Anosmia for the Present Tense

by Jamie F. Bell

His new client sat opposite him, perfectly still. A thin, silvery line traced her right temple, the only visible sign of her emotion-dampening cybernetics. To Evan, she felt like a vacuum in the room. His art relied on feeling, on the deep, limbic connection between scent and emotion. Her request was a paradox.

"Describe it again," Evan said, his voice soft. He held a glass pipette steady over a beaker, his hand a surgeon's.

"It's not a memory of a place," Client 812 said, her voice modulated to perfect neutrality. "It is the memory. The lynchpin. When the sensory recall cascade begins, it always starts with the smell. Ozone, like a failing power conduit. And underneath, the smell of sugar caramelizing. Burning."

Evan added a single drop of Haitian vetiver to the blend he was working on, a commission for a tech baron who missed the smell of his childhood home's leather armchair. He didn’t look at her. "And you want me to… what? Create a perfume that smells of something else to cover it up?"

"No," she replied. "I want you to create an absence. An antagonist scent. A molecule that will find the neural receptors associated with that specific memory and block them. I want to smell ozone and burning sugar and register nothing. I want anosmia for a single moment in my past."

He finally looked up. The request was absurd, bordering on neuro-science he couldn't possibly possess. And yet… the theory was sound. Scent was just molecular geometry. Lock and key. If he could identify the precise chemical compounds of her memory, could he, in theory, design a molecule to jam the lock?

"That isn't what I do," he said. "My work is about reclamation. Not erasure."

"Your work is about control," she corrected him, her lack of inflection making the statement even more cutting. "You give people control over their past. I am asking for the same thing. The fee is not a concern."

Ozone and burnt sugar. The combination was bizarre. One was sterile, electrical. The other, organic, sweet, and then acrid. Why did the combination feel… familiar? A ghost of a memory, not hers but his own, flickered at the edge of his consciousness. A child's birthday party. The pop and fizz of a string of lights shorting out. A cake with candles.

He pushed the thought away. It was an echo, a resonance from her own potent memory. That was all.


"To even begin," he said, setting the pipette down and turning his full attention to her, "I would need a sample. Something from the event. Something that still carries the ghost of the scent."

"Impossible. The site was sterilized decades ago."

"Then the memory itself," Evan pressed, leaning forward. "You have it archived, I assume. The raw sensory data from before your damper was installed. I can't work with your description. I need the data. I need to know the exact parts-per-million of pyrazine from the sugar, the specific isotopic signature of the ozone."

She stared at him, and for the first time, a micro-expression, a flicker of uncertainty, crossed her face before the implant suppressed it. Giving him the raw data of her trauma was an act of supreme vulnerability. It was giving him the key to the most guarded room in her mind.

"This is a violation of my privacy constructs," she stated.

"This is the price of forgetting," Evan replied.

There was a long silence, broken only by the hum of the air purifier. Evan watched the silver line on her temple. A tiny blue light blinked rapidly for a moment, then went steady. She was consulting with her internal AI, weighing the risk.

"The data will be transferred to your private server," she said finally. "It is encrypted with a key that will expire in twenty-four hours. If you attempt to copy it, it will erase itself. Do we have an agreement?"

Evan nodded. "We have an agreement."

A Resonance in the Code

After she left, a data packet arrived in his secure inbox. He dimmed the lights in the atelier, isolating himself with the information. He didn't open the video or audio files. He didn't want the context, the story. He only wanted the spectrographic analysis of the scent itself.

He rendered the data as a 3D molecular model on his main screen. The structures appeared, twisting lattices of carbon, hydrogen, oxygen. He saw the familiar signature of ozone, O3. He saw the complex pyrazines and furanones of caramelizing sucrose. But there was something else. A third, unexpected compound woven through the data. A specific terpene. Pinene.

The scent of pine trees.

Ozone, burnt sugar, and pine. His breath caught in his chest. The flickering memory returned, stronger this time. Not just a birthday party. A Christmas tree in the corner of the room. The scent of its needles. The pop of the old, faulty lights his father had refused to replace. The smell of the cake his mother was pulling from the oven just as the fire started.

He stared at the screen, his own reflection a pale ghost against the spinning molecules of a stranger's trauma. It wasn't an echo. It wasn't a resonance. The date and location stamp on her data file confirmed it. This wasn't just any memory. It was his.

Unfinished Tales and Fun Short Stories to Read

Anosmia for the Present Tense is an unfinished fragment from the Unfinished Tales and Random Short Stories collection, an experimental, creative research project by The Arts Incubator Winnipeg and the Art Borups Corners Storytelling clubs. Each chapter is a unique interdisciplinary arts and narrative storytelling experiment, born from a collaboration between artists and generative AI, designed to explore the boundaries of creative writing, automation, and storytelling. The project was made possible with funding and support from the Ontario Arts Council Multi and Inter-Arts Projects program and the Government of Ontario.

By design, these stories have no beginning and no end. Many stories are fictional, but many others are not. They are snapshots from worlds that never fully exist, inviting you to imagine what comes before and what happens next. We had fun exploring this project, and hope you will too.