The Frozen Cipher

by Eva Suluk

My feet took me past the old railway tracks, now just two rusted lines disappearing into a snowdrift, a forgotten vein in the town’s circulatory system. No trains had run here for years. It was the kind of place where things got dumped: broken sleds, flattened soda cans, the occasional stolen bike frame. Nobody came here anymore, not really. That was the point. It was where the world let go, and maybe, just maybe, where you could too.

A snag. My boot caught on something solid, not ice, not a root. I shuffled back, clearing the fresh powder with the side of my foot, then with a gloved hand. It was wood, dark and ancient, splintered at the edges. Not a random piece of lumber. This was a box, partially unearthed by the shifting snow and thaw-freeze cycles, half-swallowed by the frozen earth.

My breath plumed, thick and white, as I knelt, wincing at the cold seeping through the knees of my jeans. The wood felt rough, almost velvety with age and dampness. No hinges visible, no lock. Just a solid, rectangular shape, maybe a foot and a half long. My fingers, stiff with cold, brushed away more snow, revealing a faint, almost invisible seam where a lid should be. It felt wrong, sitting there. Too deliberate. Too… old.

I worked at it with the toe of my boot first, then with my numb fingers, scraping away frozen mud. The lid eventually groaned, a high-pitched, protesting sound like old bones cracking. A faint, earthy smell, mixed with something metallic and sharp, escaped into the crisp air. Not 'ozone,' but something acrid, like old batteries or damp pennies. I pulled the lid fully open, feeling a tiny rush of adrenaline. This was it, then. The disruption I hadn't known I was looking for. Or maybe, the disruption that had been waiting for me.

Contents of the Box

Inside, nestled in damp, dark soil, wasn’t treasure. Not gold or jewels. It was far stranger. There was a small, ornate metal coin, so cold it burned my fingertips when I picked it up, etched with a symbol I didn't recognise. It wasn’t round, more like an uneven oval, heavy in my palm. Beside it, a dried, brittle leaf, deep crimson, though it was January. Then, a small, polished stone, grey with specks of something iridescent, like tiny frozen stars. And finally, folded multiple times, a piece of faded, thick paper, almost disintegrating at the creases.

I carefully unfolded the paper. It was a drawing, crude but detailed, done in what looked like charcoal or a very dark pencil. It depicted a figure, hunched, faceless, standing at the edge of a treeline, looking towards what might have been a field. The proportions were off, unsettling. What made my stomach clench, though, wasn't the figure, but a small, deliberately drawn detail in the shadows of the trees: a single, distinct eye, almost luminous, watching the scene. It felt less like a drawing and more like a warning.

My fingers trembled, not just from the cold now. This wasn't some kid's lost toy box. This felt… older. Deliberate. I tucked the coin and the drawing into the inner pocket of my winter coat, zipping it shut. The stone and the leaf I left, half-covered by snow. I couldn’t just leave it all, but taking everything felt like a betrayal of something I didn't yet understand. I closed the lid of the box, pushing snow back over it, trying to make it look undisturbed. My heart hammered against my ribs, a frantic drum against the silent, frozen world.

The walk back was different. The silence, which had been comforting, now felt heavy, expectant. Every creak of a branch, every rustle of dry leaves caught in the wind, made me flinch. I felt watched. The eye from the drawing seemed to burn behind my own eyelids. This wasn't the calm I'd been seeking; this was a live wire, sparking, ready to ignite something much bigger than myself. My hands were shoved deep into my pockets, my fingers occasionally brushing against the cold, smooth metal of the coin.


Questions for Stacey

Stacey was sprawled across her bed, headphones on, a textbook balanced precariously on her chest. Her room, unlike mine, was always a kaleidoscope of vibrant colours and organised chaos – posters of obscure indie bands, half-finished art projects, stacks of books. She pulled off her headphones, a faint hum of music still buzzing around her ears. 'Roger? You look like you've seen a ghost. Or, worse, decided to actually *do* homework.' She grinned, her eyes glinting with amusement.

I shivered, trying to shake off the lingering chill. 'Worse,' I managed, pulling the coin and the folded drawing from my pocket. 'Way worse.' I sat heavily on her desk chair, which creaked in protest.

'Whoa. What’s that?' She sat up, curiosity replacing her sarcasm. She picked up the coin, turning it over in her fingers. 'It's… heavy. And really cold. Is that, like, an old colonial piece? From the fort?'

I shook my head. 'No, I don't think so. The symbol on it… look.' I pointed to the crude etching: a half-moon cradling a single, stark eye. 'And then there's this.' I unfolded the drawing, laying it flat on her duvet. The hunched figure, the treeline, the unsettling eye in the shadows.

Stacey’s expression shifted, her brow furrowing. She traced the lines of the drawing with a careful finger. 'That’s… creepy. Really creepy. Where did you find all this?'

'Near the old tracks. You know, past the abandoned sawmill, where the creek freezes over completely. Half-buried in the snow, like someone just… forgot it. Or hid it.'

'Forgot it?' Stacey scoffed, but a nervous edge crept into her voice. 'Nobody forgets something like this. Especially not with a drawing that looks like a still from a horror movie.' She held the coin up to the light, then examined the drawing again. 'The eye. It’s the same.'

'Right? It felt… personal. Like it was left there for someone to find. Maybe for me.'

She snorted. 'Don’t get all main character complex on me, Roger. You just stumbled on some weirdo’s stash. Probably some Goth kid’s failed art project.' She tried to make a joke, but her eyes kept returning to the drawing, lingering on the eye.

'It didn't feel like that. The box was old. Really old. And the smell…' I trailed off, searching for the right words. 'Like old metal and damp earth. Like something that's been buried for a long, long time.'

Stacey stood up, moving to her corkboard where she pinned photos and postcards. She grabbed a small magnifying glass she sometimes used for examining insects. She meticulously studied the coin, then the drawing, her usual easy-going demeanour replaced by intense focus. 'There are faint scratches around the eye on the coin,' she murmured, 'like someone tried to obscure it. And the paper… the fibres are really old. It's not modern printer paper, that’s for sure.'

'So what do you think it means?' I asked, my voice barely above a whisper. The air in her room suddenly felt heavier, the colourful posters less cheerful.

She shrugged, a gesture that seemed too casual for the intensity in her eyes. 'Could be anything. A cult symbol. A secret society. Or just… someone’s strange hobby. But the location, Roger. That’s what’s bugging me. Why there? That place is practically forgotten. If it was meant to be found, why hide it so well?'

I thought about the desolate stretch of tracks, the wind-whipped trees, the sheer emptiness. 'Maybe it wasn't meant to be found by just anyone,' I offered. 'Maybe only by someone who was… looking for something else entirely.' My voice felt distant, even to my own ears. I had gone there seeking a kind of blankness, a space to consider what I wanted next, what change I needed. And instead, I'd found this. A puzzle. A call.

'Or,' Stacey said, her voice dropping, 'maybe it was meant to stay hidden. And now it isn't.' She looked up, her gaze meeting mine. 'What if we just… put it back? Forget about it?'

I shook my head instantly. 'I can't. It feels like… a door. Opened. I have to know what's on the other side. Don't you?'

She hesitated, then a slow smile spread across her face, not her usual easy grin, but something sharper, more mischievous. 'Yeah,' she breathed. 'Yeah, I guess I do. So, what’s our first move, Sherlock?'

A Glimpse Through the Snow

We spent the next hour online, sifting through local history archives, old newspaper clippings, anything that might reference a half-moon and an eye. Nothing. No obscure local legends, no forgotten societies. Stacey suggested it might be a global symbol, but even then, nothing quite matched the specific, almost menacing simplicity of the design on the coin and drawing. The more we looked, the deeper the mystery felt, the less random it seemed.

Frustration began to prickle. I pushed away from her laptop, going to her window. The street below was quiet, streetlights casting long, distorted shadows onto the snow. A lone figure was walking slowly on the opposite pavement, bundled in a dark coat, head bowed against the wind. It was Mr. Bartleson, the old recluse who lived at the end of our street. He was a fixture, almost a landmark, his house perpetually dark, his movements slow and deliberate, like he was conserving energy for some unspoken purpose.

He never talked to anyone, just nodded curtly if you accidentally made eye contact. But something about his pacing tonight felt… different. He stopped, not at his house, but across from Stacey’s. He lifted his head, slowly, almost imperceptibly, his gaze sweeping across the front of her house. Or, more accurately, her window. My window. I ducked instinctively, a cold dread twisting in my gut. He couldn't have seen me. Could he?

I waited, heart pounding, pressed against the wall beside the window. After a long moment, I risked another peek. Mr. Bartleson was still there, a dark, motionless silhouette against the soft glow of the streetlamp, his head tilted slightly. Then, he moved. Not towards his house, but slowly, deliberately, he turned and walked down the street, away from his home, disappearing into the swirling snow and the winter night.

A shiver ran down my spine that had nothing to do with the cold. 'Hey, Stacey?' My voice sounded oddly small. 'You ever get the feeling someone’s watching you?'

She looked up from the laptop, her expression questioning. 'What? No. Why?'

I hesitated. 'Nothing. Just… that eye in the drawing. It’s really getting to me.' I didn’t mention Mr. Bartleson. It felt too paranoid, too much like making connections where none existed. Yet, the image of his dark figure, perfectly framed in the streetlamp's glow, wouldn't leave me. And the way his head had turned, so precisely, towards us. Or towards what was in my coat pocket.

We kept searching online, our initial enthusiasm slowly draining into a quiet, determined resolve. The world outside Stacey's window grew darker, the snow falling thicker. The air in the room, once so vibrant, felt charged, expectant. I kept thinking about the box, sitting out there in the freezing earth, waiting for me to find it. Waiting for me to open it.

And then, Stacey gasped. 'Roger, look at this. It's an old town record. A survey map from… 1968.' She zoomed in on the screen. 'The railway line, that's where you found it, right? And this… this is the old Bartleson homestead. Where Mr. Bartleson lives now. It used to cover a much larger area. See these markings? They show an 'outbuilding' and 'fenced-off plot' directly where the abandoned tracks cross over. Right where you found the box.'

My blood ran cold. The box hadn’t just been left by the tracks. It had been left on what was once Mr. Bartleson's family land. Decades ago. What was he doing out there tonight? And what did he know about a box buried for over fifty years?

I stared at the rough, faded drawing, then back at the coin, feeling the peculiar chill of the metal spread through my palm. The symbol on it, crude but deliberate, seemed to burn itself into my vision. It was a half-moon cradling a single, stark eye. The same eye, I realised with a sickening lurch, that was watching me from the drawing, hidden in the treeline just behind the figure. Someone had seen this before. Someone had drawn it. And now, I was seeing it too. What did it want me to see?

Unfinished Tales and Fun Short Stories to Read

The Frozen Cipher is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.