The Grime Under a Fractured Sky

by Jamie F. Bell

The hum started low, a thrumming in his teeth that gradually migrated to his bones. It wasn't sound, not precisely, but a resonance, as if the very air of Xylos vibrated with a frequency just beyond human hearing. Joey pressed the heels of his hands to his temples, a futile gesture. The sensation persisted, a ghost in his marrow, a constant reminder that every cell in his body was a trespasser here.

He walked, not with purpose, but with the aimless drift of a man trying to absorb the sheer, overwhelming *otherness* of his surroundings. The ground beneath his boots wasn't pavement or soil, but a seamless expanse of something like polished, dark glass, warm to the touch and subtly yielding. It reflected the fractured sky above, creating an unnerving illusion of walking on an inverted void.

Buildings rose around him, immense and silent, like monuments to a forgotten calculus. They weren't constructed of brick or steel, but of materials that shimmered with internal light, shifting colors in hues of deep violet and rust, then settling into a dull, flat grey. Some structures spiraled impossibly high, their peaks dissolving into the bruised-plum atmosphere. Others squatted low, vast and featureless, their surfaces rippling as if breathing a slow, deliberate breath. There were no windows, no visible doors, only smooth, unbroken expanses that offered no hint of interior life.

A strange botanical life pulsed in recessed planters set into the ground. Not trees or shrubs, but gelatinous masses that glowed with a faint bioluminescence, their tendrils swaying without a breeze. They exuded a scent that was both sweet and acrid, like burnt sugar mixed with a cleaning solvent. Joey felt a prickle on his skin whenever he passed them, a subtle static charge that raised the hairs on his arms. He wondered if he was breathing their spores, or if they were breathing him.

Every step was a deliberation. The city was empty, or seemed to be. No ground vehicles, no flying contraptions slicing through the dense air. The only movement was the slow undulation of the building facades and the almost imperceptible sway of the bioluminescent flora. The silence, punctuated only by the pervasive, bone-deep hum, was more unnerving than any clamor.

A Glimmer of Otherness

He rounded a curve in the smooth, dark road, where the architecture shifted from towering monoliths to a series of interlocking, smaller structures, like petrified, alien beehives. Here, for the first time, he saw something that broke the perfect, unsettling symmetry: a patch of peeling, iridescent film on one of the hive-like structures, revealing a dull, rusted metal underneath. It was a flaw, an imperfection, and for a moment, Joey felt a strange, almost comforting kinship with it.

He ran a gloved finger over the exposed metal. It was cold, rough, and smelled faintly of something metallic and long-dead. A small, almost imperceptible tremor ran through the structure at his touch, and he quickly withdrew his hand. Was the city alive? Or merely reacting to external stimuli with a pre-programmed, inorganic sensitivity?

The hum intensified, pulling at the very fibers of his being. He realized it wasn't just physical; it carried a subtle psychological weight, a feeling of being observed, scrutinized. Every shadow seemed to hold a pair of unseen eyes, every undulation of a building a hidden aperture tracking his slow, meandering progress. He was alone, but he was not un-seen. That distinction chilled him more than the metallic tang in the air.

He thought of home, a brief, sharp pang of memory: the uneven paving stones of his own city, scarred with the history of countless footsteps, the cacophony of human voices, the smell of damp earth after a sudden rain. Here, there was no history etched into the ground, only this sterile, alien perfection. It was a perfection that felt designed to exclude, to highlight his own biological anomaly.


It was in what might have been a market square, a vast open space bordered by the rippling, breathing buildings, that he saw the first sign of sentient life. A figure, hunched over a small, glowing pedestal, was meticulously arranging tiny, crystalline shards that pulsed with inner light. The being was slender, its form vaguely humanoid but elongated, with limbs that seemed to bend at too many angles. Its skin was the color of unpolished brass, and its head, devoid of hair, had large, dark eyes that seemed to absorb all ambient light.

Joey hesitated, then decided on approach. He needed information, even if it meant risking an uncomfortable interaction. The silence was too much. The lack of connection was a greater threat than any potential danger this being might pose.

"Excuse me?" Joey's voice, rough from disuse, sounded alien even to his own ears in the vast, still square.

The brass-skinned figure froze, then slowly, almost painfully, uncoiled. Its large eyes fixed on Joey, utterly devoid of expression. It looked like it had been carved from a piece of ancient, weathered wood.

"A query," the being rasped, its voice like pebbles grinding together. "Unusual. And... loud."

Joey offered a tight, hopeful smile. "Loud? I try to be articulate. My name is Joey. I'm new here."

The being tilted its head, a gesture that seemed more an adjustment of an internal mechanism than an expression of thought. "'New' is an interesting designation for one who is, by all observable metrics, entirely unprecedented."

"Well, I'm certainly not from around here," Joey quipped, gesturing vaguely at the alien landscape. "Which, I imagine, is painfully obvious. Do you have a name? Or a designation, if names are too… terrestrial?"

"I am Piney," the being replied, its gaze unwavering. "And I exist. These, the Lumina Shards, are my concern. My current concern, that is. They have a tendency to realign in patterns of inconvenient chaos."

"Lumina Shards," Joey repeated, stepping closer to the glowing pedestal. "They're beautiful. What are they for?"

Piney emitted a sound that might have been a sigh, or perhaps the creak of old machinery. "For the observation of inherent probabilities. For the gentle nudging of outcomes. For the occasional, entirely accidental, explosion of minor star systems. Standard market fare, you understand."

Joey blinked. "Right. Standard. So, just a casual Monday for you then?"

"Mondays are arbitrary constructs," Piney said, tapping a particularly bright shard back into place. "All moments are equally burdened by their potential. Your presence, for instance, represents a significant deviation in the local probability field. A very large, very un-ignorable deviation."

"Is that a good thing or a bad thing?" Joey asked, a knot forming in his stomach.

Piney paused, its multi-jointed fingers hovering over the shards. "Good and bad are primitive concepts. Useful, perhaps, for species with limited foresight. Here, we merely observe the ripples. And your ripples, Joey, are quite extensive."

Another thought struck Joey. "Are there others like me here? Other... humans?"

Piney’s dark eyes seemed to deepen, drawing in the faint light. "You are unique. A solitary resonance. Which, again, contributes to the deviation."

The conversation, as witty as it was, felt increasingly like being analyzed by an ancient, indifferent computer. Joey decided to push for something concrete. "Okay, Piney. If I'm such a 'deviation,' what should I actually be doing here? Is there a way off Xylos?" He half-expected a shrug, or another cryptic pronouncement.

Instead, Piney slowly straightened, its elongated form rising to its full height. Its gaze, usually fixed on the Lumina Shards, now scanned the vast emptiness of the square, then settled on Joey with an intensity that made the hair on his neck stand up.

"Your path," Piney rasped, its voice losing its pebbled quality, becoming smoother, colder, "is not yet inscribed. But the city watches. It listens. And it learns. It has a purpose for every anomaly, for every misplaced particle of dust. Especially for one as incandescently out of place as you."

Piney then returned its attention to the glowing shards, its multi-jointed fingers once again meticulously realigning the crystalline pieces, as if the conversation had never happened. The hum in Joey’s bones intensified, resonating with a new, colder frequency.

He felt the weight of Piney's words, and the unspoken threat embedded within them. The feeling of being watched intensified, no longer a subtle paranoia but a pervasive, undeniable truth. Every surface, every shimmering wall, every tendril of bioluminescent flora felt like an eye, a sensor. The city wasn't just observing; it was assimilating. And Joey, the 'unprecedented deviation,' was its newest, most interesting subject. He looked back at the Lumina Shards, their erratic glow suddenly seeming less beautiful and more like a collection of tiny, captured stars, each struggling against its inevitable alignment, its programmed fate.

Unfinished Tales and Fun Short Stories to Read

The Grime Under a Fractured Sky is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.