The Hum of Uncertain Gears

by Jamie F. Bell

The wrench slipped, a small, metallic sigh, and the brass cog clattered onto the concrete floor. Andrea didn't even flinch. It was the tenth time that hour. Her kinetic sculpture, 'Symbiotic Drift,' looked less like a graceful, interconnected system and more like a collection of expensive junk caught in a perpetual state of almost-motion. A perpetual state of *mockery*, really. She wiped a smudge of grease from her forehead with the back of a hand, leaving a darker smear. The late afternoon light, a thin, watery grey seeping through the grime-streaked skylights, offered no solace, only highlighted the stubborn inactivity of her work.

Outside, the autumn wind gnawed at the corrugated metal roof, a low, persistent groan that mirrored the one in her own chest. Three weeks until the 'Foundry' collective's annual showcase, and 'Symbiotic Drift' felt as dead as the fallen leaves outside. Everyone else—Shawn with his sprawling mural, Sharon with her perpetually overflowing spreadsheet of grant applications, even Tracey with whatever elaborate, inscrutable performance art she was conjuring in the far corner—seemed to possess a clarity Andrea hadn't touched in months. She just… didn't feel it. Not the flow, not the conviction. Just the cold, hard brass and the heavier cold of self-doubt.

She picked up the cog, its teeth still sharp. She'd spent days fabricating these, filing down the edges, polishing them until they gleamed. Now, they simply sat, defiant. Andrea squeezed her eyes shut, trying to visualise the elegant, intertwining movement she'd sketched out months ago. The gears were supposed to catch, to transfer a gentle, rhythmic energy from one to the next, a metaphor for… well, for everything. For connection. Now, they just looked like a dismantled clock. A broken promise.

A clang echoed from the main doors, startling her. Shawn. Of course. Only Shawn could make such a grand entrance even when just pushing open a fire exit. He lumbered in, carrying a large, rolled-up canvas, his perpetually paint-splattered jeans and oversized hoodie a familiar sight. He nodded a perfunctory greeting, his gaze already sweeping towards his colossal mural-in-progress on the far wall – a vibrant, chaotic cityscape that seemed to expand daily, threatening to engulf the entire studio space. It was impressive, yes, she'd give him that. But it was also… encroaching.

“Morning, or, rather, afternoon,” Shawn grunted, not quite meeting her eye. He always sounded a bit like he was speaking around a mouthful of gravel. He set his canvas down with another thud that vibrated through the floorboards. “Still fighting with the automatons, Andrea?” His voice, though casual, carried a subtle edge, a hint of the perpetual, unspoken competition that hummed between them. He gestured vaguely at her inert sculpture, the corner of his mouth twitching upwards. It wasn’t quite a smile. More like a challenge.

Andrea gripped the wrench tighter, the cold steel digging into her palm. “They’re not automatons, Shawn. They’re… a meditation on interdependence.” She hated how defensive her voice sounded, how small. “And they’re a work in progress. Unlike your… ever-expanding metropolis, which seems to have taken over half the damn quadrant.” She gestured with her chin towards the mural, which had indeed crept several feet past their agreed-upon boundary line. There was a faint smell of new acrylic now mixing with the turpentine. Always a new smell with Shawn.

Shawn chuckled, a low, rumbling sound that did little to soothe her irritation. “Art takes the space it needs, Andrea. Can’t box it in, eh?” He was already unwrapping his new canvas, a fresh explosion of colour threatening to join the existing sprawl. He had a point, technically. Art was supposed to be boundary-pushing. But so was common courtesy. She watched him for a moment, the easy way he moved, the confident strokes of his brush, the almost arrogant certainty in his vision. She envied it. She hated that she envied it. Her own vision felt like a foggy reflection in a grimy window, indistinct and fading.

A Different Kind of Pressure

Just as Andrea was about to retort, the main doors squealed open again, revealing Sharon. Her usually neat bun was askew, a stray pencil jutted out from behind her ear, and her spectacles were perched precariously on the end of her nose. Sharon, the organisational wizard of 'The Foundry,' usually embodied calm efficiency. Today, she looked like a cat that had just been dragged through a hedge backward. She carried a stack of binders that threatened to topple over, and her mobile phone was clutched in her other hand, still buzzing with a low, insistent hum.

“Andrea! Shawn!” Sharon’s voice was high-pitched, strained. She dropped the binders with a groan, a cloud of dust puffing up from the ancient paper. “You won’t believe the day I’ve had. The lease renewal… the council grant… it’s all a mess. And now…” She paused, catching her breath, adjusting her glasses. “Mister Davies, from the Horizon Gallery, just called. He wants to do a walkthrough. Tomorrow. Morning. He wants to see *progress*.” Her gaze swept across the studio, lingering pointedly on Shawn’s rapidly expanding mural and Andrea’s stubbornly immobile contraption. The implication hung heavy in the air: *we need this, Andrea. We really, really need this*.

A leaden weight settled in Andrea’s stomach. Davies. The Horizon Gallery was the biggest deal they’d ever had a chance at. A proper commercial space, not just their annual rough-and-ready showcase. It could mean everything: stable funding, proper recognition, perhaps even a chance to finally pay off some of the collective’s mounting debts. But 'progress' for 'Symbiotic Drift' currently meant another broken cog, another hour spent staring blankly at brass. Shawn, surprisingly, stopped his painting. Even he seemed to grasp the gravity of the situation, though a faint, competitive gleam still flickered in his eyes. He probably already had his spiel ready.

“Tomorrow?” Andrea managed, the word feeling thick and foreign on her tongue. “But… my piece isn’t…” She trailed off, unable to voice the full extent of her failure. Sharon’s shoulders slumped. She pinched the bridge of her nose, her eyes squeezed shut. The phone in her hand buzzed again, a frantic wasp.

“I know, Andrea. I know. But it’s our only shot. He’s in town for one day. He’s heard about us, he’s… curious. We just need to look like we know what we’re doing. Like we’re a serious, viable collective.” Her voice was pleading. “Even Tracey’s… sound installation… needs to be palatable. Not just, you know, a repeated recording of a seagull squawking over a distorted foghorn.”

Andrea glanced towards Tracey's corner. True to form, a low, unnerving thrum had started, accompanied by a rhythmic, almost metallic scraping sound. It sounded like a giant insect trapped in a broken washing machine. Tracey, a slight figure with bright pink hair, was oblivious, headphones clamped to her ears, a beatific smile on her face as she fiddled with a bank of ancient analogue synthesizers. Andrea sighed. Palatable was a tall order for Tracey on a good day.

Shawn, having resumed his work with a renewed intensity, interjected, “My mural will be ready. A vibrant statement. Exactly what a modern gallery needs.” He dabbed a brilliant azure onto his canvas, the colour almost aggressive in its cheerfulness. Andrea bristled. His confidence was a physical presence, a gauntlet thrown. Sharon just wrung her hands, staring at her phone.

Andrea looked back at 'Symbiotic Drift.' The half-assembled gears, the tangled wires, the polished brass reflecting the dim, tired light. It was supposed to be graceful, intricate. A dance. Now it was a tangled mess of intentions and failures. The pressure felt like a physical weight, pressing down on her, on the whole collective. Tomorrow morning. Davies. Progress. The words echoed in her mind, a relentless drumbeat.

She picked up the small, curved brass piece she’d been holding, turning it over and over in her fingers. It was an essential part, the pivot for the main arm. Without it, the entire thing remained static, a monument to a stalled idea. A surge of something hot, something akin to anger but also desperation, welled up. She couldn’t let 'The Foundry' down. She wouldn’t. But what if she simply… couldn't make it work? What if the vision was truly broken?


She looked at the wrench, then at the half-assembled framework. The gentle hum from Tracey's corner intensified, a subtle vibration underfoot. Andrea’s breath hitched. She realised, suddenly, what was wrong. Not the mechanics. Not the design. But the metaphor itself. Interdependence. It wasn't about smooth, perfect connections. It was about friction. About the grind. About what happens when the gears *don't* quite fit, but are forced to move together anyway.

A sharp, almost perverse idea sparked in her mind, like a tiny electrical current. It was radical. It would defy all her initial intentions. It might even look… broken. But it would be honest. It would be real. And it might, just might, be the only way to make 'Symbiotic Drift' finally, truly, move. She looked at Shawn, still lost in his colourful world, and Sharon, buried under her binders. She knew this new direction would shock them. It would certainly shock Mister Davies. And a part of her, the small, defiant part that still burned, thought, *Good*.

She lifted the heaviest wrench, its cold weight familiar in her hand. The image of graceful, flowing motion dissolved, replaced by a jagged, stuttering, imperfect dance. But a dance nonetheless. Andrea’s gaze hardened, no longer lost in doubt. There was no time for perfection, only for truth. And she had a whole night to dismantle her old vision and build something new, something raw, something that might just scream for attention in the sterile halls of the Horizon Gallery. The question was, would it scream triumph or utter failure when the morning light finally broke?

She could hear the quiet, metallic *thunk* of a new component falling into place in her mind, a sound that was both terrifying and utterly exhilarating. But first, she needed to break something else.

Unfinished Tales and Fun Short Stories to Read

The Hum of Uncertain Gears is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.