An Analysis of An Unsettling Hum and the Porcelain Owl
Here is an in-depth analysis of the story chapter.
Thematic Premise
The central thematic premise of "An Unsettling Hum and the Porcelain Owl" is the intrusion of the absurd and the supernatural into the rigidly mundane reality of aging and solitude. The story explores how a life, contracted by loss and time to a predictable set of routines, processes the inexplicable. Rather than a narrative of fear or wonder, it becomes a study in weary acceptance. The core theme is not the magic itself, but the human response to it when one is "well past the point of surprise."
Sub-themes branching from this premise include:
* **The Malleability of Memory and the Past:** The owl does not show factual memories but rather absurd, warped versions of "what-if" scenarios. This suggests that the past is not a fixed entity but a fluid concept, subject to the whims of imagination, regret, and even external, nonsensical forces. Bartholomew, the deceased husband, is resurrected not as he was, but as a series of surreal caricatures, questioning the very nature of how we remember the dead.
* **Loneliness and Connection:** Agnes's solitude is palpable, described through the contracting of her world to her kitchen and armchair. The humming owl, while bizarre, introduces a new, albeit non-human, interlocutor into her life. It breaks the "solitary days" with a form of communication, however strange, creating a new, absurd relationship that Agnes must navigate. It is a peculiar antidote to the predictable quiet of her existence.
* **The Incongruity of Existence:** The story posits that life, particularly at its later stages, is a series of bewildering and often pointless oddities. A humming owl projecting a tiara-wearing husband is presented as no more or less strange than a cat that predicts stocks or a husband who talks to gnomes. This flattens the distinction between the natural and the supernatural, suggesting that the universe is inherently strange, and we simply grow more accustomed to its absurdities over time.
Character Psychology
The chapter is a deep dive into the psyche of its protagonist, Agnes. Her character is defined by a formidable, almost stoic, sense of resignation laced with a dry, sarcastic wit.
* **Pragmatism as a Defense Mechanism:** Agnes is 78 and has lived through significant historical and personal upheaval ("the War, disco"). Her psychological response to the paranormal is not disbelief or panic, but a profound sense of inconvenience. Her reaction—"Oh, for heaven's sake," "Not you, too"—frames the supernatural as another chore, another leaky tap in the house of her life. This pragmatism is a well-honed coping mechanism for dealing with a world that has continuously presented challenges, from global conflicts to personal grief.
* **An Unsentimental View of the Past:** Agnes's memories of her husband are grounded and realistic. She recalls his snoring, his bad taste in jackets, and his eccentricities with a kind of weary affection. This makes her reaction to the owl's idealized or ridiculous projections of Bartholomew—a toned Olympic diver, a terrible Celine Dion-impersonator—one of scorn. She finds these fantasies "insulting" because they erase the flawed, authentic man she knew. Her psychology is rooted in a preference for the tangible, imperfect truth over glossy, meaningless fiction.
* **The Observer of Her Own Life:** Agnes has adopted a "journalistic" perspective on her own existence. She observes the strange phenomena around her with a detached curiosity, analyzing the shifting patterns on the owl's wing and musing on the implications of a secret llama farm. This self-distancing protects her from being overwhelmed, transforming potential trauma or fear into a kind of anthropological study of her own quiet, absurd life. Her decision not to call her niece, Fiona, reinforces this self-reliance and her awareness that her reality is now too peculiar to be easily shared or understood. She chooses to bear her "particular cross" alone, maintaining control over her own narrative.
Symbolism & Imagery
The narrative is rich with symbolism and evocative imagery that work to build its unique atmosphere of melancholic absurdity.
* **The Porcelain Owl:** The central symbol, the owl is a nexus of conflicting ideas. Traditionally a symbol of wisdom, this one is a "dreadful thing," a piece of kitsch with one missing eye. Its imperfection is key: it offers a fractured, incomplete, and unreliable vision of reality. The single "knowing amber" eye suggests a limited, perhaps mischievous, intelligence. The shifting patterns on its wings—from forget-me-nots (remembrance) to roots (the past) and shamrocks (luck, the inexplicable)—symbolize the instability of memory and the arbitrary nature of the realities it presents.
* **Winter and The Kitchen:** The setting is a powerful extension of Agnes's inner world. The "bruised plum colour" of the January light evokes a sense of decay and coldness. The frost that "clung like hardened sugar" suggests a world that is both beautiful and brittle, sweet but cold. Winter is her "domain," a season of retreat and introspection. Her world has "contracted to the four walls of this kitchen," making the room a symbol of her entire existence: a space of routine, memory, and now, supernatural intrusion.
* **The Hum:** The "unsettling hum" is a masterclass in subtle horror and magical realism. It is a sound "beneath the hum of the old refrigerator," suggesting a secret frequency of reality to which Agnes is only now becoming attuned. It resonates "in her bones rather than her ears," indicating an experience that is visceral and internal, not just sensory. The hum represents the undercurrent of the bizarre that runs just beneath the surface of the mundane, a fundamental vibration of the world’s inherent strangeness.
* **The Projections:** The images the owl creates are symbolic caricatures of human ambition and memory. The prize-winning cabbage and off-key singing mock Bartholomew's earthly pride. The swan-diving, adulated version of him symbolizes a fantasy of masculine virility. The "llama farm" argument represents the secret lives and paths not taken that exist within any long-term relationship. These grainy, "old television" projections are imperfect ghosts, technological in their presentation but archetypal in their content.
Narrative Style & Voice
The chapter's effectiveness is largely due to its masterfully controlled narrative style and distinctive voice.
* **Close Third-Person Perspective:** The story is told through a close third-person limited point of view, filtered entirely through Agnes's consciousness. This allows the reader to experience the events with her unique blend of weariness and sharp wit. We are not objective observers of a magical event; we are inside the head of someone for whom magic is primarily an annoyance. This perspective grounds the fantastical in a relatable, psychological reality.
* **A Voice of Dry Wit and Melancholy:** The narrative voice is the story's defining feature. It seamlessly blends poignant, melancholic descriptions ("The January light, a bruised plum colour," "The house itself... felt perpetually caught in a sigh") with biting, sarcastic commentary ("the distinct, if somewhat repetitive, flavour of the afterlife," "Are you getting ideas above your station?"). This juxtaposition creates a tone that is simultaneously sad, funny, and deeply human. It is the voice of someone who has seen it all and has decided that the only sensible response is a raised eyebrow and a muttered complaint.
* **Deliberate, Measured Pacing:** The pacing is slow and methodical, mirroring the rhythm of Agnes's life. The story lingers on small details—the chipped mug, the fumbling for a tea bag, the slow boil of the kettle. This deliberate pacing makes the eventual eruption of the supernatural all the more impactful. The narrative does not rush; it allows the strangeness to seep into the scene gradually, beginning with a subtle hum before escalating to holographic projections, mirroring the way an unsettling thought can slowly take over a quiet mind.
About This Analysis
This analysis is part of the Unfinished Tales and Random Short Stories project, a creative research initiative by The Arts Incubator Winnipeg and the Art Borups Corners collectives. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario. Each analysis explores the narrative techniques, thematic elements, and creative potential within its corresponding chapter fragment.
By examining these unfinished stories, we aim to understand how meaning is constructed and how generative tools can intersect with artistic practice. This is where the story becomes a subject of study, inviting a deeper look into the craft of storytelling itself.