An Analysis of Brushstrokes of Discord

by Jamie F. Bell

Introduction

"Brushstrokes of Discord" is a nuanced study of connection forged in the crucible of creative and personal friction. What follows is an exploration of the chapter’s psychological architecture, examining how the act of making art becomes a conduit for two seemingly opposed teenagers to discover a shared language rooted in cultural heritage and nascent intimacy.

Thematic & Narrative Analysis

The chapter operates from a tightly controlled third-person limited perspective, tethered exclusively to Jace's consciousness. This narrative choice is central to the story's thematic development, as the reader’s initial perception of Sawyer is filtered through Jace’s own insecurities and prejudices. Sawyer is first rendered as an antagonist of sorts: "too careful," "too... clean," an embodiment of the rules and structures Jace instinctively rebels against. The narrative voice exposes Jace’s perceptual limits; he sees Sawyer’s precision not as discipline but as a silent judgment on his own chaotic process. The story masterfully reveals that Jace's external conflict with Sawyer is a manifestation of his internal war with himself—a fear of being "too loud, too much," of his emotional honesty being dismissed as mere sloppiness.

This intimate perspective allows the narrative to explore profound moral and existential dimensions concerning identity and vulnerability. The core question is not about art, but about being seen. Both boys are engaged in the act of making themselves visible on paper, and in doing so, they inadvertently make themselves visible to each other. The story suggests that true human connection requires moving past surface-level judgments and recognizing the shared history that lies beneath. Their Métis-Cree heritage is not a superficial label but the foundational grammar of their inner worlds, a truth that only emerges when they are forced to share a creative language. The narrative posits that identity is not a solitary state but something that is affirmed and deepened through recognition by another, transforming a moment of artistic collaboration into an act of profound existential validation.

Character Deep Dive

Jace

**Psychological State:** Jace exists in a state of agitated reactivity, his inner world a turbulent landscape of frustration and unchannelled energy. His physical actions—pressing hard with the charcoal, the "violent smear" of violet—are direct translations of an internal pressure he struggles to articulate or manage. He describes his art as a necessary release for feelings that might otherwise "choke him," indicating a desperate need for catharsis. This suggests his irritation towards Sawyer is less about Sawyer himself and more a projection of his own self-perceived inadequacy. He feels like a "smudgy mess" and therefore resents Sawyer's perceived cleanliness, as it highlights everything he fears he is lacking: control, precision, and quiet conformity.

**Mental Health Assessment:** Jace displays classic signs of a young person grappling with emotional dysregulation and a fragile sense of self-worth. His tendency to interpret neutral actions as criticism and his quickness to anger suggest an underlying anxiety and a history of feeling misunderstood or judged. The mention of his kokum's worry about his future hints at a pattern of behavior that causes concern for his guardians. However, his willingness to engage in the art workshop also demonstrates a positive coping mechanism; he is actively seeking an outlet for his turmoil. His capacity for sudden warmth and vulnerability upon finding common ground reveals a deep-seated desire for connection, suggesting a resilience and an emotional core that is healthier than his abrasive exterior might imply.

**Motivations & Drivers:** In this chapter, Jace is primarily motivated by a need for expression and validation. He wants his art, and by extension himself, to be seen as "honest" and "real," not just messy or wrong. He is driven by a deep-seated rebellion against rules that feel arbitrary and confining, viewing them as an attack on his authenticity. His deeper, less conscious motivation is a yearning for belonging. He pushes people away as a preemptive defense against rejection, yet the moment Sawyer sees the "land" in his work, Jace’s defenses crumble, revealing that his ultimate desire is not to be left alone, but to be truly understood.

**Hopes & Fears:** Jace's greatest fear is being fundamentally flawed or "wrong." He is terrified that his chaotic energy, his loudness, and his messy approach to life are not just personality traits but evidence of some intrinsic failure. This is why Sawyer’s adherence to rules strikes such a nerve. Conversely, his deepest hope is to be seen and accepted for exactly who he is, without having to change or conform. The unexpected connection with Sawyer offers a glimpse of this hope being realized—that his raw, foundational energy is not a flaw but a strength, a valid and powerful way of being that someone else can not only tolerate but appreciate and build upon.

Sawyer

**Psychological State:** Sawyer’s psychological state is one of meticulous order and guarded observation. His precision is not just an artistic choice but a method of navigating the world, creating control in his immediate environment by arranging pencils and holding charcoal like an "ancient artefact." This suggests a mind that finds comfort in structure and predictability. His initial avoidance of eye contact and the "faint flush" that appears when he is challenged point to a shy or introverted nature, possibly coupled with social anxiety. He is uncomfortable with confrontation and prefers the clear, unambiguous world of rules and techniques.

**Mental Health Assessment:** Sawyer presents as a highly regulated individual, possibly to the point of rigidity. His need for order could be an effective coping mechanism for managing anxiety or navigating sensory input in a busy environment. While his quietness might be mistaken for aloofness, it is more likely a sign of a thoughtful and deliberate temperament. His mental health appears stable, but his reluctance to deviate from established guidelines suggests a potential fear of failure or criticism. The breakthrough moment of collaboration shows a capacity for flexibility and connection, indicating good psychological resilience beneath his reserved exterior. He is capable of opening up when he feels safe and understood.

**Motivations & Drivers:** Sawyer is motivated by a desire for excellence through understanding. He believes in mastering the "technique" and "understanding the materials" not for the sake of the rules themselves, but because he respects the craft. This respect extends to his heritage, which he integrates into his art with subtle, deliberate care. His deeper driver is a desire for meaningful expression. While Jace expresses meaning through explosive emotion, Sawyer does so through quiet, intricate detail. He wants his art to contain depth and history, as seen in the hidden sash pattern, a quiet act of remembrance and cultural pride.

**Hopes & Fears:** Sawyer's primary fear is likely chaos and misunderstanding. He fears that without structure and precision, meaning will be lost and his efforts will be dismissed as amateurish. This is why Jace’s approach is so initially jarring to him. His deepest hope is to create something of lasting value and to connect with others who share his appreciation for subtlety and depth. The collaboration with Jace unexpectedly fulfills this hope. He finds someone who not only provides a powerful foundation for his detailed work but who also recognizes and understands the quiet cultural language he embeds within it, affirming that his meticulous efforts are not just seen, but felt.

Emotional Architecture

The chapter constructs its emotional landscape with deliberate pacing, moving from a state of simmering irritation to a crescendo of tentative, hopeful intimacy. The initial emotional temperature is low and tense, established by Jace’s internal monologue and the physical scrape of charcoal on paper. This tension escalates into a minor but significant conflict, a verbal sparring match where art techniques become proxies for opposing worldviews. The forced collaboration imposed by Ms. Dubois serves as a brilliant narrative device, plunging both characters into a shared emotional space of dismay and awkwardness, which paradoxically becomes their first point of genuine connection.

The emotional turning point occurs not with a word, but with a brushstroke. As Sawyer adds the delicate, meaningful details of their shared heritage to Jace’s raw, foundational lines, the atmosphere shifts from friction to fascination. The revelation of the Métis sash pattern and the subsequent quiet conversation about their families dismantles the remaining tension, replacing it with a startling warmth. The narrative builds this new emotion carefully, through small physical details: the shared gaze, the flush on their cheeks, the near-brush of their shoulders, and the "tiny and electric" jolt of their fingers touching. The emotional arc is completed in the final paragraphs, where Jace’s internal state transforms from agitated frustration to a "profound sense of anticipation," a quiet, aching hope that resonates powerfully with the reader.

Spatial & Environmental Psychology

The art workshop serves as a crucial psychological container for the events of the chapter. It is a liminal space, neither the fraught environment of home nor the structured world of school, but a place dedicated to creation and sanctioned messiness. This setting allows for a level of vulnerability and experimentation that might not be possible elsewhere. The long trestle table initially functions as a dividing line, a physical manifestation of the emotional and ideological gap between Jace and Sawyer. It is their personal territory in a public space.

The transformation of this space is central to the story’s development. When Ms. Dubois introduces the collaborative piece, the table ceases to be a barrier and becomes a shared ground, a canvas where their two worlds must meet. The single, large sheet of paper is a new territory they must navigate together. Jace’s "sweeping, flowing lines" claim the space with foundational energy, while Sawyer’s precise ink work populates and civilizes it. The environment thus mirrors their psychological journey: from isolated artists working in opposition to co-creators building a single, unified world. The physical proximity they are forced into—leaning over the same piece, their shoulders almost touching—directly facilitates the emotional intimacy that follows.

Aesthetic, Stylistic, & Symbolic Mechanics

The story’s aesthetic power lies in its masterful use of symbolism, where the artistic materials themselves become extensions of the characters’ identities. Jace’s charcoal is visceral and primal; it "groans," creates a "smudgy mess," and represents the raw, foundational "bones" of the land and emotion. In contrast, Sawyer’s ink and fine brushes represent precision, history, and the delicate "filigree" of culture and intellect. The narrative argues that neither is complete without the other. Jace’s raw energy needs Sawyer’s structure to give it form, and Sawyer’s detail needs Jace’s foundational power to give it life. Their collaborative piece becomes the central, evolving symbol of their burgeoning relationship—a cityscape born from the confluence of rivers, a perfect metaphor for two distinct lives merging to create something new and complex.

The style of the prose is grounded and sensory, reinforcing the story's themes. The language is rich with tactile imagery: the "rough scrape" of charcoal, the "sweet-sick tang" of paint, the "cool, damp paper." This sensory focus immerses the reader in the creative process, making the act of making art feel immediate and significant. The most potent symbols are the quiet cultural signifiers—the Métis sash pattern and the tiny canoe. These are not grand pronouncements of identity but are woven subtly into the artwork, mirroring how heritage exists in the modern world: a quiet, persistent thread of memory and meaning. This stylistic choice elevates the story from a simple tale of teenage connection to a poignant exploration of cultural inheritance.

Cultural & Intertextual Context

"Brushstrokes of Discord" situates itself firmly within a growing body of contemporary Indigenous literature that explores the complexities of urban youth identity. By focusing on two Métis-Cree teenagers in Winnipeg—a historical and cultural heartland for the Métis Nation—the story subverts stereotypical portrayals of Indigenous life often tied to rural or historical settings. It presents heritage not as a relic of the past, but as a living, breathing element of modern city life, expressed through art, quiet memory, and subtle recognition. The casual, reclaimed use of the term "half-breed" and references to "kokum" and "mosom" ground the narrative in a specific, authentic cultural voice that speaks to an insider's perspective.

The chapter echoes archetypal "enemies-to-lovers" or "opposites attract" narrative structures, but it enriches this familiar trope by filtering it through the lens of shared cultural identity. The source of their ultimate connection is not a simple romantic chemistry but a profound moment of being seen in a way that the outside world might not understand. This resonates with broader themes in literature concerning diaspora and identity, where connection is often forged through shared, specific cultural languages that are invisible to the dominant culture. The story contributes to a vital conversation about how young Indigenous people navigate their identities, find community, and create new forms of expression that honour both their heritage and their contemporary reality.

Reader Reflection: What Lingers

What lingers long after the final sentence is the palpable feeling of emergent possibility. The story does not resolve in a neat conclusion but ends on a precipice of anticipation, leaving the reader to inhabit Jace’s "strange, unfamiliar flutter of nerves and excitement." The emotional afterimage is one of gentle, aching hope. It is the quiet recognition that the most profound connections are often found not in perfect harmony, but in the synergy of our dissonant parts. The narrative beautifully captures the specific terror and thrill of newfound intimacy—the vulnerability of extending an invitation and the breathless wait for a response.

The questions that remain are not about plot, but about feeling. What will it be like for them to navigate this connection outside the safety of the art workshop? How will their two distinct energies—the chaotic and the controlled—continue to complement and challenge one another? The story evokes the universal experience of finding a person who sees the underlying structure in your chaos and the deep feeling in your precision. It leaves a lasting impression of how identity, art, and affection are inextricably linked, reminding the reader that sometimes, the most honest conversations happen without words, in the shared space of a blank page.

Conclusion

In the end, "Brushstrokes of Discord" is not a story about a single art project, but about the art of connection itself. It masterfully demonstrates how the friction between two disparate souls can generate a creative and emotional spark, revealing a shared foundation hidden beneath surface-level differences. Through the simple, tactile mediums of charcoal and ink, the chapter illustrates that our personal and cultural histories are the invisible lines that shape our present, and that true recognition is perhaps the most beautiful and vital creation of all.

About This Analysis

This analysis is part of the Unfinished Tales and Random Short Stories project, a creative research initiative by The Arts Incubator Winnipeg and the Art Borups Corners collectives. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario. Each analysis explores the narrative techniques, thematic elements, and creative potential within its corresponding chapter fragment.

By examining these unfinished stories, we aim to understand how meaning is constructed and how generative tools can intersect with artistic practice. This is where the story becomes a subject of study, inviting a deeper look into the craft of storytelling itself.