The Unseen Architects
"No, Geoffrey, it wasn't just a mug. It was *the* mug. The one Arthur always used, with the chipped rim and the faded 'Camp Manitou' logo. But it was filled with… gravel. And there was this tiny, impossible paper crane sitting on top of the gravel. In his hands. He was just holding it, like it was normal. Like it wasn't weird at all."
Cora pulled her knees tighter to her chest, the chill seeping through her jeans. Her breath plumed in front of her, a wispy thought against the encroaching dusk. The smell of damp earth and rotting leaves clung to the air, a familiar scent of Winnipeg autumn.
Geoffrey snorted, a plume of his own. He kicked a loose acorn with the toe of his boot. "A paper crane? Cora, you dreamt about paper cranes for, like, six months after that origami phase in grade nine. Your subconscious is just doing a greatest hits album of Arthur-related oddities."
"It wasn't a phase, it was an artistic exploration," Tania interjected, her voice sharp with mock offence. She nudged Geoffrey with her elbow, a glint in her eye. "And besides, this is different. Gravel in a mug? That's… specific. Even for Arthur."
Cora nodded, grateful for Tania's defence. "Exactly. And the way he looked at it. Not with sadness, or even curiosity. Just… acceptance. Like he was showing me something, but not really explaining it. Like he *couldn't* explain it."
"Because it was a dream," Geoffrey said, the finality of it thick as the frost forming on the park railings. "It's literally what dreams *do*. They make nonsense feel profound. You're just desperate for it to be more."
A dull ache throbbed behind Cora’s eyes. He wasn't wrong, not entirely. Every night, slipping into the current of sleep, felt like a homecoming. Arthur was there, unburdened, whole. They’d walk through streets that felt like their old neighbourhood but subtly shifted, or sit in his favourite diner, the one that had closed years ago, the smell of burnt coffee and frying bacon impossibly real. And he’d talk to her, just like before. About school, about plans, about nothing important at all. It was normal. And normal was everything she craved. It was a cruel comfort, this parallel existence, where grief was a forgotten word and the ache in her chest was soothed by the mundane rhythm of a life that had been stolen.
The worst part, the absolute worst, was waking up. The abrupt rip from Arthur's presence, the sudden silence, the crushing weight of reality. It always hit her like a physical blow, leaving her disoriented and hollowed out. And lately, these little incongruities, like the gravel-filled mug, were starting to bleed through the perfect veneer of the dream world. It was unsettling, like a crack in a perfectly painted wall.
"But what if it's not nonsense?" Tania pressed, leaning forward, her breath now visible with every word. "What if it's… a message? Like, a clue? Arthur always loved those ridiculous treasure hunt games when we were kids."
Geoffrey rolled his eyes, a familiar gesture. "He loved them because he always made us lose, then gloated for a week. The man was a menace. And he's… not sending messages from the great beyond, Tania. He's *gone*."
The bluntness of it stung, a cold splash of reality. Cora flinched, pulling her scarf tighter around her neck. She knew Geoffrey meant well, that he was trying to protect her from more heartache, but sometimes his practicality felt like a brick wall. He couldn't understand the desperate, clawing need to hold onto even the faintest thread of Arthur, especially when the dream world offered such a vivid, albeit fleeting, reprieve.
"It's just a detail, Geoffrey," Cora said, her voice small. "One weird detail. But it felt… important. He always said, 'details are the architects of reality.' And the dream world, for me, *is* reality, sometimes. More so than this."
She gestured vaguely at the darkening park, the distant city lights starting to prickle through the twilight. The vibrant dream world, the one where Arthur lived, felt more solid, more enduring, than this cold, transient moment on a park bench.
"Okay, fine," Geoffrey conceded, holding up his hands in a gesture of surrender. "Let's entertain the utterly bonkers idea. A mug of gravel, a paper crane. What, are we supposed to go digging up all the old Camp Manitou souvenir mugs in the city?" His tone was laced with sarcasm, but a flicker of curiosity, despite himself, played in his eyes.
"No, not the mugs," Cora clarified, pushing off the bench, a sudden spark of determination igniting within her. "The gravel. The crane. Arthur used to hide things. Important things, or things he *thought* were important, in places that seemed totally mundane. Like his old shoebox under his bed. Or the loose floorboard in the back of his closet. Places nobody would ever think to look."
The Old Places
The wind picked up as they walked, whipping fallen leaves around their ankles like small, frantic dancers. They made their way through the quiet, tree-lined streets of the River Heights neighbourhood, the stately old houses glowing softly behind their autumn-bare gardens. Cora led them down a familiar alley, a shortcut Arthur used to take, now littered with discarded Halloween decorations and bags of dry leaves.
"He had this thing about the old shed in Mrs. Albright's yard," Tania murmured, pulling her knit hat lower over her ears. "He said it smelled like 'old stories and forgotten adventures.' Remember that time he tried to convince us it was a portal to another dimension?"
Geoffrey actually chuckled, a genuine sound. "Yeah, and you believed him. For, like, an hour."
"I was eight! It sounded plausible at the time!" Tania shot back, shoving him good-naturedly. The easy banter was a comforting hum, a constant thread in their friendship that even grief couldn't entirely unravel.
Cora smiled faintly, a genuine warmth spreading through her chest despite the cold. Those memories, those shared histories, were the anchors to the real Arthur. But the dreams… the dreams were the bridge. They reached Mrs. Albright's fence, the old shed looming at the back of the property, partially obscured by an overgrown lilac bush. It was ramshackle, leaning precariously to one side, its paint peeling like sunburned skin. The padlock on the door was rusted solid.
"Okay, so we're not breaking and entering," Geoffrey stated, hands shoved in his pockets, his gaze sweeping over the dilapidated structure. "That's rule number one of 'detectiving,' even if the 'detectives' are three cold teenagers looking for dream gravel."
"Relax," Cora said, already moving towards the back of the shed, where the wall met the overgrown garden. "Arthur never used the door. He always climbed through that loose window pane at the back. It was his secret entrance." She pushed aside a tangle of thorny branches, revealing a small, grimy window, one pane indeed cracked and slightly ajar. Dust and cobwebs coated the sill.
With a grunt, Geoffrey managed to force the window open further. A gust of stale, earthy air, heavy with the scent of old wood and something vaguely metallic, wafted out. Cora peered inside. It was dark, a single shaft of weak light cutting through a gap in the roof, illuminating floating motes of dust. Old garden tools, a stack of terracotta pots, and a perpetually damp smell permeated the small space.
"Okay, so where's the… gravel mug?" Tania whispered, her voice tinged with both apprehension and excitement. Her eyes darted around, taking in the shadowy corners.
"It's not about the mug itself," Cora murmured, stepping carefully over a coil of forgotten hose. "It's about the *gravel*. And the crane. He used to keep things in odd containers, especially after… after he started feeling like everything needed to be hidden. He’d squirrel things away in old coffee tins, or even a paint can he’d emptied."
They spent the next fifteen minutes meticulously searching, their movements slow and deliberate in the cramped space. Dust motes danced in the sliver of light. Geoffrey grumbled about spiders. Tania sneezed twice. Cora ran her fingers along dusty shelves, feeling for anything out of place. Nothing. Just the detritus of a forgotten garden, the ghost of Arthur's childhood adventures.
Just as Geoffrey was about to declare it a bust, his foot nudged something tucked behind a stack of ancient, cracked flowerpots. He bent down, brushing away a thick layer of cobwebs and a scattering of dry leaves. It was a small, wooden box, no bigger than his hand, surprisingly heavy. Its surface was scarred and worn, but a faint, intricate carving of a crane was just visible on the lid.
"Hold on," he said, his voice quiet, all traces of his earlier sarcasm gone. He carefully pulled it out. The box was sealed, not with a lock, but with a thin, almost invisible strip of aged masking tape.
Cora's heart hammered against her ribs. She knelt beside him, Tania peering over their shoulders. With trembling fingers, Cora peeled back the tape. The lid creaked open, revealing a tightly folded, yellowed photograph, nestled on a bed of… gravel. Not just any gravel, but smooth, grey river stones, just like the ones Arthur used to collect from the Assiniboine. And perched on top of the stones, folded with exquisite precision, was a miniature paper crane.
Tania gasped softly. "He actually…"
Cora carefully lifted the photograph. It was an old photo, a bit faded, showing Arthur, much younger, probably eight or nine, grinning broadly. He was holding up a small, metal box. But it wasn't the image of Arthur that froze Cora's blood. It was the background: a brick wall, familiar, but marred by a distinctive, jagged crack, a landmark she’d often passed. A crack in the wall of a building downtown, near the old bookstore. And scrawled faintly on the back of the photo, in Arthur's messy handwriting, were two words: *The Architect*.
Underneath the photo, nestled in the gravel, was something else. A small, tarnished metal key. It looked old, ornate, and impossibly out of place, as if it belonged to a forgotten lockbox from another century. Its surface was cold against Cora’s palm, a tangible link to a mystery she was only just beginning to understand. The dream had been right. There was a message. But what did *The Architect* mean? And what did this key open? The cold in the shed suddenly felt more profound, a chilling premonition that they had just opened a door to something far larger and more dangerous than a simple childhood secret.
Unfinished Tales and Fun Short Stories to Read
The Unseen Architects is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.
By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.