A Frosty Agenda

by Leaf Richards

"And that brings us to, uh, the question of shared space," Dan said, clearing his throat, the sound a little rough in the temporary quiet. He gestured vaguely towards the empty corner of the community hall, where plastic chairs were stacked precariously, their beige surfaces scuffed. A blast of frigid air rattled the poorly sealed windowpanes, making everyone shiver, pulling their shoulders tighter inside their heavy winter coats. Sarah, whose cheeks were still flushed from the brisk walk over, picked at a loose thread on her scarlet scarf, her eyes flicking from Dan to the stack of printed documents in front of him. David didn't look up from his sketchbook, his pencil scratching a soft, insistent rhythm against the cream paper. Cathy, however, dropped her phone onto the table with a quiet thud, her gaze sharp. "Shared space," she repeated, the words hanging, not quite a question, not quite an agreement.

Dan felt a familiar knot tighten in his stomach. This was always the difficult part. The vision, the passion—that flowed easily. The logistics, the cold, hard reality of rent and utilities in a region where everything felt stretched thin, that was the anchor. He pushed a lukewarm mug of tea across the table towards Cathy. "Yeah. We've talked about the gallery concept, maybe a workshop, rehearsal space. What does that actually look like for us? Here?"

Cathy blew out a slow breath, steam pluming from her lips. "It looks like a miracle, Dan. Or a grant application the size of a phone book. This hall is... fine for meetings, but imagine someone trying to paint a mural in here, or me trying to run a digital workshop with this Wi-Fi. It’s not sustainable for the actual *doing*."

Sarah finally looked up, her expression a mix of trepidation and resolve. "But we have to start somewhere. The point of the collective, isn't it to pool resources? Even if it's just this for now, for planning. For making noise. Showing that we're here, that we want more than just... living in isolated studios."

David’s pencil stopped. He slowly rotated his sketchbook. On the page, a complex tangle of lines, like a minimalist forest, resolved itself into an abstract representation of sound waves, a single, impossibly fine line weaving through them. "It's about the connection, though, isn't it? The collective. Not just the space. If the space is a dream, then the connection is the root. We keep meeting, we keep talking, that's something."

Dan nodded, trying to catch Cathy’s eye, a silent plea for understanding. David, for all his quietness, often cut to the core of their aspirations. The goal wasn't just a building; it was a network, a support system, an argument against the idea that artists in Northwestern Ontario had to leave to thrive. The temperature in the hall felt like it had dropped another degree. He rubbed his hands together, the skin dry from the winter air.

The Collective Heartbeat

"Okay, so let's dial it back," Dan suggested, leaning forward, trying to project a calm he didn't quite feel. "Before we get lost in infrastructure, let's nail down our mission statement. What is this collective, at its heart?" He pulled out a fresh sheet of paper from his binder, the crisp white a stark contrast to the utilitarian surroundings. "Sarah, you mentioned making noise, fighting isolation. Cathy, you're about functionality, the actual *doing*. David, connection, community. How do we weave that together?"

Sarah straightened in her chair, a sudden spark in her eyes. "It's about visibility. We're here, we're creating, and we need to show that to each other, and to the wider community. Not just for our own benefit, but to inspire others, too. To make art less… exclusive. More accessible."

"Accessible, yes," Cathy interjected, tapping her nails softly on the table. "But also professional. If we're going non-profit, we need to present ourselves with a certain level of polish. Not just 'hey, we like art!' It has to be 'we are a legitimate organisation fostering regional artistic talent, providing resources, and engaging the public.'" Her gaze swept over them, a challenge. "That means clear goals, measurable outcomes, a solid brand."

David finally offered a small smile, a rare flicker that eased the tension. "Maybe we're the bridge," he mused, his voice soft, almost a murmur. "Between raw talent and opportunity. Between isolation and community. Between what we have now and what this region could be, artistically." He picked up his tea mug, wrapping both hands around it, seeking its warmth.

Dan felt a surge of hope. That was it. That was the core. "The bridge. I like that, David. The bridge for Northwestern Ontario artists. Fostering growth, providing resources, building community. Promoting regional talent and creative engagement." He scribbled furiously, trying to capture the essence before it dissipated into the cold air.


They talked for another hour, the discussion ebbing and flowing like the snow drifts outside. They hammered out bullet points for a draft mission statement, debated the merits of a membership fee versus reliance on donations, and even brainstormed a few potential names for the collective. Dan kept pushing, gently, for commitment, for actionable next steps. He could see the fatigue setting in, the glazed eyes, but also the persistent glow of shared purpose.

"So, for next time," Dan announced, looking around, his voice still steady. "Everyone brings three names for the collective, a small paragraph explaining their vision for the first six months, and ideally, one grant opportunity they've researched. Doesn't have to be perfect, just a starting point. We need to hit the ground running with the applications if we want to secure anything for spring."

Sarah sighed, but it wasn't a sound of defeat. More like the sound of someone steeling themselves. "Spring feels a long way off. My paints are practically freezing solid in my studio."

"That's why we need this, Sarah," Cathy said, a slight crack in her pragmatic tone. "So you don't have to choose between keeping your fingers warm and buying canvases. So David has a proper sound-treated space to record. So Dan doesn't have to chase after everyone individually to rally the troops."

David cleared his throat. "It's not just for us, though, is it? It's for the people who don't know they're artists yet. For the ones who think they can't make a living here, doing what they love. We're trying to build something that says, 'You can'."

Dan watched them, the hopeful glint in their eyes, the nervous energy, the subtle defiance against the pervasive chill. They were all so young, so determined. The community hall felt a little warmer with their shared ambition. He pictured the future: a bustling art space, vibrant colours, the murmur of creative exchange. He pictured grants approved, exhibitions flourishing, new artists emerging from the silent vastness of the north.

The Perilous Thaw

He gathered his papers, his binder now feeling heavier with the weight of possibility. As he zipped up his parka, the rough nylon scraping against itself, he noticed the sudden, sharp decrease in the hum of the old furnace. It had simply… stopped. The silence that followed was immediate, stark. A single, distinct 'tick' echoed from somewhere deep within its metal casing, then nothing. A slow, creeping cold began to assert itself, much faster than the gradual chill of the last few hours. Outside, the last sliver of weak daylight had bled from the sky, leaving behind a sky the colour of bruised plums, starless and heavy with the promise of more snow.

"Did you hear that?" Sarah asked, her voice hushed, her breath already misting. "The furnace?" Her words, usually light, seemed to catch on the sudden, biting cold that was already swirling around their ankles, a tangible presence in the room. A small, almost imperceptible crack spread across one of the high windowpanes, a delicate spiderwebbing on the glass, letting in the faintest, sharp whisper of the relentless winter.

Cathy, who had been meticulously packing her bag, froze. Her head tilted, listening to the abrupt, profound quiet. Her jaw tightened, a familiar line of worry deepening between her eyebrows as she pulled her toque further down over her ears. Even David, usually lost in his own world, looked up, his eyes wide and unblinking, fixed on the now still-dark vents of the old heating system. The cold wasn't just a sensation anymore; it was a foreboding presence, a silent antagonist settling into the room, waiting.

Dan felt the hopeful warmth he’d cultivated throughout the meeting slowly recede, replaced by a fresh, unyielding shiver. The tick of the furnace wasn't just a tick; it was a warning. A small, cold reminder that starting something, especially something fragile and ambitious in this unforgiving landscape, was never just about the ideas. It was about facing down the elements, seen and unseen, that always seemed to conspire against the tender shoots of spring.

Unfinished Tales and Fun Short Stories to Read

A Frosty Agenda is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.