A Bitter Chill and Faint Sparks

by Tony Eetak

The frost on the inside of Evelyn's kitchen windowpane was intricate, a fern-like pattern spreading from the bottom, hinting at the true savagery of the January night. Outside, beyond the pale glow of the single streetlamp, the snow continued its relentless descent, a thick, silent blanket smothering what little colour the town possessed. Evelyn ran a finger across the cold glass, leaving a momentary smear. Her ancient electric kettle gargled, a sound both familiar and irritating. She poured hot water into a chipped mug, the cheap teabag already sitting, steeping for too long. It would be bitter, just like everything else.

The flyer, tucked carelessly under a magnet on her fridge, mocked her with its cheerful, blocky font: 'Community Arts Initiative - Brainstorming Session! Your Ideas Needed!' As if ideas were the missing ingredient. They'd had ideas. Plenty of them. They’d had committees, grants, feasibility studies, and public consultations. Each one had blossomed briefly, a hothouse flower in the permafrost, before wilting under the harsh light of reality. The local theatre group folded after its star actor moved south for 'better opportunities.' The pottery studio became a storage unit for ice fishing gear. The photography club dwindled to Evelyn and the mayor's nephew, who mostly took blurry pictures of his cat.

She pulled her heavy wool cardigan tighter, ignoring the tiny, insistent ache in her right knee. Six o'clock. The meeting started at seven. An hour to stew, to mentally catalogue the ways this new venture would inevitably fail. It was a well-practised ritual, a comfort, almost. The predictable path of decay was less frightening than the unpredictable promise of renewal. Renewal meant hope, and hope, in this town, was a liability. It left you exposed, raw.

A strange feeling settled in her gut, a familiar twist that had nothing to do with her late-afternoon tea. It was that specific flutter before a new disappointment, a premonition of effort expended for no return. The hum, again. Not from the house. No, it was a vibration, a faint thrumming from the very ground beneath her feet. She walked to the back door, peering through the small window. Nothing. Just the snow, the black silhouettes of pine trees, and the faint, shimmering Northern Lights already beginning their slow dance across the frigid sky. Her phone, resting on the counter, buzzed. A text from Agnes, her neighbour. 'Coming to the centre tonight, dear? Juno's very excited.' Evelyn sighed. Juno. The new generation, brimming with unearned optimism. They always were.


The Centre's Cold Embrace

The walk to the community centre was a trial. The wind, now whipping directly off the frozen lake, felt like sandpaper on exposed skin. Evelyn hunched into her parka, the hood pulled so tight it obscured her peripheral vision. Each crunch of her boots on the compacted snow was a small victory. The centre, a squat brick building from the 1970s, squatted against the landscape like a forgotten bunker. It had seen better days. Decades of fundraisers, bingo nights, election rallies, and countless sombre funerals had leached much of its original life. Now, it smelled vaguely of damp masonry and stale coffee, a scent that clung to her clothes even before she pushed open the heavy, creaking double doors.

Inside, the main hall was barely warmer than outside. A few fluorescent lights buzzed overhead, casting a sickly yellow glow on the rows of plastic chairs. At the front, near a battered projector screen, a young woman, Juno, was adjusting a microphone, her brow furrowed in concentration. She couldn't be more than twenty-two, Evelyn thought, maybe twenty-three. Her hair, dyed a startling shade of blue, clashed wildly with the muted tones of the hall. Another half-dozen people milled about, stamping snow from their boots, trying to coax the old coffee machine into action. Mr. Henderson, the retired logger who had served on every council and committee since the Eisenhower administration, was already there, nursing a paper cup, his face a mask of polite skepticism. Thomas, who ran the struggling hardware store, leaned against the far wall, arms crossed, looking as though he'd rather be anywhere else.

Evelyn chose a chair near the back, by a radiator that hissed occasionally but offered little warmth. She unwound her scarf, the scratchy wool a familiar discomfort against her neck. She watched Juno, noting the small tremble in her hands as she tested the microphone. 'Can everyone hear me?' Juno's voice, though amplified, still sounded a little too eager, a little too young. A few mumbled 'yes's came back. Evelyn resisted the urge to groan. This was going to be a long night. Juno, bless her heart, had energy. Too much energy, probably. The kind that burned bright and fast, leaving only ash in its wake.

Sarah, a quiet woman with paint stains on her worn jeans, sat a few rows in front of Evelyn, sketching in a small notebook. Sarah actually *was* an artist, one of the few who had stayed, eking out a living selling small, stark landscapes to tourists who occasionally passed through during the brief summer. She looked up, caught Evelyn's eye, and offered a small, hesitant smile. Evelyn offered a thin, tight-lipped smile in return. Sarah's talent was undeniable, but even her art couldn't magic a future for this town. Nobody could.


Voices from the North

Juno launched into her presentation with a practiced enthusiasm that Evelyn found exhausting. She spoke of 'cultural vibrancy,' 'economic diversification,' and 'community engagement.' Words. They were always full of words, these young idealists. Juno had a PowerPoint presentation, complete with stock photos of smiling, diverse artists in brightly lit studios that bore no resemblance to anything in this town. Evelyn watched the slides flicker, the images a stark contrast to the peeling paint on the hall walls, the chipped veneer on the old piano in the corner. She could feel Thomas's gaze from the back, a shared, silent eye-roll, probably.

"...and so, the idea is to create a non-profit arts organization," Juno concluded, her voice gaining a slightly reedy edge, "that can provide resources, workshops, and a dedicated space for local artists and creative-minded individuals. We need a hub, a place where ideas can really spark!" She gestured expansively, nearly knocking over the microphone. A few polite claps. Mr. Henderson cleared his throat, a sound like gravel shifting in an old riverbed.

"A hub," Mr. Henderson echoed, his voice deliberate, dry. "We've had hubs. The old mill was a hub. The general store was a hub. They're all empty now. How do you propose to, ah, sustain this hub? We don't have jobs to keep young people here, let alone grants to pay for paint supplies and pottery wheels." His gaze was direct, unwavering. It wasn't hostile, just practical, grounded in the hard-won cynicism of a man who had seen too many promises evaporate like morning mist.

Juno visibly deflated for a moment, then rallied. "Well, we've been looking into federal and provincial grants, and there's a strong emphasis right now on rural community development through arts and culture. And we'd have membership fees, fundraising events..." Her voice trailed off slightly as she met Thomas's still-crossed arms. Thomas uncrossed them, then re-crossed them again. His silence was louder than any of Mr. Henderson's statements.

A few more people spoke, mostly older community members, their voices cautious, pragmatic. They spoke of the difficulty of finding volunteers, the sheer distance between settlements in Northwestern Ontario, the cost of heating an empty building through another ten-month winter. "People barely have money for groceries," one woman offered, "let alone watercolour classes." Evelyn nodded internally. This was the truth of it. The struggle was existential, not aesthetic.

Sarah, surprisingly, spoke up next. Her voice was soft, but firm. "It's not just about classes, though. It's about having a place. I work in my kitchen, sometimes in my shed if it's not too cold. It's isolating. We don't see each other's work, we don't collaborate. This area has so much beauty, so many stories, but nobody here to tell them properly, consistently. The young people leave, the old stories die." She looked directly at Juno, a rare spark in her usually reserved eyes. "A place to gather, to make. That's not a luxury, it's a necessity for some of us. For me."

Evelyn felt a flicker, a brief, unwelcome warmth in her chest. A necessity. Sarah had a point. The artists here, few as they were, were solitary creatures. Perhaps a physical space, a point of convergence, wasn't entirely a foolish dream. Still, her cynicism reasserted itself. A space was one thing, a thriving community was another. They weren't just talking about a building; they were talking about a cultural defibrillator for a heart that had been still for too long.

Juno, emboldened by Sarah's support, picked up the thread. "Exactly! And it's not just about *this* town. We've been talking to folks in other communities – Red Rock, Nipigon, even farther up towards Geraldton. What if this isn't just a *hub* for our town, but a nexus? A regional initiative? A collective of northern arts groups, sharing resources, touring exhibitions, workshops? Imagine a shared virtual portal, connecting all our disparate creative energy. A way to show the rest of the country what's really happening here." Her voice, full of that youthful zeal, suddenly seemed to carry more weight, echoing around the chilly hall, catching a few people off guard.

A low murmur went through the room. A regional initiative. Now that was a different beast entirely. Evelyn saw Mr. Henderson sit up a little straighter. Thomas shifted his weight, his expression unreadable. This wasn't just a local dream; it was a sprawling, ambitious, almost ludicrous proposition, considering the vast, frozen distances between these small dots on the map. It was, Evelyn thought, either an act of profound delusion or profound bravery. She couldn't yet decide which.


Old Wounds and New Seeds

The discussions that followed were less about the specifics of grant applications and more about the very soul of their collective existence. Evelyn listened, taking in the nuances. They spoke of logging towns that had lost their mills, fishing villages where the catch had dwindled to nothing, Indigenous communities grappling with stolen heritage and the fight for language revitalization. Each anecdote was a small, raw wound, some still festering, others scarred over but still tender to the touch. The arts, in this context, felt both utterly frivolous and profoundly essential. A way to remember, perhaps. A way to heal, maybe. A way to simply *be* when the world seemed to demand they disappear.

Juno, to her credit, listened intently. She wasn't just preaching her vision; she was absorbing the fractured narrative of a region in decline. She asked about specific challenges, about internet access in remote areas, about the lack of affordable studio spaces, about the deep-seated weariness that came from fighting the same battles decade after decade. Her blue hair seemed less like a fashion statement and more like a beacon in the dim light. She was taking notes, scribbling furiously, her brow often furrowed in concentration. She seemed to understand, or at least, she was trying to.

Evelyn found her own cynicism wavering, just a fraction. Not gone, never gone entirely, but softened at the edges. She had seen this landscape devour dreams whole. She had seen promises broken, funds mismanaged, and enthusiasm drain away like water through a sieve. But there was something in Juno's relentless optimism, and in Sarah's quiet, fierce conviction, that pricked at Evelyn's hardened shell. It was the same stubbornness that kept old Mr. Henderson still coming to these meetings, still offering his pragmatic, if weary, counsel. It was the refusal to simply lie down and let the snow bury them all.

The meeting drew to a close with more questions than answers, more ambition than concrete plans. But something had changed. The hum Evelyn had felt earlier, the strange vibration, it seemed to have clarified into a low thrumming of possibility. It was fragile, a thin strand, but it was there. Juno stood at the front, looking tired but triumphant. "So," she said, a breathless quality to her voice, "we'll form a steering committee. Those who are interested, please sign up. We'll meet again next week. And we'll start small, but we'll think big. Regional. Collaborative. Northern-focused. It's a lot, I know. But... it's time, isn't it?" She looked out at them all, her gaze sweeping over the tired faces, the lingering doubts, and the faint, nascent hopes. Evelyn watched her. A quest. That's what it was. A foolish, brave, and perhaps utterly necessary quest. A new generation, burdened by the past, reaching for a future no one could guarantee. She found her hand moving, a slow, deliberate reach for the sign-up sheet Juno was passing around.

Unfinished Tales and Fun Short Stories to Read

A Bitter Chill and Faint Sparks is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.