"I was thinking," Sasha said, not looking at me. She tossed a small pebble into the water. "Maybe we should move."
The suggestion hung in the air between us. It was a conversation we'd had before, usually in the desperate aftermath of a fight or a relapse. The 'geographic cure'. A fantasy that a change of scenery could rewrite our personalities.
"Move where?" I asked, keeping my voice neutral.
"I don't know. Somewhere quiet. Upstate. Vermont. Somewhere with more trees than people. Where the biggest decision of the day is what to plant in the garden." She turned to me then, her eyes full of a pleading sincerity. "We could be happy there, Owen. I know we could. Away from all this… all the history. All the ghosts."
Her ghosts. My ghosts. The city was haunted for us. Every street corner held a memory, good or bad. I could see the life she was painting. A small house. A vegetable patch. Quiet nights. Sobriety made easy by sheer boredom. It was a beautiful, seductive lie.
"It's a nice thought," I said carefully. I couldn't bring myself to indulge the fantasy, but I couldn't bear to crush it either. It felt too fragile.
"It's more than a thought," she insisted, her voice gaining an urgent edge. "It's a plan. I was looking at places online. It's not as expensive as you'd think. We could do it. For real."
She reached for my hand. Her palm was clammy. "Don't you want that? A real life?"
In that moment, looking at her hopeful face, the carefully constructed walls of my cynicism began to crumble. Maybe she was right. Maybe the wiring in the house wasn't faulty after all. Maybe I was the one imagining the smoke. I squeezed her hand.
"Yes," I said, and the word felt true as it left my lips. "Yes, I want that."
The relief that washed over her face was so profound it was almost painful to watch. It was the face of someone who had been holding their breath for a very long time. She leaned in and kissed me, a real kiss, soft and slow and full of a future I suddenly allowed myself to believe in.
We sat there for a long time, not talking, just watching the fish. For the first time all day, my mind was quiet. The hyper-vigilance receded. I felt the warmth of the sun on my face. I felt her hand in mine. It was enough.
Eventually, she stood up. "I'm just going to use the loo," she said, smiling. "Be right back."
I watched her walk away, down the path towards the visitor's centre. The yellow dress was bright against the green of the manicured lawns. I let myself feel a surge of pure, uncomplicated love for her. We were going to be okay. We were.
And then I saw it. As she rounded a bend in the path, where she must have thought she was out of my line of sight, she slowed her pace. Her hand slipped into her pocket and pulled out her phone. Her head bent down, her thumb moving quickly across the screen. Just for a few seconds. Then the phone disappeared, and she continued on her way. It was a small, secret gesture. A reflex. But in the fragile truce of our perfect day, it was as loud as a gunshot.
Unfinished Tales and Fun Short Stories to Read
A Catalogue of Possible Futures is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.