The Whispering Gulch

by Leaf Richards

The sun was a bully, relentless, beating down on the gulch with an open fist. Marie-Anne tugged at the hem of her faded blue dress, wishing she'd worn trousers like Benjamin, but Mum had said it was 'politer' for a girl. Politeness didn't stop the sweat from trickling down her spine, making her skin itch.

"Slow down, Benjamin!" Her voice came out thin, raspy, eaten by the dry air. He was already a good distance ahead, a blur of sun-bleached denim and straw-coloured hair, kicking up clouds of red dust with every stride. Nathan, smaller and quieter, trotted faithfully behind Benjamin, his head bent, eyes scanning the ground. He always found the interesting bits – a perfectly smooth river stone, a lizard's discarded tail, a spent bullet casing.

Benjamin merely grunted in response, not bothering to turn. He was ten, two years older than Marie-Anne, and that gap felt like an entire lifetime. He saw himself as the leader, always pushing them further, always ready for the next ‘great adventure’, which usually meant something dusty, dangerous, and likely to end with scraped knees. Marie-Anne just wanted to find a shady spot to sit and maybe a bit of cool, clear water. The creek was bone-dry this time of year, just a cracked riverbed offering no solace.

She wiped a forearm across her damp forehead, leaving a streaky smudge of dirt. The air smelled of baked earth, dry sagebrush, and a faint, acrid tang she couldn't quite place, like old rust mixed with something else, something sharp. It wasn't unpleasant, exactly, but it snagged at her senses, a low hum beneath the incessant buzz of insects. Her stomach rumbled. Mum had packed them dried apples and tough biscuits, but it wasn't enough to combat the endless summer drain.

They were heading towards the Whisper Gulch, a narrow canyon locals mostly avoided. Old Man Hemlock, who ran the general store, had once told Benjamin it was where 'the wind talks secrets'. Benjamin, of course, thought this was the greatest possible reason to explore it. Marie-Anne thought it sounded like a good place for snakes.

The landscape grew more fractured the deeper they ventured. What had started as gently rolling hills gave way to sheer, stratified rock faces, worn smooth in places by ancient water, now bone-dry. Cacti, green and spiny, clung stubbornly to ledges, their bright, improbable flowers a defiant splash of colour against the dull reds and ochres. They had to pick their way carefully, loose shale crumbling under their worn boots, sending tiny shards skittering down into the crevices. Marie-Anne gripped a sun-warmed rock, her fingers chafing, as she scrambled up a particularly steep incline. A gust of wind smelled faintly of wet dust and cold sweat.

"Look!" Benjamin’s voice echoed, sharp and excited. Marie-Anne finally caught up, lungs burning. Benjamin stood at the edge of a small, hidden depression, a bowl-shaped hollow in the rock, almost completely swallowed by overgrown scrub brush and gnarled mesquite trees. Nathan was already pushing aside a dense curtain of withered vines, revealing something dark and rectangular behind them.

Marie-Anne’s stomach tightened. Not a snake. Something else. Something… too straight for nature.

The Unveiling

Benjamin, fuelled by a sudden surge of adrenaline, tore at the vines, snapping brittle branches. A cloud of fine, reddish dust puffed up, making them cough. Marie-Anne instinctively pulled her bandana up over her nose and mouth, squinting through the hazy air. When the dust settled, she saw it clearly: a rough-hewn wooden frame, blackened with age, holding open a square mouth in the side of the rock face. It was the entrance to a mine shaft, half-collapsed, but definitely there. The wood was split in places, grey and splintered, but the dark void it framed was unsettlingly deep. A shiver, not from the heat, traced its way up her arms.

"It's the old Henderson claim!" Benjamin breathed, his voice hushed, eyes wide with discovery. "Everyone said it caved in!" Old Man Hemlock said a lot of things. Most of them about how much trouble Benjamin was.

Marie-Anne didn't remember hearing about a Henderson claim, not specifically, but she knew of the old, played-out silver mines dotting the foothills around Redemption Gulch. They were dangerous places, prone to collapse, full of unseen drops and stale, thick air. Mum had forbidden them from ever going near one. This particular shaft, hidden away like this, felt different. It felt… forgotten. And now, remembered.

Nathan, who had been poking at the loose gravel near the entrance with a stick, suddenly froze. He pointed, not speaking, but his small finger trembled slightly. On one of the thick, vertical support timbers, half-obscured by a clinging vine that had been ripped away, was a carving. Not a simple initial or a prospector’s mark. This was… intricate. A swirl, like a tightly coiled snake, but with sharp, almost mechanical edges, radiating outwards to a series of dots. It didn't look like anything Marie-Anne had ever seen in any of the town’s carvings or on the old saloon doors.

"What's that?" Marie-Anne whispered, leaning closer despite herself. The air near the shaft was noticeably cooler, carrying a scent that wasn't just dust. It was damp, earthy, and metallic, like pennies and wet rock. A faint, almost imperceptible current of air drifted out, carrying the smell, a tiny, cold breath from the earth's throat.

Benjamin pushed past her, his stick now a probing tool. "Just some old carving, probably by whoever dug this. Come on! Let's see what's inside!" He made to step into the dark opening. Marie-Anne grabbed his arm, her grip surprisingly strong.

"No! Benjamin, Mum said no mines. Ever! It's too… dark. And creepy." Her voice cracked on the last word. She could feel the cool air on her face now, a tangible difference from the oppressive heat outside. It was inviting, but also unnerving. What was in there that kept it cool even in this furnace?

Benjamin tried to shake her off. "Don't be a baby, Marie-Anne! It's just a hole. What's the worst that could happen? A couple bats?" He grinned, his teeth startlingly white against his dusty face. He knew she hated bats.

Nathan, still silent, pulled at Benjamin's shirt. He pointed at the ground, then back at the carving. His eyes, usually placid, held a flicker of something close to alarm. Marie-Anne followed his gaze. The dust directly in front of the mine entrance, usually disturbed by passing animals or wind, seemed unnaturally smooth, almost swept. But there was a single, faint depression in it, too small for an adult's boot, too distinct for a falling rock. It was a partial imprint, as if something had been placed there, then carefully lifted away.

"Someone was here," Marie-Anne stated, her voice flat. "Recently." It made her feel a little sick. Who would come to a hidden, caved-in mine? And why?

Benjamin’s bravado wavered, just for a second. His gaze dropped to the imprint, then to the dark mouth of the shaft. "Maybe… maybe they just looked?" But his voice lacked its usual certainty.


They decided, after much whispering and Benjamin’s reluctant agreement, that they would only go a little way in. "Just a peek!" he insisted, though his knuckles were white where he gripped his stick. Marie-Anne insisted Nathan go first, because he was small, and then Benjamin, because he was big, and she would bring up the rear, because she was the most sensible.

The darkness inside was absolute, a thick, palpable thing that swallowed the sunlight the moment they stepped past the entrance. The cool air intensified, a sudden chill that raised goosebumps on Marie-Anne’s arms. It smelled stronger here: the metallic tang, the damp earth, and something else, too – a faint, sweet, decaying scent, like old wood and dried flowers pressed between the pages of a forgotten book.

"It's really dark," Nathan murmured, his voice tiny, echoing strangely in the confined space. He stumbled over a loose rock, his small hand brushing against the rough timber wall. Marie-Anne could hear the scuttling of something in the shadows – probably a mouse, she told herself, trying to ignore the prickle of unease.

Benjamin had pulled a half-burnt candle stub and a box of matches from his pocket, produced with a flourish that was meant to be reassuring but only highlighted the precariousness of their situation. He struck a match, and a small, flickering flame bloomed, pushing back the oppressive darkness just a little. Shadows danced, twisting and stretching into monstrous shapes against the uneven rock walls. The air here was heavy, still, almost as if it had been holding its breath for a very long time.

The tunnel sloped gently downwards. The timber supports, while old, seemed to hold firm, albeit groaning occasionally with faint, internal shifts of the earth. The carved symbol, Marie-Anne noticed, was repeated every few feet on the timbers, smaller now, almost like trail markers. Not just a random carving, then. These were deliberate.

"See? Nothing but rocks," Benjamin whispered, trying to sound brave, but his voice was tight. He held the candle aloft, its tiny light barely penetrating the gloom more than ten feet ahead. Suddenly, Nathan stopped. He pointed, not at the walls, but at the ground. Directly in the centre of the narrow passage, nestled between two smooth, dark stones, was something that didn't belong. It was a small wooden box, dark with age, about the size of Marie-Anne’s hand. It looked like it had been carved from a single piece of dark, almost black wood, polished smooth by time or touch.

Benjamin’s eyes widened. He knelt, carefully, the candle flame trembling. "What is it?" Marie-Anne peered over his shoulder, her breath catching. The box was adorned with the same intricate, swirling snake-like pattern she’d seen on the entrance timber. The symbols covered its lid, intertwining like some forgotten language.

He reached out a hesitant finger, tracing the smooth, cool wood. There was no lock, no latch, just a faint seam around the lid. He slid his thumb into it, and with a soft click, the lid lifted. Inside, nestled on a bed of what looked like dried, crumbling leaves, were two things. A piece of brittle, yellowed parchment, folded precisely, and a single, heavy brass key, dull with tarnish, but still gleaming faintly in the candlelight.

The Unspoken Language

Marie-Anne felt a strange chill, colder than the mine air. This wasn’t just an old box. This felt… important. Benjamin carefully lifted the parchment. It crackled, fragile as frost-bitten lace. He unfolded it slowly, revealing a hand-drawn map. Not of Redemption Gulch, not really. It showed recognisable landmarks – the jagged peak of Widow’s Tooth, the winding path of the dry creek bed – but in between, etched in faded ink, were unfamiliar lines, crosses, and more of those strange, swirling symbols. One large 'X' was marked over a spot labeled 'The Crossing', a place Marie-Anne didn't know.

"It’s a treasure map!" Benjamin whispered, his eyes alight with a frantic excitement that made Marie-Anne’s own heart pound. But she didn't feel excited. She felt… wary. The symbols didn’t feel like fun. They felt old. Like secrets that should have stayed buried.

Nathan, who had been peering intently at the key, took it from the box. It was cold and heavy in his small palm, much too large for any lock Marie-Anne had ever seen on a house. He held it up, turning it in the flickering light. The key wasn’t ornate, not like the box, but plain, robust, with a wide, flat head and a single, unusual notch on its shaft.

"What's 'The Crossing'?" Marie-Anne asked, her voice quiet. She looked at the map, then at the key, then back to the symbols on the box. They were everywhere. "It’s… not a fun map, Benjamin. It’s too… much."

Benjamin ignored her. "We should follow it! We should find it!" He clutched the map, his face flushed. "Maybe it's gold! Or jewels!" He always dreamed of finding treasure, of making their family rich, of escaping the dusty grind of Redemption Gulch. Their father worked hard, but the farm was struggling against the endless summer and the dry earth. Sometimes, Marie-Anne heard her parents whispering at night, their voices low and strained.

"But… who put it here?" Marie-Anne countered, glancing around at the inky blackness that surrounded their tiny pool of light. The sheer thought of someone deliberately leaving this here, hidden, in a place everyone thought was gone, made her throat tighten. It was like a trap. Or a message.

Nathan, who had been studying the key, suddenly pointed it towards the shaft entrance, where the light faded to nothing. He made a small sound, a soft 'Mm?', and then pointed the key towards a different part of the map, a line that seemed to lead away from the gulch, out past the familiar foothills, towards the distant, purple mountains.

"He thinks it points somewhere else," Marie-Anne translated, understanding Nathan’s silent language instantly. "Not in here, but out. And the key… for what?"

Benjamin frowned, tearing his gaze from the fantasy of gold. "A lock, duh. Like a treasure chest! Or a door!" But his voice lacked conviction. He turned the map over. The back was blank, save for one more, smaller carving of the swirling symbol, almost hidden near the bottom edge. This one had a small scratch through it, as if someone had deliberately tried to deface it.

"We can't tell anyone," Marie-Anne said suddenly, the words tumbling out. "Not Mum and Pa. They'd just say it's old junk. Or they'd get scared." And her parents had enough to worry about.

Benjamin considered this. He knew his parents. They were practical people. A mysterious old map and a strange key wouldn't be seen as an opportunity, but a distraction, a potential danger. "Yeah," he agreed, a slow nod. "It's our secret. Our discovery."

Nathan nodded too, his gaze fixed on the symbol on the box. He poked it, tracing the lines with his finger. Marie-Anne knew he understood the weight of the secret. Their games were often full of make-believe dangers, but this felt different. Real. The air in the mine felt thicker now, charged with a strange, heavy expectancy.

The silence stretched, broken only by the occasional drip of unseen water and their own ragged breathing. The little candle flame flickered, casting their faces in shifting light and shadow, making them look older, more serious than they were. The heat outside felt miles away, replaced by the deep, ancient cold of the earth.

"We have to figure it out," Marie-Anne said, her voice surprisingly steady. She looked at the map, then at the key in Nathan’s hand, then at the dark mouth of the tunnel they had come from, and the deeper darkness that lay ahead. It was scary, yes, but also… an itch. A persistent, nagging curiosity that she couldn't ignore. What stories did those symbols tell? What did this map point to? And why was it left for them to find?

Benjamin finally folded the map, carefully, and placed it back in the wooden box with the key. He snapped the lid shut. The sound echoed in the small space, strangely loud. "We'll come back tomorrow," he said, looking at Marie-Anne, a new resolve in his eyes. "When the sun isn't so… much. We'll find 'The Crossing'." He looked at Marie-Anne, then at Nathan. A new quest had just begun, unspoken but deeply understood. The map, frail as a moth's wing, seemed to pulse with a faint, forgotten energy, and Marie-Anne knew, with a certainty that chilled her more than the mine's air, that this was only the very first step into something much larger, something that had waited patiently for them, buried deep beneath the dusty silence of Redemption Gulch.

Unfinished Tales and Fun Short Stories to Read

The Whispering Gulch is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.