An Analysis of The Singing of the Brass Colossus

by Jamie F. Bell

Introduction

"The Singing of the Brass Colossus" presents a narrative of resurrection, both mechanical and human, set within the metallic confines of a decommissioned airship. The chapter functions as a potent exploration of the tension between imposed obsolescence and the stubborn persistence of purpose, examining how identity becomes intertwined with function and what happens when that function is declared over.

Thematic, Genre & Narrative Analysis

This chapter skillfully blends steampunk aesthetics with a profound meditation on aging and relevance. The narrative voice is tightly bound to Evan Sampson's consciousness, filtering the initial scene through his lens of grief and finality. The engine room is not merely silent; it is a "tomb," and the familiar smells of his life's work now signify something "dying." This limited perspective establishes the story's emotional baseline as one of loss, making the subsequent intrusion of the impossible hum a violation of both mechanical law and Evan's accepted reality. The narrator does not offer an objective view but rather immerses the reader in Evan's sensory and emotional world, forcing us to share his disbelief and mounting panic.

The core existential question posed by the narrative is what constitutes a life's end. Is it the cessation of breath, or the cessation of purpose? Evan and Edna are faced with a socially mandated ending—retirement, decommissioning, the "dreadful sherry" toast to a finished chapter. The ship's miraculous reawakening serves as a direct refutation of this imposed conclusion. The moral dimension lies in their choice: to accept the safe, quiet death of irrelevance or to embrace a dangerous, uncertain, but meaningful continuation. The story suggests that true vitality lies not in safety but in engagement with the unknown, and that a "ghost in the machine" may be preferable to a machine with no spirit at all.

Character Deep Dive

Evan Sampson

**Psychological State:** Evan begins the chapter in a state of profound mourning, not for a person, but for a way of life that has defined his entire identity. His melancholy is palpable, a "physical weight" that mirrors the oppressive silence of the engine room. This grief has rendered him passive, resigned to the "ending." The sudden vibration of the ship acts as an external shock to his system, jolting him from melancholic resignation into a state of professional, high-stakes anxiety. His panic is not that of a helpless man, but of a deeply competent engineer confronting an event that defies the fundamental laws of his craft. By the chapter's end, this anxiety has transmuted into a renewed sense of purpose, a quiet but firm resolve that burns away his earlier despair.

**Mental Health Assessment:** Evan exhibits symptoms consistent with situational depression stemming from his forced retirement. His identity is so deeply enmeshed with his role as the *Icarus*'s engineer that its "death" is his own. However, his underlying mental fortitude and resilience are formidable. When faced with a crisis, his decades of training and discipline immediately take over, pushing his emotional turmoil to the background. His coping mechanism is competence; he finds his footing not through emotional processing but through problem-solving. While the end of his career has dealt a severe blow to his well-being, his core psychological structure remains intact, capable of re-engaging with life when presented with a sufficiently compelling problem.

**Motivations & Drivers:** Initially, Evan’s motivation is simply to get through the day, to perform the final rites for his ship and retreat into the quiet misery of his new life. The emergency transforms his motivation into one of pure survival and professional duty: prevent the explosion. This is a primal, instinctual drive rooted in his identity as an engineer. However, as the nature of the phenomenon reveals itself, his motivation shifts again. He is driven by the undeniable pull of a mystery that aligns with his life's work and, more profoundly, by the opportunity to reclaim the relevance he thought he had lost forever.

**Hopes & Fears:** Evan's most significant fear, laid bare in the opening paragraphs, is irrelevance. The silence, the museum-like stillness, the feeling of being "too old"—these are the tangible forms his fear takes. He is terrified of a slow fade into history, a quiet and meaningless end. His deepest hope, which he has clearly suppressed, is for continuation. He doesn't hope for rest or peace, but for one more challenge, one more flight, one more chance to be the man he has always been. The glowing blue light of the drive core represents the terrifying and exhilarating manifestation of this buried hope.

Edna Grisham

**Psychological State:** Edna enters the scene as a whirlwind of theatrical energy, her dramatic pronouncements a stark contrast to Evan's somber interiority. Her initial state is one of performative nonchalance, treating the strange hum as an amusing oddity or a "séance." This facade, however, is a thin veneer over a core of sharp, decisive intelligence. The moment she recognizes the genuine danger, her theatricality evaporates, replaced by the "terrifying competence" of a seasoned navigator. Unlike Evan, she is not panicked by the impossible; she is invigorated by it. Her psychological state is one of intellectual excitement and curiosity, seeing not an anomaly to be contained but a message to be deciphered.

**Mental Health Assessment:** Edna demonstrates a high degree of psychological resilience and adaptability. Her theatrical personality likely serves as a robust coping mechanism, allowing her to frame challenges as "plot twists" in a grand adventure rather than as life-threatening crises. She does not appear to suffer from the same sense of loss as Evan; her identity seems more forward-looking and less tied to a single, finished role. Her mental health is characterized by an active, curious engagement with the world and a refusal to be defined by age or circumstance. Her arthritis is a physical limitation, but her mind remains agile and hungry for new information.

**Motivations & Drivers:** Edna is driven by an insatiable curiosity and a thirst for the extraordinary. While Evan is motivated by duty and the restoration of order, Edna is motivated by the allure of the unknown. She is the one who looks past the immediate danger to see the "harmonic data," the "signal," and the "cipher." Her desire is not merely to save the ship, but to understand its mystery and, more importantly, to follow where it leads. She is an explorer at heart, and the call from the drive is a siren song she is constitutionally incapable of ignoring.

**Hopes & Fears:** Edna's greatest fear is mundanity. The "dreadful sherry" and the toast to the ship's demise represent a kind of spiritual death for her—the end of adventure and the beginning of a boring, predictable retirement. She fears stagnation more than physical danger. Her ultimate hope is for discovery, for proof that there are still maps to be completed and mysteries to be solved. The Founder's Journals and the coordinates to the Blind Spot are not just data to her; they are a promise that the story is not over, fulfilling her deepest desire to live a life that defies simple conclusions.

Emotional Architecture

The chapter's emotional architecture is a masterfully constructed crescendo. It begins at a nadir of oppressive grief, using sensory details like the "heavy" silence and the smell of "something dying" to weigh down the reader alongside Evan. The introduction of the tremor is a subtle disruption, a flicker of unease that slowly builds into the resonant B-flat hum—a sound that shifts the mood from melancholy to suspense. The pacing accelerates with the rising gauge, each tick of the needle tightening the tension. The shattering of the mercury thermometer is a sharp, percussive release of this sonic pressure, signaling the transition from suspense to outright panic.

Edna's arrival injects a new emotional frequency into the scene—her theatricality briefly offers a moment of ironic levity before she, too, is subsumed by the crisis. The shared struggle with the emergency lever is the physical peak of the emotional arc, a moment of desperate, collaborative effort against an unseen force. The blast of steam that follows is a cathartic, albeit temporary, release. The emotional climax, however, is not this release of pressure but the subsequent reveal of the pulsating blue light. This shifts the dominant emotion from fear to awe, transforming the antagonist—the overheating engine—into a mysterious protagonist with its own agency and voice. The chapter ends on a high note of defiant hope, having journeyed from the emotional tomb of the opening to the precipice of a new, impossible adventure.

Spatial & Environmental Psychology

The engine room of the *Gilded Icarus* is not merely a setting; it is a direct reflection of Evan Sampson's inner world. At the outset, it is his tomb, a space defined by its lack of purpose. The locked pistons are "soldiers standing down," mirroring his own forced retirement. The suffocating heat and stale air are physical manifestations of his feelings of stagnation and decay. The ship's hull is a barrier, separating him from the living world outside and encasing him in his grief. The entire room is a monument to a finished life.

The reawakening of the Centrifugal Drive radically transforms the psychology of the space. The tomb becomes a womb, a place of unexpected rebirth. The dormant "heart" begins to beat, and its "bones" shiver with a new, inexplicable life. The heat, once a symbol of oppressive finality, becomes the heat of a living, breathing entity. The blue glow turns the industrial space into a sanctuary of mystery, sanctifying the machinery. The engine room ceases to be a relic and becomes an active participant in the narrative, an extension of its crew's own stubborn refusal to be relegated to a museum. It is their shared body, and its reanimation is theirs as well.

Aesthetic, Stylistic, & Symbolic Mechanics

The author's prose is rich with sensory detail and potent personification, breathing life into the mechanical world. The ship is consistently described in organic terms—it has "metal bones," a "dormant heart," and a "voice" that sings. This stylistic choice is central to the story's theme, blurring the line between man and machine and suggesting that the *Icarus* shares its crew's desire to live on. The diction alternates between the technical language of engineering ("intake valves," "chromatic output," "PSI") and the poetic language of endings and beginnings ("tomb," "curtain call," "wake-up call"), creating a powerful contrast that mirrors the central conflict between logic and mystery.

The central symbol is the "singing" of the colossus itself. It is not the roar of combustion or the hiss of steam, but a "hum," a B-flat, and finally a "symphony" of harmonic data. This transforms a mechanical failure into an act of communication, an intentional broadcast. The blue light reinforces this, eschewing the expected orange of fire for the color of electricity, magic, and the celestial. Furthermore, the name *Gilded Icarus* is a crucial symbol. Unlike the tragic Icarus of myth who fell, this version is "Gilded"—implying it was perhaps made better, stronger, and is now poised not to fall, but to rise again in defiance of its own cautionary tale.

Cultural & Intertextual Context

"The Singing of the Brass Colossus" operates firmly within the steampunk genre, with its brass machinery, aetheric travel, and Victorian-era sensibilities. Yet, it elevates these tropes by infusing them with a story of aging and legacy. The dynamic between the pragmatic, world-weary engineer Evan and the flamboyant, curious navigator Edna echoes classic archetypal pairings—the logician and the intuitive, the anchor and the sail. Their relationship has the comfortable, bickering intimacy of a long-married couple, a partnership forged over decades of shared crisis.

The narrative also taps into the powerful "one last ride" trope, often seen in Westerns or crime fiction, but here applied to a fantastical setting. It is the story of retired masters being called back for a final, impossible task that only they can perform. There are echoes of tales like *20,000 Leagues Under the Sea*, where a vessel becomes a character in its own right, imbued with the spirit of its creator. The "Founder's Journals" and a hidden cipher suggest a lineage and a secret history, placing the characters within a larger, unfolding mythology that hints at conspiracies and forgotten truths, a common element in adventure and speculative fiction.

Reader Reflection: What Lingers

What lingers long after reading is the profound sense of revitalization. The chapter is a powerful antidote to the cynicism of endings, a defiant cry against the quiet fading of the light. The story does not resolve the mystery of the signal or guarantee the success of the journey, but that is not its purpose. The lingering impact is the feeling of the shift itself—the moment a tomb becomes a cockpit, the moment a cane is set aside for a control lever. The image of the impossible blue light pulsating in the heart of the dead machine is what remains, a symbol of hope that purpose can be reignited in the most unexpected of ways. The narrative leaves the reader contemplating not the destination, but the sheer, glorious audacity of deciding to fly one more time.

Conclusion

In the end, "The Singing of the Brass Colossus" is not a story about a malfunctioning engine, but about the human spirit's rebellion against obsolescence. The impossible signal from the drive core is a metaphor for the inner call to reject a pre-written ending and to choose a life of meaning, however reckless it may be. The chapter's triumph is its transformation of a mechanical resurrection into a deeply human one, suggesting that the most powerful fuel is not anthracite, but a renewed sense of purpose.

About This Analysis

This analysis is part of the Unfinished Tales and Random Short Stories project, a creative research initiative by The Arts Incubator Winnipeg and the Art Borups Corners collectives. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario. Each analysis explores the narrative techniques, thematic elements, and creative potential within its corresponding chapter fragment.

By examining these unfinished stories, we aim to understand how meaning is constructed and how generative tools can intersect with artistic practice. This is where the story becomes a subject of study, inviting a deeper look into the craft of storytelling itself.